ijonesiii Sunday IN THE PARK WITH GEORGE was the first, if memory serves, Broadway musical based on a painting. This sensitive and moving look at the artist Georges Suerat, through his most famous work, "A Sunday Afternoon on the Island of Le Grand Jatte", was unlike anything Broadway had seen up to this point. Suerat serves as sort of a narrator and Greek chorus, as well as the main character, as James Lapine's smart book takes what little was known of the artist's life and fleshes out characters from the people in the painting. Broadway's most gifted composer, Stephen Sondheim, crafted a lilting and beautiful score filled with clever lyrics and lush melodies. Sondheim is the best lyricist in the theater because he writes as people talk, not as they sing. The first act follows the relationship between Suerat, electrically portrayed by Mandy Patinkin and his model/mistress Dot, the luminous Bernadette Peters, as their on again off again relationship is constantly challenged by his obsession with his work. The second act features Patinkin as Suerat's grandson and Peters as his grandmother as we see the modern sculptor struggling with a heredity he continues to deny until a fateful trip to the island where the original painting had been done. Director Terry Hughes has lovingly captured this intimate story on video and given us close-ups and sweeping camera shots that were not possible to experience seeing the show onstage, making the show even more personal and involving. Mandy Patinkin commands the stage as George with a stylish stage presence and magnificent singing voice that fills the theater as well as the television screen and is matched note for note by Peters, who makes Dot a tragic and fragile heroine and brings a lovely touch of humanity to the ditzy grandmother, Marie. It should be noted that at the time this was filmed, Ms. Peters was vocally and physically exhausted. She had already left this show and was in rehearsals for the show that would finally win her a Tony Award, SONG & DANCE. Some vocal strain can be noted with Peters, particularly in one unmerciful close-up where her voice just gives out on her, but Peters is a pro and delivers a performance of opening night quality. Though not for all tastes, Sunday IN THE PARK WITH GEORGE is a lush and lovely musical theater experience that all those with a passion for the genre should experience.

entropy-18 This is just about a perfect production, Peters and Patinkin are incredible (as usual), the sets, most of all the music, its so complex and beautiful. I was just stunned when i first watched it a few weeks ago. I couldn't stop thinking about it and the music was going around in my head. Of course i knew the song "Move On" which seems to recur throughout. The reason i got the DVD was because the cast recording CD is not currently available, but i've just seen that they are preparing an updated version of the original cast recording, including some songs they must have left out of the original, so i'm ordering that for sure!! Plus i love the painting as well, i've suddenly developed a great interest in 'pointillisme' and Georges Seurat. Very sad to hear about the death in Bernadette's family this week :( 10/10 from me.

alison24601 Sondheim is a musical genius, and Mandy Patinkin and Bernadette Peters are two of the most brilliant performers I have ever seen, so it is no surprise that this is such an excellent film. The music is gorgeous, and has the ability to touch your soul. The emotions conveyed by Patinkin and Peters are very real, and heartfelt. This makes me cry every time I see it. This show really captures the difficulties and detachment that can be applied to the lives of all artists, not just painters. This musical is well-written, well-cast, and well-acted, and I would highly recommend it, especially to anyone involved in the arts. One warning is that people who are not familliar with Sondheim should go into it with an open mind, because if you are expecting a typical Hollywood musical, it's not what you'll find. If you watch this on DVD, don't miss the commentary by Sondheim, Peters, and Patinkin (and possibly James Lapine), because it gives a lot of nice extra information.

TrishB Working in a music library, I first encountered Stephen Sondheim's work in 1995 - and hated it!I was shown this movie and changed my mind completely. As a piece of theatre it is superb and as a 'movie musical' - well there has been a lot worse. The music tells the story. If you've ever encountered Sondheim and hated him, please, please, please take a look at this show. If you can, check out 'Into the Woods' and 'Sweeney Todd'. The man's a genius. And so are Prince and Lapine. Performances by Mandy Patinkin and Bernadette Peters are brilliant and very real. You can feel their emotions; worry, obsession, regret. Even if you don't usually watch musicals, give this one a go. You won't regret it.P.S. Star Trek : Next Generation Fans - check out Brent Spiner in a very non-Data role. I nearly didn't recognise him, and it proves he can sing.