Clickety-Clack High expectations can be a bad thing when it comes to viewing obscure exploitation films. The problem is, once you've finally seen the film in question, it's like all of the past descriptions and reviews of it that made you want to see it in the first place were for a different film completely. SEEDING OF A GHOST suffers from this very syndrome. While certainly odd and unique, I have to admit that I was disappointed by this. Don't be fooled by all the hype surrounding this in cult movie circles; it's not half as outrageous as you've probably been led to believe.The plot is suitably contrived. A cab driver accidentally runs into a mysterious vagrant, who promptly scuttles off into the woods. Meanwhile, his wife Irene has begun an affair with a handsome married man; she asks him to marry her, he refuses, and later that night she ends up getting raped and murdered by a couple of hoodlums. The cabbie is inexplicably led to her body through supernatural means, and decides to take revenge. He goes to the aforementioned vagrant, who promptly digs up Irene's body and begins a series of black magic rituals that lead to all sorts of weird happening amongst the perps: one guy throws up worms over his dinner plate, another is tricked into eating brains, and the married man's wife is possessed. Without giving anything away, all of this eventually leads to a blood-soaked finale in which Irene sets out for a final revenge...From all the reviews I had read about SEEDING OF A GHOST, I had been led to believe that it was an incredibly disgusting, disturbing and downright nasty little film. Well, only a portion of that is correct. This film is not bad at all, but it's hardly notable. It reminded me of an EC comic book like TALES FROM THE CRYPT: it's incredibly over-the-top and weird, but too silly to be taken seriously. And although not as comical as, say, MR. VAMPIRE or A Chinese GHOST STORY, this still has a sense of humor, albeit a very strange one.One thing this film is is SLEAZY; there's an undercurrent of misogyny here that will not fly with a lot of Western viewers. All of the women are essentially dumb, slutty punching bags, and the film is packed with a number of leering, gratuitous nude scenes that are so blatant in their execution they're not even erotic. The truth is, by the one hour mark I was kind of fed up; I had been given nudity galore, sex, creepy atmosphere, explosions and multiple kung fu fights (!), but what I really wanted was some horror. This film's structure is totally disjointed; it's like the filmmakers were making it up as they went along.Thankfully, there's the final ten minutes. As many other viewers have noted, the climax is worth viewing in itself. Think a more outrageous, blood-splattered Asian version of John Carpenter's THE THING, and you have the right idea. I wanted more of that! Overall, SEEDING OF A GHOST was hardly as off-the-wall, gross, and skin-crawling as I was hoping for. It's more in line with the rest of the Hong Kong films I've seen, in the sense that all it wants to do is please the viewer, not necessarily scare him or disturb him. Hong Kong fans should seek out the incredible (and very similar in tone) SEVENTH CURSE with Chow Yun-Fat over this one.

squeezebox This cab driver hits a man running across the road who turns out to be a warlock who was being chased by an angry mob for robbing graves who then suddenly appears in the cabbie's back seat and then informs him that since their paths have crossed the cabbie's luck will change for the worse which turns out to be pretty prophetic because his wife first cheats on him then is raped and murdered by two thugs which so enrages him that he looks up the warlock to put a curse on the men responsible (not to mention the guy who she was screwing) so together they dig up her body and cast the spell which leads to one of the thugs puking worms and causes his toilet to explode and the boyfriend to be sodomized by his possessed wife with a giant matchstick and the second thug to have his spine grow out of his body and then causes the boyfriend's wife to become pregnant with a monster that explodes out of her at a party and proceeds to rip her doctor's face off and eat the guests. THE END. A must see.

EVOL666 SEEDING OF A GHOST is a pretty bizarre HK horror film about infidelity and revenge. Although the film is pretty decent as a whole, I didn't find it quite as gory or intense as many other reviewers.A cab driver is out doing his thing one night and accidentally runs down a sorcerer (talk about bad luck...). The sorcerer talks about a curse on the cab drivers family and the driver ain't really buyin' it...until his wife is raped and murdered, that is. The cab driver goes back to the sorcerer to try and enlist his help in exacting a little black-magic revenge on the thugs responsible for his wife's death, and things start to go downhill from there. The sorcerer and the cabbie dig up the cabbie's dead wife to use in a ritual to bring vengeance down on those involved with her death. The resulting payback sure is a bitch...SEEDING has some pretty decent scenes and a few gross-out moments, but not quite as many as I was expecting. The pace is pretty slow at first and the "cool parts" don't really happen until pretty close to the end. The creature that bursts from the pregnant woman towards the very end is pretty cool looking and is rightly compared to some of the creature FX used in Carpenter's THE THING. Not a bad film overall, could have used a little more gore and a little more action towards the first half of the film. Recommended for those into strange Asian horror. 6.5/10

Bogey Man Yang Chuan is the man who directed this film, SEEDING OF A GHOST (1983) for the legendary Hong Kong Shaw Brothers, who produced many martial art classics and many "explicit horrors" which are so rare not many know anything about them. SEEDING is among the most insane films I've seen and this hyper rare film surpassed most likely every expections I had, and those were very high. I knew Hong Kong film makers can create things which simply cannot be found from elsewhere, and in the horror genre, they are as unique as in action and fantasy, too.SEEDING tells the story of a cab driver (Philip Ko), whose wife has a lover whom with she spends a lot of time. One night the wife, Irene, is attacked in the street and raped and killed by some hooligans. The taxi driver husband finds her and sadly becomes number one suspect for the murder. At the very beginning and during the credits of the film, the taxi driver met a strange fellow who said he knows about and practises black magic and other "voodoo related stuff." He said to the cab driver that things may not go very well for him from now on because they have met.. Now, after the murder of his wife, the taxi driver remembers this guy and tracks him down. He finds the ominous looking man, and wants to revenge the murder of his wife. The black magic warlock agrees and he creates a horrific curse on all those who were involved in the murder. What follows is a series of over-the-top gory and insane mayhem filled with black magic, devils, tentacle monsters, worms and other things one would expect finding from Hell itself.This film is the final nail to the coffin of the fact that the Hong Kong film makers really know how to create dark horror films, which this kind of films are called among the cult cinema specialists. Other similar "dark horrors" are (I haven't managed to track these down yet) RAPE AFTER, BLACK MAGIC and BLACK MAGIC 2 aka REVENGE OF THE ZOMBIES. Many of these are produced by the Shaw Brothers and directed by man named Ho Men-Hua, and as far as I know, only RAPE AFTER isn't by Shaw and Ho, unlike many source books seem to say. I've heard this from one very reliable Asian cinema specialist who I believe of course in these difficult questions about these more-than-rare Asian films and oddities.SEEDING OF A GHOST is dark with the capital D. There is smoke and shadows everywhere and only the beginning of the film has some genuine day light which seems peaceful and safe. But once the curse starts to affect, there's no hope for light or safety no more to the characters than the viewer! The effects are perhaps the most important elements here as they are so imaginative and detailed to the maximum effect. The monsters and creatures from the other side are as effective as in John Carpenter's The Thing (1982) for example, and the budget for SEEDING wasn't too big I think, so they are all created by great imagination and talent to spend the limited budget.The gore filled and monster inhabited mayhem on screen is incredible. There is a "devil fetus" who explodes through the hapless mother who starts to feel pain in her belly. What comes from her stomach is equally horrific as in David Cronenberg's masterpiece The Fly (1986), and it's very close to the tentacle monster in Carpenter's The Thing, too. Especially SEEDING's finale, during which this devil fetus is born, too, is an amazing barrage of bloody and nightmarish terror which cannot be controlled by the hapless people trapped inside that fateful apartment. The devil fetus once it gets born kills its victims with nasty tentacles which impale and rip anybody hapless enough to get in touch with them. There's also some very graphic nightmare scenes before the ending, too, and one of these is also illustrated in Tom Weisser's Asian Trash Cinema Book next to SEEDING review. I mean the scene in which one of the rapists suddenly starts to vomit worms while eating his food. Also the scene in which the guy gets his spine cursed through his back in explicit detail is again something never before seen in any other horror effort. These Hong Kong directors can create something which necessarily doesn't require plenty of money, but are as (and often, more) effective and nerve shocking as those made with plenty of money but not so plenty of talent.The dialogue and screenplay isn't too great at all, and the dialogue especially is inept. People say what they think and they say things which should not be said in any noteworthy film. Everybody always screams something like "What are you doing!" when character's stomach explodes or gets his spine ripped off by an invisible force. This kind of brainless dialogue is very usual with some Hong Kong films, and I hated to find it that much in SEEDING, too. But I came to conclusion that the film is perfect in its "dark DARK horror level" so I don't give this the lower rating it deserved because of these errors. If reviewed as a piece of cinema, this would definitely not get the 10 stars rating, but when reviewed as a piece of Hong Kong terror cinema and Asian cult cinema, then this gets easily the ten rating, because it is something I hadn't seen before and something I think isn't easily surpassed anymore. I hope I can track RAPE AFTER and others of its kind down soon and see can they surpass the insanity and impact of SEEDING OF A GHOST in any way. Have a good night's sleep!