Sinners in Paradise

1938 "EXPLOSIVE DRAMA of 7 dangerous men and a woman marooned on a primitive island"
Sinners in Paradise
5.7| 1h5m| NR| en| More Info
Released: 19 May 1938 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

The survivors from a plane crash are washed up on an island where the only inhabitants are Mr. Taylor and his servant, Ping. The mismatched group must learn to get along and work together if they are to convince Taylor to let them borrow his boat and return to the main land.

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ksf-2 Right from the start, we can tell that this DVD from TCM.com is a good quality production... it has menu options and appears to have been restored professionally. Madge Evans and John Boles star in this south sea thriller about people being shipwrecked on an island. According to Evans, director James Whale was NOT happy about having to make this film, and it was near the end of his career. Universal packed a lot of story into this 65 minute shortie, so things move right along. Similar plot to Gilligan's Island... bigshots, rich folks, and assorted characters (a tarot card reader! ) crash-land on an inhabited south sea island, and try to make a deal with the resident "Malone" (Bruce Cabot) to get back to civilization. Gene Lockhart is in here as "the Senator"... who huffs and puffs his nasty outbursts every couple minutes. Malone is clearly on the run from "something", but no-one knows what. He always seems to have clean, ironed shirts, in spite of his being on a south sea island for years! Fistfights, gun fights, people are shot, people try to steal a boat...This one kind of loses steam about halfway through. After they meet Malone, it kinds of falls apart. Will anyone get off the island? A big chunk of the script is just silly and doesn't really progress in the last third of the film. The last few minutes kind of ties up a lot of loose ends, but it could have been so much better. I blame it on a weak script. It's okay. One of those fun, exotic south sea adventures, but it got silly right around the middle. Original story by Harold Buckley, who had several films made from his books in the 1930s. We were right in the heart of the film production code, so much of this story is predictable...
MartinHafer "Sinners in Paradise" is an agreeable little B-movie. While it has several plot problems which I'll soon talk about, the overall film is light and entertaining--and would make a nice time-passer.The film begins aboard a clipper (a sort of seaplane used by airlines for cross-Pacific journeys). However, soon they are caught in a storm and the plane crashes. Only one of the crew members survives but unfortunately, the passengers ALL survive. I say this because they are, overall, a miserable lot. Several are extremely selfish and spoiled-- and when they land on a semi-deserted island, they start barking out orders to the two inhabitants as if they owned the place. As for Jim Taylor (John Boles), he's having none of it and tells them they need to work for their keep--he won't be waiting on anyone. So what are these incredibly fussy people to do until (and IF) help ever arrives? In many ways, this plays like "Gilligan's Island" but without the bad comedy. The only attempt at comedy are a couple birds who talk--and wow are they annoying and stupid. Otherwise, it's a decent little film. My favorite part about this is the one played by Willie Fung. Normally in films he played a very, very harmless and subservient sort of fellow. Here, though, he turns out to be a rather macho guy. See the film and see what I mean.
Michael_Elliott Sinners in Paradise (1938) *** (out of 4) Universal drama directed by James Whale about a plane load of people who crash on an island ran by a loner (John Boles). This one here doesn't have a very good reputation but I found it to be highly entertaining until the last fifteen minutes when things started to drag a bit. Whale's direction is right on the mark mixing some nice drama with some comedy and using the oddball characters to full effect. Boles, from Whale's Frankenstein is very good in the lead and the supporting players are good as well. The plane crash is handled with a master's touch. Madge Evans and Bruce Cabot co-star.
MARIO GAUCI I was very much looking forward to this one, mainly due to Michael's favorable comments but, while I enjoyed it quite a bit, I also thought the material unworthy of its director (who happens to be one of my all-time favorites)! Featuring multiple characters (though the cast itself is rather second-rate!), the film evokes memories of GRAND HOTEL (1932) and LOST HORIZON (1937) but also looks forward to FIVE CAME BACK (1939) and STAGECOACH (1939). FIVE CAME BACK is especially comparable in view of its plot similarities but, while probably no more elaborate a production, that RKO film - directed by John Farrow and featuring one of the best performances by Maltese actor Joseph Calleia - is considerably more compelling and a much better film in every way.Given Whale's customary lavishness, then, it's distressing to see how his fortunes dwindled at the change in the studio's management and the miniscule budget and B-movie status afforded SINNERS IN PARADISE hurts the film considerably! Still, the opening scenes (featuring an uncredited cameo by Whale regular Dwight Frye) are nicely handled and the airplane crash, while an obvious model, is nonetheless exciting. However, once on the island (and the introduction of its 'master' John Boles, who's miscast but not bad), the film kind of stops dead in its tracks; while it provides a couple of villains, there is no real menace a' la the headhunters closing in on the stranded party in FIVE CAME BACK - and the film merely relies on the obligatory if tepid romance (which mainly revolves around two separate couples) and some resistible comic relief to prod the story along (though Gene Lockhart's typical fooling in the role of a pompous politician is amiable enough)! Having so far watched four non-horror films by James Whale, it's interesting to note that two were set in stylish surroundings and the other two in exotic locales; still, while equally ramshackle, I found GREEN HELL (1940) - due, in no small measure, to its remarkable cast - to be a lot more satisfying than this one!