refresh daemon This late nineties Corean film is based on the experiences of the film's director, although the events of the film may not be directly translated from his experiences. The film centers on a family in a village during the Corean war, near a US military base. It displays the poverty that Coreans suffered from during the war, the high prejudice against refugees from the North and the negative and positive effects of having the US presence.It doesn't pull its punches when it comes to story. Impoverished widowed Corean women resort to selling their bodies to US soldiers for money to feed their families. Some Coreans take advantage of the US presence to gain employment. People die at each others' and at US military hands.The directing style however is very restrained, shooting primarily from a fixed camera at a distance. Therefore, it creates a distance for the viewer, which may make it immediately difficult to connect to the story. But I don't think it's a terrible technique, because, in some ways, the technique renders us helpless as viewers and helps further the case for the film to be in a the past and observational, rather than intimate. Yet, because of the nature of the story, it's still easy to become connected with the characters, especially the protagonist, a young boy.All in all, I'd say this is a solid effort of an art film. It's certainly not a happy or uplifting film, but a brooding meditation on the crimes of the past, both from within and from outside the Corean people. And like a lot of Corean works, the theme of continuing on despite suffering is present as well.It's good. 8/10.

yojimbo999 Have you ever seen a movie made up entirely of long wide shots? No? Me, neither. Well, I've finally seen one in "Spring in my Hometown," and I must confess, now I KNOW why people don't do this. The technique is "arty," to be sure, but it's definitely NOT ripe for public consumption. The technique is heavily flawed simply because the viewer has no emotional attachment to the characters, and perhaps that might be the director's whole intentions. I don't know, I can't read minds, and I certainly don't know enough about the director to make a judgement.But one thing about this movie that IS painfully obvious is its ridiculous anti-American sentiments. As an American, I'm well aware of my country's participation in the Korean War, and I'm very well aware that we weren't always angels, but I'll be damn if I'll take this guy's version of how things happened. According to this blind fool, Americans were not only at the root of the war, we were the CAUSE of the war, and we almost singlehandedly destroyed the country. Whatever, Mister Director. And I suppose you'd still be making this film in COMMUNIST KOREA if we hadn't interfered, right? Talk about forgetting your history. This is almost akin to making the Nazis the "good guys" while turning the Allied forces into the "bad guys." This movie is so historically naive and so factually inaccurate that it's almost embarrassing to watch. For a man who comes from a country that owes its very EXISTENCE to American interference, he sure comes off as high and mighty and judgemental.

Pro Jury English name: Spring in My Hometown.Set in Korea in the early 1950's, family members find tragedy when a small village boy witnesses his mother having sex with an American soldier.Korean movies are rarely seen in the USA. I gave this film every chance, however with few exceptions most every shot is overly distant from the actors. The pacing becomes slower as the framing becomes wider.Kept away at a distance, it is nearly impossible for the viewer to care about the people in the movie.Spring in My Hometown is highly ranked. The shadowed subtitling was very easy to read. Check it out if you find it, but don't plan on being overly enthralled.

Stevie Cho Korean War can be an out-of-date topic for most Koreans by now, especially for younger generations. The story of two boys during those hard years sounds quite familiar, even somewhat boring. However, when this story is portrayed in such a masterful way, it suddenly gets whole new aspects! Filmed at remote country villages, the movie shows stunning beauties of Korea's four different seasons. And only through this breath-taking scenery, the theme itself obtains its deepness. It's just unforgettable!