mark.waltz I sentence this silly musical western to a low rating and less than mediocre review. Tex Ritter is wrongly accused of murder and must expose the villains with the help of his trusty horse White Lightning and idiotic sidekick Al La Rue. Justice obviously ain't on Ritter's side and he is in the courtroom of the dumbest judge ever to cross the legitimate bar and claim to be sober while a sleazy attorney makes it obvious who the real villains are. So what does Ritter does every time that it appears that he is heading closer to the hangman's noose? Why sing of course! There are a few exciting moments of action, but the lame dialogue continuously interrupts it along with the poor songs. Louise Stanley, a heroine in many a Z-grade western, is once again along for the ride, and is simply window dressing and not much else.

bkoganbing I think bad editing ruined Sing Cowboy Sing a Tex Ritter western that he did for poverty row Grand National Pictures. I could have rated it a notch or two higher, but I doubt we'll ever see a director's cut.Tex and companion Al St. John come to the aid of Louise Stanley, unfortunately too late to save her father and his men from being massacred by an outlaw gang in the pay of perennial western villain Karl Hackett trying to take over the freighting concession in the territory.Hackett's got a sweet little racket going having intimidated Judge Robert McKenzie and Marshal Horace Murphy who would soon be a Tex Ritter sidekick in future films. McKenzie plays Judge Roy Dean who both is judge and runs the saloon. Sounds familiar, doesn't it. McKenzie is the one you'll remember from this film.Ritter sings a few cowboy ballads including one in jail where he's being framed for a murder charge. What could have been an exciting climax was butchered by bad editing. In the final shootout with freighters and the outlaws, people keep falling off their horses without the sound of gunfire. Looked rather unreal.Still Tex Ritter's fans will enjoy Sing Cowboy Sing.

Jay Raskin The director Robert N. Bradbury had done over 100 Westerns by time he did this one in 1937. He is not lyrical like John Ford, but he does know how to keep things moving and entertaining. The budget seems to be a bit higher than the ones he was working with when he did the great John Wayne early westerns in 1934 and 1935. Although this was on a Mill Creek DVD release of 20 musicals, there are only four songs and they are short and well integrated into the story, so it is really a Western more than a musical. Tex Ritter is charming as the lead and a bit more relaxed than John Wayne. Al Saint John, who worked with Fatty Arbuckle and Buster Keaton in their early silent slapstick films, is delightful. Everyone else is competent.Growing up on a steady diet of television westerns in the late 50's and early 60's, it is fun to see these early forerunners of the genre. The early television Westerns like "the Lone Ranger" and "Zorro" really copied the style of the 1930's westerns like this one. The later Western series, like "Maverick," "Wagon Train" and "Bonanza" took after the more dramatic/serious and slower paced ones of the 1950's like "High Noon" and "Shane."

zardoz-13 Tex Archer (Tex Ritter) and his bewhiskered pal Duke Evans (perennial western sidekick Al 'Fuzzy' St. John of "Gentlemen with Guns") are riding along the prairie peaceful like minding their own business when they hear gunfire galore. A gang of dastardly desperados led by trigger-happy Red Holman (Charles King of "Hearts of the West") descend on a procession of freight wagons that belong to George Summers (Jack C. Smith of "The Fighting Deputy") and his daughter Madge (Louise Stanley of "Yukon Flight") on their way to the town of Tonto. These heinous hombres wipe out everybody except Madge and set fire torch two wagons. By the time that Tex and Duke intervene, they are too tardy to make a difference. However, they do manage to scare off Red and his henchmen who flee the scene because they fear that they will be recognized. Madge finds her father shot dead and sprawled on the prairie. Meanwhile, Red and his gunmen hightail it back to town and report to their black-clad, mustached sidewinder of a boss Kalmus (Karl Hackettof "Wild Horse Rustlers") that they have carried out his orders and wiped out the Summers' outfit. Kalmus explains to Red that Summers brought catastrophe on his daughter and himself when he ignored Kalmus' warning. Kalmus gloats smugly over his good fortune. Avariciously, Kalmus assures Red, "Now, with that freight hauling franchise, we're in line to make some fancy money and we can run this community as we see fit." When Red gets word to Kalmus, the latter is smoking a cigarette and having a drink in a saloon owned by a quasi-Judge Roy Bean type called Judge Roy Dean (Robert MacKenzie of "Death Valley Outlaws') and Dean isn't exactly thrilled that Kalmus casually makes use of his saloon as headquarters for his nefarious exploits. "It's liable to get people to thinking things," Dean points out unhappily and refers to Summers and the freighting franchise. Kalmus tells the bartender/judge that everything is okay, but Dean frets that Kalmus' presence in his bar will lead people to think that Dean and Kalmus are friends. Imagine Kalmus' surprise when Tex and Duke show up driving one of the freight wagons with Madge. Initially, Kalmus thinks that Red has double-crossed him, but his top henchmen vows that he would never lie to him. Meanwhile, a grateful Madge thanks Tex for his help before she realizes that she doesn't know her hero's name. "You see," she explains, "I'm almost frantic. Dad put everything that he owned into that freight line and he had to make two trips a week to own the franchise." Tex decides on the spot to help out the damsel in distress. "We'll get a wagon over that line somehow tomorrow, "he cheers her up. When the town lawman, Marshall Tinker (Horace Murphy of "Ghost Valley Raiders") starts asking questions, Madge explains that a gang of ruffians waylaid her father and his men at Rock Pass. Everybody died but her. She points out that Tex and Duke rode to her rescue. When Tex offers to lead a posse to investigate the massacre, Tinker informs him that the town cannot afford to pay for a posse and that strangers shouldn't poke them noses into business that doesn't concern them.Prolific director Robert N. Bradbury--with 125 low-budget, B-movie westerns to his credit--helmed this concise 59-minue black & white oater for the short-lived, poverty-row studio Grand National. Some of Bradbury's sagebrushers, among them "Westward Ho," "The Dawn Rider," and "Texas Terror," starred John Wayne. Bradbury also directed his son, cowboy star Bob Steele in several horse operas. Tex Ritter warbles about four or five songs, but he wears outfits considerably less ostentatious than Gene Autry. Inevitably, Tex and Red tangle when Red tries to knife Tex in his sleep. Everybody downstairs in the saloon hears a gun discharge and Kalmus rushes to investigate. At first, Kalmus believes that he can railroad Tex for Red's death, but Duke discovers that Red is only wounded—not dead. When Duke escorts Red into the courtroom at gunpoint, Kalmus has one of his assassins kill his second-in-command before the man can reveal the villain's evil deeds. Kalmus convinces Judge Dean that Tex may have had a hand in the massacre. Despite incredible odds and a stacked deck against them, Tex and Duke save Madge's freight line and Kalmus bites the dust. Before Kalmus dies in Tax's arms, he observes,"I knew the first time that I saw you, you'd be tough to beat. You win.""Sing, Cowboy, Sing" is one of 20 movie musicals in a 5-pack of DVDs released by Mill Creek Entertainment. The print is scratchy and time has not been kind to it. The dialogue is not synchronized with the actors' mouths because this vintage film has been mercilessly ground up over time by projectors and has lost bits and pieces of film. Nevertheless, for a predictable western, "Sing, Cowboy, Sing" isn't as obnoxious as most musical westerns. Tex Ritter makes a likable enough hero and Fuzzy provides the appropriate comic relief.