GameAndWatch I'm pretty bored of gritty drug dramas, but thankful that I didn't pass this one up.In short the film follows the day in the life of a dealer: Shifty and his best friend Chris. Chris left Shifty high and dry and made a break for Manchester after a tragic event. And the beginning of the film sees his return to make reparations with his old friend. Chris used to be a dealer but is slowly building a future for himself. Shifty sells drugs. He earns plenty of money and is a slave to the job - but he's not living a champagne lifestyle or snorting his wares. Instead he's living a meagre existence. Travelling by foot to do drops and living with his brother Rez - under the pretence that he's a little lost and hopeless - which is wearing a little thin on his close family.In the following 24 hours, Chris tags alongside Shifty. Chris is witness to a pick up, some drops and the desperation of addiction while walking his old haunts. He advices Shifty to get out while he can. Both Chris and Shifty have some unresolved issues but their bondage triumphs. We see the scars, torment and betrayal wrought from both dealers and users, especially to those closest to them.The film is neither overtly violent, nor does it glorify drug use, or drug careers. Quite the opposite. There's a few small laughs thrown in. It is not a laugh a minute like Adam and Paul, Trainspotting or Pulp Fiction. It is however a little uncomfortable to watch, mainly because it's depressingly familiar. I found myself wishing the characters out of their dead end and empty lives.Sadly I couldn't find any love in my heart for Shifty, wanting to see some morsel of remorse for his crimes. On the other hand Chris I forgave early on. Both Chris and Rez were both likable.I can't help but like Daniel Mays, his face is just fantastic. Nitin Ganatra is wonderful and Riz Ahmed is flawless. I'm not sure if the film could have worked without any of them. I'd like to see them all in something a little more jolly!This can't have been the easiest script to act, but all parties do so with aplomb. Great pace, great cast, great shots - a cohesive love laboured piece of artistry.

Leofwine_draca A dull and lifeless addition to the British gangster cycle. Shifty and his buddy Chris are a couple of dead-eyed deadbeats who deal drugs and spend their days either fighting with friends and family or trying to stay out of trouble. The film that follows is as depressingly grim and predictable as it is uninteresting.One of the recurrent problems with movies like this is that the writer and director is the same person, in this case Eran Creevy. I personally believe that scriptwriting and direction are two very different beasts that require very different skills and talents. Middling efforts in both respects result in middling films. Creevy should choose one role or the other, not attempt both. Invariably these "labour of love" productions smack of self-importance and self-indulgence, as is the case here.It's not all bad, and there are certain things in the film's favour; the camera-work is pretty decent by genre standards, with none of that blighting shaky-cam rubbish, and the pacing is pretty good; SHIFTY keeps you watching, even if it doesn't involve you. But the characterisation is so circumstantial and clichéd that it's impossible to immerse yourself in the world of the characters.Riz Ahmed and Daniel Mays have both contributed some impressive acting in other, better films, but they're lifeless and on autopilot here. I'm not quite sure why Jason Flemyng and Francesca Annis have been cast in supporting roles that could have been played by anyone, unless it's for name value alone. It's not enough. SHIFTY is an instantly forgettable move in a quagmire of similar efforts.

GrahamEngland While a subject that is quite familiar to low budget UK films, 'Shifty' is better than most.The tiny budget may have made too much flashiness impossible, the film is all the better for it. Since it gives a more realistic touch and lets the characters develop.The film does was it sets out to do well, 24 hours in the life of a drug dealer (who unlike the usual stereotype had choices due to his good education and once supportive family). His limited world is upturned by an old friend returning to town after 4 years, after an event, not revealed until late in the film, though he has plenty of other problems looming.Well shot, good characters, good script and it kept me interested from start to finish with some very good moments within a tight narrative.Plenty of similar films in this genre deliver less than they promise, 'Shifty' on the other hand, to quote a well known advert in the UK 'Does What It Says On The Tin'. And does it very well. Recommended.

colin_coyne Considering that this was the Writer / Director's (Eran Creevy) first feature film (previously he had made several music videos and adverts), and that it had been shot in 18 days on a budget of just £100K, this was a really rather good film.The actors were very competent, especially Riz Ahmed (as Shifty), Daniel Mays (as Chris) and Jason Flemyng (as Glen) who were all very believable in their roles, the narrative moved along nicely, and there were enough twists and turns (especially at the end) to keep everyone interested in the plot – and to what was happening to the characters.The action revolves around two school friends that had lost touch and had just met up again after four years … one of them becoming increasingly involved in drug dealing … much to his friends dismay.Apparently the tale was based on the tale of a boyhood friend of the directors – which heavily influenced the writing and the ambiance of the film … this may well have had a bearing on the Director's feel for the story – and "getting it right" – this passion certainly shone through with regards to the subject matter – and the atmosphere of the finished film.An added bonus (as this was an early preview screening) was that the Director (Eran Creevy) and one of the main cast members (Jason Flemyng – Snatch, Transporter 2, The Curious Case of Benjamin Button, etc.) were on hand for a Q&A session with the audience after the film – which was most welcomed and went down very well.It may have been the directors first film – but it certainly won't be his last