showtrmp A gripping if rather implausible story about a group of gay-bashing youths, this sustains interest until the ridiculous ending, when the director gathers up all the plot threads and, instead of weaving them together, ties them into a hopeless snarl. Not only does the last-minute plot revelation make no sense, it "explains" the characters in a very facile, film-school manner, when what makes the film frightening is the fact that we really CAN'T tell what motivates the young characters, and neither can they. They succumb to their worst violent/sexual urges without a second thought, because stopping to think would make their lives completely unbearable. This ending forces "meaning" on us in the way that second-rate well-made plays in the nineteenth century used to.I'm growing very tired of gay movies that feature their young heroes being raped and/or killed by straight oppressors (who rape them to prove they themselves aren't gay?) It's a cheap way for an artistically impoverished movie to be considered "daring" and "honest", when it really reveals very little. I've always been suspicious of the argument that gay-bashers are all closeted homosexuals striking out at what they fear in themselves (this view also weakened the ending of the otherwise excellent "Milk.")

sammie-hartman Filmed in Bristol, England, UK on a non-existent budget of 20,000 euros (28,000 USD) with a cast made up almost entirely of first-timers to feature film, "Shank" is one of my all time favorites."Shank" is the story of teenaged "scallie" gang banger, Cal (Wayne Virgo), who is realizing his true desire for other men. In particular, his best friend and fellow gang member Jonno (Tom Bott) with whom he shares several very intimately awkward moments. His gang is known for filming the beatings that they frequently dish out to innocent bystanders. However, when the gang jumps an attractive young gay man, Olivier (Marc Laurant), Cal reaches his breaking point stopping the beating.Having left his gang stranded to go and help the bloodied young man, Cal is now the target of their rage. Can these two young men from opposing worlds and different understandings of oneself survive all that is thrown their way? Directed by 21 year old Simon Pearce, "Shank" is a gritty and unapologetic look at a coming-out story that has never been seen before. Wayne Virgo is an extremely talented newcomer, who also happens to be a gorgeous young man with great attributes which are seen throughout out the movie."Shank" is violent and unsettling at times, sensual and compassionate at others, and has a well-balanced use of intimacy and nudity. All of which is necessary to truly tell this story of self-discovery and love. Most importantly it pulls you into the story from the moment it starts and holds you til the very end. Making you care for and feel for the characters, "Shank" is a perfect blend of every element that a good movie is made of.With it's gripping script (written by Darren Flaxstone and Christian Martin), beyond-their-years-in-talent acting, and superb direction and cinematography, "Shank" is a low-budget film that can stand against any Hollywood powerhouse...Just letting you know...

james richards As a gay man I can understand why other gay men have found this film difficult to watch. It is disturbing.It depicts a very real story that looks at a young gay gang member hiding from his fellow hoodlums his sexuality whilst engaging in dangerous and at time's very unsafe sexual practices without their knowledge.Only a chance encounter (and subsequent love affair) with a victim of the gangs abusive streak arrests his spiral and descent into the hell of the ultimately bored undereducated unemployed subculture that does hang out on Britain's street corners intimidating all those who appear to have more to their lives than they do! This betrayal turns the tables and lives change - forever.Whilst I agree that some of the acting is clunky and requiring more schooling - it is all very valiant in effort. I haven't marked the film down for this as the direction, script and editing and urban soundtrack (balanced with some lovely score) keep you hooked to the last. The first frame of the film is carried with you to the last reveal and this satisfies the viewer considerably.This is a brave film, unique when set against the volume of gay films that are being released that have nothing new to say and tread well worn clichéd paths. I genuinely applaud it. It's unique interwoven story deserves at least a 9 out of 10 on its own.It might not be comfortable viewing for many but it packs a punch that resonates for a long time afterwards - a mark of a good film. Quite rightly it reminds us that despite more liberal legislation of late gay life is still uncertain, insecure and gay men are still very vulnerable from fearful attitudes.

sandover A teenage gang of three molests weak, effeminate looking passersby in some slightly dreary, somewhat hip looking (courtesy of perfunctory soundtrack) goth/abandoned industry area. The subplot is that in that kind of malfunctioning family/triangle, one member, Cal, is secretly gay and the other male one is repressing his tendency towards his mate; peppered with an obnoxious - yet fragile in the end - female lead who cannot face her dark secret, it all soon comes down to a violent confrontation; add an exchange french student to the mix, a student who is OK with his sexuality and there you have it. I mean it with some tender amazement, for this is I think the innovation the film offers; as if the grit-brit tradition of film-making meets the more insouciant french one via its representatives. It mixes somewhat awkwardly though; some emphasis on the gayness of the french student (esp. the lush scene of him and Cal by the pool, surrounded by candles, and sipping wine does not seem over the top - even though it is a small one, without words - thanks to the good effort of Wayne Virgo who communicates excitedness) seems incongruous, though this is not as much wounding as his really unconvincing acting at the final explosion. After that the film gets melodramatic. We were expecting that a bit, yes, but something is lost in the temperature of the message, social redemption through love. (It is an obviously small budget film, but that is OK, if not to its advantage.) Worth for a look just for the effort of his 21-year old director and the instinctively observed scene at the cemetery.