mark.waltz Harlow's a big hearted working class same who is employed at a fish cannery. Tracy's an aggressive strike breaker, often at odds with Harlow who nearly knocks his block off with a flying mackerel. He is publicly humiliated by her, but secretly they are crazy about each other. The only thing that stands in their way (besides his arrogance and her feistiness) is waterfront organized criminal leader Leo Carrillo. In spite of that, Spencer and Jean make it to the altar, but the road to happiness and security won't be easy thanks to their hot tempers.Fighting only minutes after they tie the knot, Tracy and Harlow are a delight, and this slice of life drama with many comic moments is extremely enjoyable. There's also Una Merkel and Mickey Rooney as her siblings, and it's obvious that Mickey was destined for stardom. Harlow's platinum hair is a bit darker here, yet she's extremely lovely. She gets above the title billing and he's under the titles, but it's obvious that they are equal in talent. This takes on some serious social issues among the taming of the shrew subplot, with waterfront boss Carrillo gregarious but ruthless, a sore loser over Tracy getting Harlow. The comic first half smoothly moves to social drama in the second half, yet the mood is not jarring. A musical moment featuring "You are my Lucky Star" which leads into a sudden burst of fireworks (thanks to the pranksterish Rooney) is one of the great single sequences, with the shot of Mickey with firecrackers in his ears edited into "Babes in Arms". Even lacking the MGM gloss as it emulates a Warner Brothers film, this is an exceptional A film that deserves to be more well remembered.

talisencrw Though this is incredibly dated, it's also a very sincere and bizarre cross between a rags-to-riches drama and social commentary on unfair work practices/rights of workers/unions. And just so fans could see sexpot starlet Jean Harlow (the film's from Warner Archives' 7-film boxed set put out for the recent 100th anniversary of her birth in 1911) in as many costumes and gowns as possible, they have her married and involved in romances not simply with strait-laced activist Spencer Tracy but also their rich, slimy boss, tuna cannery owner Joseph Galleia (most famous in 'Touch of Evil' and 'Gilda'). Women loved her because she was lippy, brazen, glamorous, loyal and had a heart of gold, and men loved her because...she was Jean Harlow. This also sports an early appearance by Mickey Rooney in comic relief as her 15-year-old punk nephew; hard to belief he had already spent 10 years by that time on the silver screen! Not the worst film you would ever see, and her charisma with both starring actors is extraordinary. If you're a fan of either Harlow or 30's drama, don't miss it for the world.

vincentlynch-moonoi There's a certain time in the late 1930s when, in my view, movies come of age. This film does have some substance, although it is not quite of that very slightly later Hollywood when films became "modern". And, the same can be said of Spencer Tracy (one of my two favorite actors; the other being Cary Grant). This was the film just before his breakout role in "Fury" and a series of truly impressive starring roles. This is the Tracy that seemed to feel he had to yell to make a point (or was that the direction he was receiving?). He hadn't quite learned what I'll refer to as simmering-subtlety. Nevertheless, Tracy has his moments in this film.Jean Harlow is impressive, even without her platinum blond hair. You'll recognize quite a few of the supporting actors (including Una Merkel and a young Mickey Rooney). I was interested to see Joseph Calleia as the bad guy here...a common role for him at the time, although I remember him best as the papa from the Martin & Lewis film "The Caddy" more than a dozen years later. Although not a large role, there's a strong performance by supporting actor J. Farrell MacDonald (if you watch old movies, you'll recognize him, although you probably never knew his name).The portion of the film that is most interesting is about midway through. After we learn that the major characters are sort of low class yellers, and after Tracy and Harlow split, it's the scene at the hobo camp that brought real substance to the movie...quite touching. And speaking of the hobo camp, it's a reminder that this film was made right in the middle of the Great Depression, and its depiction of labor unions is quite impressive. But then the film once again sinks into that pre-GWTW immaturity that I spoke of earlier. Harlow steals money from the bad guy to help Tracy, gets caught, goes to womens' prison, escapes through a drain pipe in the middle of a thunderstorm, at about the same time that the poor night watchman at a dock (Tracy) saves the union workers' jobs by foiling a sabotage attempt (why was there such an attempt by hobos???). Yes, it gets kinda dumb, and oh, I forgot to mention that while in prison, Harlow has a baby which nobody tells Tracy about. And believe it or not, despite Harlow breaking out of prison, they all live happily ever after. Dumb, dumb, dumb...but somewhat entertaining!

Scoval71 I enjoyed this 1935 movie. I like Jean Harlow and she gives a splendid realistic portrayal of a girl in love with a man who seems to ignore her. She looks wonderful in this movie. The story is rather far fetched about a tuna fisherman who wants better conditions and better pay for himself and his fellow workers but is rather immature and bull headed about everything and everyone. He is always getting in arguments or fights at the drop of a hat. Una Merkel as the sister is fine and the young Mickey Rooney is also in this movie. It is a pleasant story, if rather dated and old fashioned, but I did enjoy it and recommend it, and especially for us Jean Harlow fans, of whom, there are many.