Claudio Carvalho In the 70's, while acting in a porn movie, Jennifer (Cheryl Dent) has a vision of her dead sister Jessica and attacks her dwarfish partner Nasty Nat (Pancho Moler). She is sent to a mental institute and six months later, her doctor discharges her under the condition that Jennifer should stay with her parents using medicine for a period. While driving through the desert, Jennifer is thrown in a ditch by the truck of two guys that want to rape her. However she is helped by the dysfunctional hippies Damon Grey (Vin Crease), Violence Onelove (Michele Morrow) and Guilty Karma. They invite Jennifer to spend the night in their camp and they offer peyote to her. Under the effect of the drug, the delusional Jennifer and her new friends are haunted by a mysterious fiend. "Slaughterhouse of the Rising Sun" is a weird movie, with bizarre characters and situations that are not well-developed. The dysfunctional group of hippies, for example, are totally insane and silly, and their violent attitudes are unusual and against the philosophy of "love and piece" from the 70's. Jennifer's insanity is never explained, and the viewer has no explanation why she has this killer instinct and why she killed her younger sister. The genre shifts between a comedy that is neither dark nor funny and horror that is silly and never scary. Therefore the film fails. The best offered by this flick is the version of The Animals' "House of the Rising Sun" in the end. My vote is three.Title (Brazil): "Delírio Assassino" ("Assassin Daydream")

Rubbed Raw This is not a horrible movie. It has a few moments. But there are many obvious giveaways that make it clear that it was not made in 1972. Things like hairstyles, clothing, the use of a steadicam and other modern digital editing techniques totally spoil the potential illusion. I don't know how anyone can say that it is convincing in this respect. Unless they have not watched a lot of films from 1972. The music is probably the most convincing part. I also think they make the mistake of playing for laughs at times (and not getting them) when they should have just played it straight. It could have been funnier that way. Just watch SCTV for examples of how that can work. But, in fact, I would have preferred it if they were not going for laughs at all. If they had instead chosen to just make a good solid horror film in the style of movies from 1972. And just an odd side note: Texas Chainsaw Massacre came out in 1974. I'm not sure how to interpret homage to/parody of a movie which is embedded in a movie that's supposed to be made two years earlier.

efiline I normally hate horror films, but this eerie and very funny film was really fun to watch. Really good acting, great lines and psychedelic imagery made this a real throwback to 70's films that I grew up with. Vin Crease is a very talented director and has a great screen presence. I really loved the pathetic Sabbath Jones and Westy Westerman -- a great love/hate character.

mikerobins67 I saw this film at the Denver Underground Film Festival and I was so surprised to to see such a funny, campy and creepy film. Although this is a new film, you would swear this was made in 1972. All of the characters are hilarious and memorable -- especially the psycho-duo Guilty and Violence (they're also really hot!!!). The movie touches on so many horror and exploitation films from the time -- from "The Texas Chainsaw Massacre" and "Last House on the Left" to Russ Meyer's films and all the groovy counter culture films from back then. Even the music, editing, titles and effects are dead-on. The film is definitely the kind you'll see at midnight shows for years to come. It has the kind of lines that people will probably interact like they do with "The Rocky Horror Picture Show". I can't wait to see this again. A true modern cult classic.