Dave from Ottawa A misunderstanding in a bar puts propane salesman Kent 'Fatty' Cheng smack in the middle of a gang war between Vietnamese blackmailers and Chinese mercenaries. Mercenary Simon Yam, in one of his trademark crazy-eyed psycho roles, blames Cheng for starting the events that lead to his brother's death. His revenge against Cheng's family fills the second half of the film. This film is not for the queasy. Unlike most HK thrillers with their stylized fighting, the violence here comes suddenly and with shocking brutality. The fact that most of the film takes place at night in dark labyrinthine places - warehouses, construction sites - gives the film an effective nightmarish atmosphere as Cheng tries to flee from the demonic Yam.Also present in this movie is a darkly absurdist comedic sensibility that lets the violent action and the characters go way too far and keep on going, until the effect is almost sickening and yet still entertaining.

ElijahCSkuggs "Fight! Fight! Between the heavy and the light! The light don't win, we all jump in!" I'll never forget that chant. When I was young and whenever there was a height/weight disadvantage someone would begin chanting this. It was never really a serious threat, since the chant would make the bigger person almost always not try as hard, and usually making the fight into a tie. Why did I think of this? Because in this movie, you're rooting for the fat guy! Sure I've rooted for a fat guy before...maybe in a WWF or MMA match, but not in a flick I don't think. Upp, I did want Lardass in Stand By Me to get revenge. But in a violent, gritty, next-move-could-be-fatal type of way, never. Until now! Go Fatty! Run and Kill starts off with a guy named "Fatty" accidentally putting a "hit" on his wife. His wife cheated on him, so he went to the club got really drunk and started slurring around the wrong people. Well, what follows is a some of the worst luck a guy can go through. Run and Kill started off well with good character development, but then strayed off a little bit during the middle when Fatty was getting into more heat. Which is weird, you'd think it'd get more interesting. Not really. More characters were introduced at a fast rate, including the villain of the movie, but it all felt kinda jumbled and rushed. Truthfully, one moment I was watching Fatty do something with the cops, then suddenly I was watching a warehouse scene where guys were shooting at each other. Im still a tad confused if it was either Cops vs. Bad Guys or two warring groups. Anyways, that doesn't matter. What matters is what went on during the final 20 minutes.Run and Kill is another CATIII goodie from the director Billy Tang. Now seeing three of his movies, I can now easily pick his style from a group. That upward camera view close up on the bad guy. Nice stuff when looking for a menacing, insane look. The actors were all pretty good as well, especially Fatty and the Villain. Overall, Run and Kill was a pretty fun watch. It delivered the goods with acting, violence and camera work, but was kinda average with the story-telling. I enjoyed the story of revenge, the beginning and the end, but the middle not so much. Though I do recommend it to CATIII lovers out there.

Joseph P. Ulibas Run and Kill (1993) has to be one of the most disturbing and twisted films that was ever made (and that's saying something about category III films). A police procedural film that like most of the films based in this genre was taken from a true life crime. This is tied with Billy Tang's other rough rides RED TO KILL and Dr. Lamb as one of the grimmest films of the category III films.Fatty is a happy family man's (Kent Cheung) who's life is ruined one day when he discover's his wife sleeping with one of his co-workers. Instead of being a man about it, he get's plastered and meets a bar girl (Esther Kwan). He tells her his problem and asks him if he wants to meet someone who'll take care of it. Not in the soberest of moods, he makes a deal to have his wife murdered. The next morning, Fatty wakes up in an alley with a nasty hangover. Staggering home, he sees his wife and lover being murdered in their bed. The murderers want their money. But he can't pay them, so they burn down his business and threaten his family.Desperate to rectify his current situation, he calls on his mainland friend for help. He finds out that the murderers are Vietnamese refugees and their camp is located in the outskirts of the New Territories. Fatty and his mainland friends storm the camp and demand to speak to the leader. The kid asks them to forget the debt. They reply by killing the kid's friends and torturing him. The refugees turn him into a living tap and one of the goons drinks his blood. Outside the camp, the kid's crazy brother Fung (Simon Yam) and his crew raid the camp and slaughter everyone. He rescues his brother, Fatty and the bar girl. But Fung sees the condition that his young sibling is in and vows to make Fatty's life a living hell if he dies. During the escape, the kid brother dies. Enraged, Fung promises to keep his word.With nowhere to turn to, Fatty turns to Inspector Lee (Danny Lee) for help. Fung is in Hong Kong and on the prowl. It doesn't take him long to find Fatty's mother's house. Inside is his daughter and mother. Fung without hesitation tosses Fatty's mother out the window and takes Fatty and his daughter as hostages. Hours later, Fung, Fatty and the little girl are inside a warehouse. Fung has tied up the girl and douses her in gasoline. Fatty has a front row seat. No longer having a sane thought in his head, Fung turns the little girl into a bonfire. After the fire dies out, he grabs the girl's corpse and mimics her voice. Fung places the burnt husk in front of Fatty who also loses his mind.Fung's crew is becoming tired of his psychotic behavior. The boss Melvin (Melvin Wong) tries to put him in his place. Too late for that, Fung in a state of rage kills his fellow gang members and wants to make Fatty suffer even more. He calls him out and Fatty answers. The two psychos begin to have the best one-on-one fight scene I have ever witnessed. Fatty and Fung beat, burn and bust each other senseless. Fatty blows up, shoots and stabs Fung several times until he doesn't move anymore. The police finally arrive, the bar girl tries to comfort Fatty but he's left in a gibbering catatonic state. Inspector Lee looks at the mess. Just another case for the files.Highly recommended.

Bogey Man Hin Sing 'Billy' Tang has directed many noteworthy pieces of cinema in Hong Kong. His work include Red to Kill (1994) and Dr. Lamb (1992, co-directed with Danny Lee), but I think Run and Kill (1993) is perhaps his masterpiece, at least from films he's directed completely himself. Run and Kill stars the "fatty" Kent Cheng as Cheung, a business man who has a beautiful wife and little girl. He lives peaceful life with his family and goes to work in his company everyday and is a good family father. One day after coming from work he learns his wife is cheating on him with another man, and he gets shocked very badly. He goes to the nearby bar and gets drunk big time. Soon he meets one mysterious character who starts to ask things from Cheung and recommend some things which his wife deserved.. Cheung is very drunken and he says something he'd never mean and once he gets to home after waking up in the street, he learns what's happened and what's going to happen. The incredible and frightening trip to Hell has begun and the worst is yet to come. Run and Kill is totally powerful experience and even more harrowing after the second viewing. The film begins as some usual Hong Kong "slapstick comedy" as Cheung plays with his daughter and does silly things as they are getting ready to go to work and school on that fateful morning. It may feel very irritating as Cheung acts so childishly as he tries to entertain his child. That's okay, since fathers play with their children and try to amuse them. The tone of the film, however, won't stay that way once the first 15 or so minutes have rolled. The film changes from light family film/comedy into a shocking cheating tragedy into a hellish quest for life after the real nature of the happenings is revealed. The beginning and ending of this extraordinary film are as different with each other as possible. The beginning is comedy, the ending is nightmare.The usual dark colors and cinematography of director Tang is again powerful element, and really creates the infernal mood of the film. Once the horror begins, there's hardly any sunny scenes or happy colors, but menacing dark and blue smoke and empty rooms with nothing but despair. This film is perhaps as dark as they come, even from Hong Kong. The greatest power of Run and Kill among these cinematic elements is the structure how it changes its nature so wildly and becomes such a trip to the heart of darkness after beginning very differently and lightly.Meet Simon Yam, the most frightening, sadistic and dangerous screen psychopath ever in any film:Simon Yam's character in Run and Kill is totally incredible. He plays a traumatic Vietnam veteran who is undescribably evil and wicked inside and that we unfortunately learn very soon. I'd like to tell more about how this character becomes to the film, but Run and Kill belongs to the movies that you should know as little before viewing as possible. Yam's character is equally bad and dangerous with Anthony Wong's character in Herman Yau's The Untold Story. Yam's character in Run and Kill shows its most evil sides during the film's most infamous and sadistic scene which involves the death of one young character. That scene is so harrowingly powerful and disturbing act of violence that it is hard to imagine being even more powerful on any level. It gets worse. The way how Yam acts in that scene is as frightening as the act committed itself. Yam seems not to act anymore, he seems to BE like he'd be normally, it is that realistic and convincing. His face expression and other movements during that scene are totally unimaginable and made me cringe during that scene as I fully noticed them now during second viewing. Imagine Anthony Wong's face expression during the credits of The Untold Story (as he's in the police photographs) and you have the idea how powerful Yam's acting in the scene is. The scene in Run and Kill is definitely among the most gruesome and disturbing scenes ever in any film. Is it there in vain and only to exploit? No, because it is an important element in the story and finally makes Cheung's character to become what he becomes.After that scene, the film has still approximately 15-20 minutes of running time and as it should be clear by now, it is total Hell and despair whole thing. The point and theme of the film is how seemingly normal and peace loving human mind may become greater evil and more wicked than he'd ever dare to think. Cheung becomes as evil as Yam at the end, and so the inner demon and wickedness in Cheung's soul has been released and is no more un-active hiding in the background of his mind. Run and Kill is extremely depressing and dark film which hasn't got too much (if any) positivism in it, and perhaps the only positive characters (who stay alive) are the police officers, led again by Danny Lee, the actor in many other police roles and the co-director of Dr. Lamb. The violence is very strong, too, and rarely have I felt so much pain to watch the mayhem on screen as every act of killing and stabbing hurts badly as it is realistic and never glorified or distorted to look harmless and an noteworthy tool to solve things. Run and Kill is very honest in this department and that's why it is so effective and challenging film experience.Run and Kill was almost too much and too powerful experience for me, and so this is definitely not for any casual viewer. I think many/some viewers would without a doubt simply faint during the most infamous killing scene, especially if seen in the theatre on big screen. The power of Run and Kill is so great, it can affect people so effectively as people have actually fainted during the most powerful films and run out of theatres. Especially people who have own children will definitely feel very bad during that scene as I did, too, without being a father. Run and Kill is very likely as dark and pessimistic a film as possible and the power of this film is not likely going to be beaten or even equalled and I think those who manage to do so, are also made in Hong Kong or Japan, whose film makers have freedom to do their art without following some restrictions and commercial aims.Run and Kill gets the full 10 rating from me as I find this so remarkable piece of the dark cinema and its message is close to me, too. This really shows how noteworthy films some of the CAT 3 films are, despite the fact that some/most (?) of them were made simply because of money and fact that these were so popular in Hong Kong back then in the early 90's. Run and Kill among The Untold Story is the greatest achievements of these CAT 3 films and they have many important things to tell and discuss, but only for the adventurous.