South of St. Louis

1949 "Warner Bros.' Thundering New Triumph!"
South of St. Louis
6| 1h28m| NR| en| More Info
Released: 06 March 1949 Released
Producted By: United States Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

With the advent of the American Civil War, three partners in a ranch see how this is destroyed. Needing money, will join the Confederate troops, each for their particular motivations.

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MartinHafer Despite having Joel McCrea in the lead, this is a rather dull western...dull and pretty predictable. About the only part that was unexpected was how less than honorable McCrea's character was through much of the movie.The story is set during the Civil War. Three buddies all arrive in Yankee occupied Texas on the lookout for Cottrell (Victor Jory). Cottrell is fashioned after the real life Civil War raider, Quantrill...though oddly he's fighting for the Union in this one. Despite Kip Davis (Joel McCrea) and his friends wanting to kill Cottrell, soon Lee (Douglas Kennedy) joins the Confederate army and Kip and Charlie (Zachary Scott) help the South by running the blockades. Eventually, however, Charlie comes to enjoy getting rich much more than helping the Confederacy and this brings a very predictable showdown at the end.Everything about this film is mediocre at best and the story only occasionally interesting. I had a hard time caring about the characters and the story.
zardoz-13 "Coroner Creek" director Ray Enright's Civil War-era western "South of St. Louis" ranks as both entertaining and distinctive for the three Texas cattle ranchers (Joel McCrea, Zachary Scott, and Douglas Kennedy) who share a bond of kinship as stout as brotherhood. This heroic threesome is symbolic because their communal ranch, called 'The Three Bell Ranch,' is burned down by the villainous likes of Victor Jory and his raiders. Jory's Luke Cottrell is equivalent to the murderous William Quantrill who committed atrocities galore. Kip Davis (Joel McCrea of "The Virginian"), Charlie Burns (Zachary Scott of "Mildred Pierce," and Lee Price (Douglas Kennedy of "Dark Passage") all wear one small bell attached to their spurs. The first glimpse we get of this trio in action occurs they corner obnoxious Yankee guerrilla fighter Luke Cottrell in a Brownsville, Texas, saloon. Kip refuses to slap leather with the evil Cottrell. Nevertheless, he sheds his gun belt and batters Cottrell into submission with his fists before he banishes the brigand from Texas. The American Civil War that spawned Cottrell shatters the solidarity of our three protagonists. Lee decides to enlist in the Confederacy and dons a gray uniform. Meanwhile, Kip and Charlie enter the gunrunning business. The color of their hats reflects the morality of their characters. For example, Lee wears a white hat, while Charlie sports black headgear. Kip comes up in the middle with a brown one. Indeed, Lee is virtue incarnate; Charlie is malevolent incarnate, while Kip stands somewhere between them. During all these early shenanigans, we see Kip and his future wife Deborah Miller (Dorothy Malone of "The Big Sleep") delay their marriage plans indefinitely because the three men aim to punish Cottrell for his act of arson. "Humoresque" scenarist Zachary Gold and "The Big Country" writer James R. Webb have drummed-up a historical oater that chronicles the way that the Civil War fractures the tight bond among the three. The other recurring character--introduced later--that takes a fancy to Kip is red-haired, dance-hall warbler Rouge de Lisle (Alexis Smith of "Gentleman Jim") who dresses seductively and knows how to belt out a song. Confederate sympathizers will like the way that the rebels triumph over Union. This rugged western shoot'em up is a mite more complicated because it thrusts Kip into a predicament. Charlie and he are running guns across the Texas/Mexico line dressed up in stolen Union outfits when Confederates attack them. Initially, Kip refuses to return fire, but Charlie convinces him otherwise. German lenser Karl Freund of "Metropolis" is responsible for the exemplary cinematography.
silverado1941 Good old fashioned Western, the plot however is very similar to the Jimmy Cagney classic "The Roaring 20's" re-fashioned to a Western setting and with a sanitised ending, McCrea as the Cagney character survives and Scott as the Bogart character is killed after changing sides back to the law and Order camp. Worth watching as a good example of Hollywood in its pre message era when a Western was for entertainment. The production values were good with great Technicolour and a strong cast. McCrea was always good in his Westerns having played both comedy and drama in his earlier years and Zachary Scott was a very under-rated actor, good in any movie he was in.
kyle_furr This movie is filled with every cliche you can think of, and absolutely none of them work. The plot is predictable and the characters are not interesting, but boring. The acting is pretty bad, even by Joel McCrea. Even western fans should stay away from this one.