Snow Falling on Cedars

1999 "First loves last forever."
6.7| 2h7m| PG-13| en| More Info
Released: 22 December 1999 Released
Producted By: Universal Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

In the 1950s, a Japanese-American fisherman is suspected of killing his neighbour at sea. For Ishmael, a local reporter, the trial strikes a deep emotional chord when he finds his ex-lover is linked to the case. As he investigates the killing, he uncovers some startling clues that lead him to a shocking discovery.

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Python Hyena Snow Falling on Cedars (1999): Dir: Scott Hicks / Cast: Ethan Hawke, Sam Shepard, Richard Jenkins, Max Von Sydow, Youki Kudoh: Snow is a metaphor for burdens while cedars represent people. Ethan Hawke stars as a reporter who carries the job after his father's passing. He is covering a case involving land payment and possible murder. A Japanese male is on trial whose father bought the land during the war but they got behind in payments. Romantic subplot bares no weight but director Scott Hicks does a fantastic job. This is Hicks's followup to his success with Shine. Hawke is superb as he searches for answers but his involvement with a female sidelines what's important. Sam Shepard as his father is superb and the relationship is seen as one trying to reach the other in potential or measuring up. Also with Richard Jenkins as a Sheriff who survives what might have been a cliché type role by applying intellect and reasoning. Max Von Sydow as a lawyer also rises above convention by stealing his scenes. Youki Kudoh plays the married Asian woman whom Hawke rolls about under the cedars enacting hot forbidden passion. While the story structure doesn't always bear weight, the winter photography is enchanting particularly when the snow and cedars physically enter the picture. Strong themes heavy on symbolism to demonstrate the weariness of a burdened soul. Score: 9 / 10
classicsoncall I'm usually in general agreement with IMDb viewers on most films, but with this one I have a major disconnect. The picture has a 6.8 rating as I write this, a far cry from the 10 I would give it for masterful story telling and exceptional cinematography. You just never can tell.I realize that the non-linear format can be a turn off for many viewers, but unlike other movies I've seen utilizing the frequent use of flashbacks, I didn't find the technique to be distracting here. It was fully essential to develop the back story of Ishmael's (Ethan Hawke) unrequited love for Hatsue (Yuki Kudo), and the circumstances leading to the trial of Hatsue's husband for murder. Particularly relevant were the scenes pertinent to the Miyamoto family acquiring the berry farm and how they were basically swindled by Etta Heine (Celia Weston) and the legal system following the death of Mrs. Heine's husband. The roundup of Japanese families and their internment in prison camps following the outbreak of World War II was particularly painful to watch recreated on screen, alluding to an unfortunate era in the history of the country.However the most agonizing theme that pervades the story is Ishmael's inability to come to terms with the loss of Hatsue. It invades every aspect of his thoughts and his very existence. Eventually this personal torment is eclipsed by the necessity to do the right thing for a fellow human being.With a finale reminiscent of the closing scene in "To Kill a Mockingbird", the Miyamoto family stands in unison to proclaim their admiration for Ishmael after he does the right thing by bringing new evidence to the judge presiding over the trial. Just prior to that, Defense Attorney Gudmundsson (Max von Sydow) delivered a stunning summation to jolt Ishmael into recognition of what he must do for the sake of justice and equality. Later, in a quiet moment with Ishmael, the wizened attorney makes a poignant observation that's brilliantly insightful into the human condition - "Accident rules every corner of the universe, except maybe... the chambers of the human heart."
vincentlynch-moonoi In general I give this film rather high marks. It does a very good job of portraying the resentment toward the Japanese after World War II, as well as the general racism against Asians in that area at that time. I was particularly impressed with the courtroom scene where a White female landowner (I suppose she saw herself as a "real American") demonstrates her prejudice against foreigners, even though she herself had a strong foreign accent.I saw this film on cable when it first came to television, and now again a dozen years later. When I first saw the film I was impressed with young Ethan Hawke. I haven't been very impressed with him since.I am not a big fan of flashbacks, although they have their place. Some directors rely on them way too much, and that is evident in this film. I found it made the story a bit confusing in parts. And I had to laugh at one of our reviewers who said the story couldn't be told in sequence. Really? A story that occurs in sequence can't be told in sequence? This film has SOME flashbacks for the sake of having flashbacks.The cinematography here is excellent, and some scenes are particularly memorable. The rounding up of the Japanese in order to send them to relocation camps is a haunting sequence.As good as the "round up" sequence was, PARTS of the courtroom scenes were equally bad. Key testimony was quite good, but to show the blur of the trial, there were lousy slow motion scenes with muffled sounds. I was not impressed.As mentioned, Ethan Hawke was very good here as the young newspaper man struggling with idealism. James Cromwell was very good as the judge, in part because in his career you never quite knew whether he was going to be the good guy or the bad guy. Richard Jenkins is not a handsome guy, which is probably why he is so underrated as an actor; he does very nicely here as the sheriff. A highlight of the film is Max von Sydow as the defense attorney!!! And Rick Yune was appropriately stoic as the young Japanese man on trail.This is a darned good film, despite a few faults. Recommended, though it didn't end up on my DVD shelf.
AlfredYale This is probably the worst movie I have ever seen in my life, and the first video rental that made me and a buddy push the fast-forward button more than three times. When you have two religious viewers show the most emotion when a character swears at his former love while losing a limb, you know the movie is really bad. Snow falling on cedars has way too many shots of snow actually falling on cedars. And snow falling on the ground. And people talking like they are watching snow falling. Soooo boring. Believe me, it is much better to simply sit in front of your apartment window and watch the snow actually fall then to waste money renting this movie.