Artimidor Federkiel In 1964 Michael Apted filmed a documentary on a couple of seven year olds for a British television studio from various backgrounds. The idea was to see what the generation heading into the next millennium looked like at that early age, what their hopes were, their dreams, their aspirations. It was an interesting snap-shot for sure back in these days, but then again, who knew what would really become of those kids? Well, someone clever got the idea to revisit them at age 14 - and thus made another documentary. Seven years later they did it again, and more and more things began to shape and what at this time could be seen as an experiment became really extraordinarily interesting.So it went on, a documentary on the lives of people like you and me. Today, a couple of dozen years later, we've got several more installments and have gained insight on what has really become of those children of the sixties. The series as a whole is simply the most outstanding and longest running reality documentary ever filmed, it's all about life as close as it can get, and due to its unique circumstances the feat is impossible to copy. There are twists and turns in the lives that we are allowed to follow, sometimes of course also influenced by the fact that they are shown on screen, in a positive or a negative way. However, in general we get a good portion of real life experience handed out via the Seven Up! series in a way we never would be able to experience otherwise, apart from our own lives. Groundbreaking indeed, must see. Should be compulsory viewing for anyone in the process of growing up...Additional notes: The Seven Up! series has sparked various imitators all over the world, ranging from similar approaches made in the USSR, Germany, Australia and South Africa, thus honoring the original. All these attempts put together provide a kaleidoscope of developing lives around the planet in different times and places. They have their own merits, but owe much to Apted's pioneering spirit. Even Robert Linklater's "Boyhood" (2014), where a young actor is being followed playing a fictional character over twelve years while he's growing up, apparently was heavily inspired by the "Seven Up!" series. Linklater's hybrid film that tries to merge fiction and documentary however ultimately falls somewhat flat, as it is neither the one nor the other. Better stick with the real thing, and it all started here.

gentendo The filmmaker's ideological argument is one that is pervasive throughout the film: "Give me the child until he is 7 and I will give you the man." Set in London England, the director exposes this argument by interviewing an average group of elementary school children. His questions include a variety of topics that allow the viewer to become better acquainted with the thoughts and desires of what these children hope to become. The mere fact that his subject is elementary school children demonstrates his ability to fulfill one of the rules of documentary film-making: giving a voice to the voiceless. These children under normal circumstances would not have a voice in the world at such a young age. They are not celebrities; they are just like any other child—ingenuously funny, naïve, and inquisitive. Most of them aspire to become great things (i.e. astronauts, teachers); however, the director seems to implicitly suggest that given the immaturity of their present beliefs as seven-year-old children, those dreams they wish to fulfill are idealistically unattainable. How? Because given his argument, he suggests that because these particular children are "fully developed" and still immature at the age of seven, he presupposes that the nation of England ought to greatly fear the rising generation and what skills they will lack in the world. The last line of the film implicitly demonstrates this, "We have now seen a look at what the nation of England is in store for and what potential there lies within." Observing how the audience and myself was laughing at the naivety of these children (as I'm sure was intended to show how ignorant they are) I personally felt it was unfair for the director to cast such judgment on them because I don't believe a child is fully developed at the age of seven. One cannot presuppose such a threat to a nation based off what a child's inclinations and aspirations are at such a young age. Why? Because there are many factors that can and do contribute in refining a child's behavior into something better through a space of time and development. The director seemed to suggest that such a space for developing would not be necessary to determine who they would become in the future, namely, bums.There are several filmic techniques that the director used to support his argument. First, he asked specific questions that he knew would exploit the children through their own responses: "What do you do after you get home from school?" to which most of the children responded, "Watch TV!" The implication here of course suggests that their lack of diligence and acquiescence to passivity and mind-numbing entertainment would cause them to become slaves inside of Plato's cave—something not fit for a future nation to thrive on. Second, he captures on film moments of the children fighting with each other. This is more of an explicit ideology of showing that violence and aggression reign supreme amongst such a young crowd as this. The implicit ideology seems to suggest that if these children are fighting with their hands and feet now, how will they fight in the future?—with guns, knives? Overall, I felt this documentary was promoting activism on behalf of the parents—how to discipline your children better! I felt this was rather ridiculous because they are only children—there's still plenty of time for them to grow and develop into more responsible beings.

TxMike Michael Apted must be congratulated for having (or perhaps stumbling upon) the vision for this study. Take 14 seven year olds in England, film them in a few interesting situations, and follow those same kids as they grow up. Every seven years. Because all of our lives transpire at roughly the same rates, we cannot actually observe children growing up. But this filmed approach is the next best thing.This first film is rather short, and in black and white plays about like an amateur home movie. We still get to see and hear these children, their opinions, their likes and dislikes, their ambitions. And, while it is interesting, you can get the same thing at any elementary school playground. What is really interesting, and groundbreaking, is the following these children as they grow up.For that, one must see the next installments. The best way, for the uninitiated, is the 5-disk DVD set just out, which has all 6 films up through "42 UP" in 1998. ("49 UP" has been made but is not yet available on DVD.) However, simply seeing the most recent film is pretty good, because each film contains snippets of each of the former ones, allowing us to see how each child developed in 7-year increments.Just a marvelous study of growing up.

metalgoth I've read about this series elsewhere and was always curious to see it. Thanks to an internet movie rental chain I've now seen 7 Up and 7 + 7, and the rest of the series is queued up and ready to ship. I can't wait.Viewers who are not used to the various English accents will likely be struggling to understand what some of the kids are saying in the first movie, 7 Up, but it's a short film, and deserves repeated viewing. My vague memories of previous reviews of this series suggest that this may be the most lighthearted of the series. While it is fascinating for many reasons, it is also vastly enjoyable just for the experience of the 7 year-olds' high spirits and humor.It's jarring when you get your first look at 7 + 7, which revisits most of the kids 7 years later. Their individuality, only hinted at in the first movie, is obvious in these now-14 year-olds. As a parent I feel that familiar combination of the sadness at the loss of the child and anticipation of the future adult. Here we run through this in a matter of minutes.As it stands now, the series goes as far as 42 Up, somehow turning these frolicking little kids into my peers in the space of a few hours. (I've always been a sucker for special effects.) This series is unlike anything that came before it, and while a quick scan of titles suggests that it's been imitated since, I'm waiting to see what happens to this particular group.