Steve Nyland (Squonkamatic) Good gracious, what a movie. Been watching my Peplums again after a need to better understand the character of Hercules came up. Sure, he's called Maciste (or however its pronounced) in this one but it's essentially the same guy: Muscle-bound demigod begotten from the Sire of Zeus/Jupiter wandering the Earth righting wrongs. Here he comes upon another Peplum Egyptian Pharaonic era royal court beset by all sorts of fascinating evils furthered by the attention-riveting Chelo Alonso, perfectly as the intelligent yet bloodthirsty slave girl come to be Queen of an Empire.Or whatever — This is one of the most violent and potentially disturbing Sword & Sandal mini- epic I can recall, with an implied body count in the thousands as she has entire human settlements wiped out to further her ambition for ultimate power. Humans torched alive on top of elaborate towers is a favored method of dispatching the unworthy, but our favorite will always be the Crocodile Pool into which assorted cast members are tossed to suffer hideously as they are devoured alive.And you know, something tells me we're missing a proper introduction to the plot device, as a key character is dispatched fairly early into proceedings, later appearing in a manner in which their identity cannot be confirmed and is supposed to be of bother to the story. Because, I suspect, he was devoured whole by crocodiles in a scene removed from the surviving print, which only mentions the Crocodile Pool towards the end of the proceedings. This totally defies how Pepla are usually structured and in a manner which can only be the result of external meddling.Much like a James Bond film the best Peplum thrillers establish an elaborately horrifying execution or torture device for its crazed villain's inept underlings fairly early on. The threat of ending up thrown into its workings then hangs over the rest of the plot, indeed driving its plot once the Hero has come into the story. And sure enough Mark Forrest's very capable Maciste is indeed thrown bodily into the Crocodile Pool at what would have been exactly the right moment — If we had known about the Crocodile Pool previously.Since we do not my suspicions were raised upon a 2nd viewing when going back to make sure the movie really was as cool as I'd thought it was. And "Son of Samson" is, just off-balanced by not having the Crocodile Pool established in the mind's eye of the viewer prior to Maciste being tossed into it. And a 3rd viewing established the likely place where our introduction to its horrors should have been cemented. There is no reason for the plot to insist that the identity of a certain key character is anyone but that person … Unless, that is, he had been devoured by the crocodiles & a dummy used in his place.The good news is that even after three viewings the film remains of fascination and deserves a restoration. Ms. Alonso is nothing shy of a revelation and her final doom is perhaps the most disturbing moment in Peplum history since Kirk Douglas had his run-in with the Lepers. I'll even forgive the movie for not having a rampaging monster for a big showdown match. Trust me: Maciste has his hands full in this one just contending with all the evil scheming afoot. Fitting in screen time for a giant cyclops or mechanical moon-men would have proved a distraction, and the film concludes on exactly the right note to leave the viewer wondering, "Wait … what was that again, with the thing?"

ma-cortes Mythological epic with a magnificent he-man as is Mark Forest and set in Under Egypt whose center is ¨Sais¨ while High Egypt the capitol is ¨Tanis¨ . The setting is the 11th century BC ancient Egypt , when the country is dominated by Persian occupiers who have enslaved the people . At the beginning appears some impressive images with slaves buried until neck and serpents surrounding and other frames with persons burn on poles . Pharaoh Armiteo I (Carlo Tamberlani) is planning a rebellion against Persians . But his gorgeous wife Smedes (Chelo Alonso) aware and kill him . The young prince Kenamus (Zanolli) becomes the new successor , but he is deceived and spelled by means of a potion who turns into slave to Smedes . The bouncing Maciste helps the youngster Kenamun and reunites an army of rebels to take on the Smedes troops . Our protagonist unhesitatingly goes into action and must use his strength to save the successor from villain Smedes and against the pharaoh's former counselor . Then Maciste becomes inextricably involved in a war between usurpers under the command the Egyptian troops against an army of helpless rebels . Along the way Maciste or Hercules or Goliath frees slaves , moves rocks and fights a lion and Crocs . French/Italian co-production with haunting scenarios , wonderful outdoors and rousing production design . This is a good spaghetti , myth-opera with action , love , battles and luxurious landscapes . The movie has not mythological accuracy neither expecting historical . Breathtaking scenes when is elevated an Egyptian column and overwhelming final battle with surprisingly gory scenes . As usual ,the beautiful Cuban dancer/actress plays an erotic dancing with veil included before Maciste that was censored in Spain . In the picture turns up Peplum ordinaries as Vira Silenti , the veteran Carlo Tamberlani and Andrea Fantasia who along with his brother Franco Fantasia worked much as maestros of weapons in this genre . Interesting screenplay by Ennio De Concini , a prolific writer who wrote a lot of Spaghetti , Gialli and Peplum . This spectacular Sword and Sandal movie displays a colorful and glimmer cinematography by Riccardo Pallotini , filmed on location in Egypt including the pyramids and temples of Hatsetsup , Karnak , Luxor , among others . Atmospheric and evocative musical score by Carlo Innocenzi . The motion picture is well directed by Carlo Campogalliani who made many tales of this kind . He along with Vittorio Cottafavi and Giorgio Ferroni continued to realize films in the historical-spectacular style , at which he developed a considerable skill and mastery .Mark Forest , in his first film, is perfect as the mythical hero who encounters many dangerous situations while trying to save a pharaoh of numerous odds . Forest who played the mythic Maciste in great number of movies was randomly assigned the identity of Hercules , Goliath , Samson or Aron for U.S. viewing . Bouncing and strong Forest was the second American actor bodybuilder , after Steve Reeves , to be recruited by Italian producers to star in Peplum films . The muscle-man Forest left allegedly the sword and sandals genre for the Opera . He used the amount of money he made acting as hero and gladiator films in Italy to study Opera , he currently teaches in the Los Angeles zone . He was one along with Ed Fury , Dan Vadis,Brad Harris , Alan Steel , Reg Park , Gordon Scott whom to seek fortune acting absurdly as muscle mythological figures but nobody topped Steve Reeves in popularity . He only starred Peplum such as : 1964 Hércules against sons of sun , 1964 Lion of Tebas , 1964 Maciste Nell'inferno Gengis Khan , 1964 Maciste, Gladiatore Sparta , 1963 Maciste Contro i Mongoli ,1963 Maciste, l'Eroe più Grande del Mondo ,1962 Maciste, Gladiatore più forte Mondo , 1961 Maciste, the Son of Hercules , 1960 La Venganza De Ercole . Rating : Above average muscle-men fodder and better than most muscles operas-spaghetti,thanks to Mark Forest and by Peplum specialist as is the director Carlo Campogalliani .

Woodyanders Noble and mighty Maciste (a likable performance by brawny hunk Steve Forest) comes to the aid of the oppressed people of the Egyptian city of Tanis, who are suffering greatly under the cruel reign of the beautiful, but ruthless and duplicitous Queen Smedes (superbly played with wicked aplomb by the delectable Chelo Alonso). Director Carlo Campogalliani and screenwriters Oreste Biancoli and Ennio De Concini relate the absorbing story at a constant steady pace and maintain a serious tone throughout. The stirring action scenes are staged with real flair and the moments of violence are surprisingly bloody and brutal. Forest makes for an impressive muscular hero as he either wrestles lions and crocodiles or throws huge boulders as if they were mere pebbles. The stunningly gorgeous Alonso positively burns up the screen with her steamy portrayal of Queen Smedes; the sequence with her performing a sultry belly dance in an attempt to seduce Samson rates as the scorching hot highlight of the whole movie. Moreover, there's solid supporting turns by Angelo Zanolli as the humane and dashing Pharoah Kenamun and Federica Ranchi as sweet, fetching peasant girl Nofret. The major last reel battle delivers the exciting rough'n'ready goods. Carlo Innocenzi's robust, roaring score and Riccardo Pallottini's crisp widescreen scope cinematography are both fine and effective. An immensely enjoyable picture.

b_moviebuff Well for the first half of this entry the acting is very wooden but somewhere down the line the cast start to look interested, I feared the worst when I bought this on DVD but was surprised just how good it is (in parts!), our hero saves a bunch of babes...sorry slaves from capture and unites with the people against the tyrants...well you should get the idea by now if you watch these kind of movies,as always Mark Forest looks superb as Machiste son of Samson and his muscular frame has the ladies in question in a spin, one word of warning though, some battle scenes are incredibly brutal and gory, this surprised me greatly as I don't think this would have been passed by British censors but as these epics come and go a good entry into the genre.