edwagreen Totally miserable film dealing with a young boy's suspicion when his dog is found poisoned. The next door neighbor, a disagreeable, nasty and mysterious man is thought to be the killer and the boy goes out of control whenever he sees the man.Nancy Davis, Mrs. Ronald Reagan, played his mother. Her character is outrageously benign here. Even the way she calls out to her son in the film, a mother would be so much more assertive here. As the father, George Murphy is given a poor script to work with. Owner of a fruit orchard, a sidebar theme in this dismal film regards the dropping of temperatures and its affects upon what is being grown.Our mysterious neighbor's transition is sudden and while he becomes a sympathetic figure in the end, it's too much to digest and believe.

wes-connors "Talk About a Stranger" is a much, much better film that you might expect. Despite the credits order, it stars Billy Gray (as Robert "Bud" Fontaine Jr.). Mr. Gray would, later, become best known as another "Bud", on the TV series "Father Knows Best". In this film, he plays a boy who adopts a stray dog, which he names "Boy"; then, he finds the dog has been poisoned. Gray suspects a mysterious new arrival in town, Kurt Kasznar (as Matlock). Mr. Kasznar acts, and looks, very much like an outsider; and, he seems to dislike "Boy", and children… Gray does a fine job in a difficult role; he has to play the boy as both unlikeable, and likable. The character "Bud" is redeemed (or, made sympathetic) by his caring for his dead "Dog"; and, the film effectively captivates, with its plot developments. Kasznar is great, as usual; he keeps the performance from going in a direction not in tune with the film's ending. Top billed George Murphy and Nancy Davis (as parents Robert and Marge Fontaine) are ordinary; undoubtedly, they are better appreciated in other films. Later, Ms. Davis was, of course, wonderfully cast as the second Mrs. Ronald Reagan. The film's weaknesses might have been arrested by strengthening the "Fontaine" family.The other players in "Talk About a Stranger" are terrific. Lewis Stone is at least as "fatherly" as Mr. Murphy; he plays the newspaperman (William J. Wardlaw) Gray runs to for help. Teddy Infuhr has a great little part as a boy who lives near a "Haunted House" Gray visits; watch for their scene in the "San Sala" house. The film is full of weird scenes; and, Gray's trip to "San Sala" is one. Note, also, that Gray is picked up hitchhiking by motorcycling sailor Alvy Moore, who immediately asks Gray if he has a sister! Mr. Moore will, later, become best known as "Hank Kimball" on the TV series "Green Acres". You also get to see Kathleen Freeman, Burt Mustin, and some others…Cinematographer John Alton is the film's most valuable player. Mr. Alton, David Bradley (director), Cedric Gibbons (art director), and Eddie Imazu (art director) make "Talk About a Stranger" a great looking film. For this, and its cast, "Talk About a Stranger" is well worth watching. ******** Talk About a Stranger (1952) David Bradley ~ Billy Gray, Kurt Kasznar, Lewis Stone

Neil Doyle This unknown little MGM item is based on a Charlotte Armstrong story (American mystery writer who wrote THE UNSUSPECTED and DON'T BOTHER TO KNOCK, among others). The main focus is on the little boy (BILLY GRAY) who thinks the new menacing neighbor is the man who killed his faithfuldog and he's played with professional assurance by Gray. In fact, he has to carry the film since GEORGE MURPHY and NANCY DAVIS are relegated to roles on the sidelines.It's directed in competent style by Arthur Bradley, photographed in more than competent style by John Alton, full of moody B&W imagery, but the story is so thin it's almost transparent and winds up in a brief running time of one hour and five minutes.The last ten minutes wind up the story in good fashion, although the ending is a bit hard to swallow, as contrived and synthetic as any character-driven tale could be. KURT KAZNAR is the mean looking neighbor who suddenly turns out to be Mr. Good Guy when we learn about his past. The simple moral of this fable is that you can't judge a book by its cover, nor a person by first impressions.I have no criticism of Billy Gray's performance in the central role. He was one of the least self-conscious of all the child actors who came along at this time--and probably reached his peak as Doris Day's bratty little brother in BY THE LIGHT OF THE SILVERY MOON and ON MOONLIGHT BAY.

Jasha Hirsh Surprisingly well-made and, at times, subtle and unpredictable Billy Gray vehicle released six months after the spectacular "The Day the Earth Stood Still". Billy was certainly on a roll.Although there is a certain Bildungsroman aspect to the film, the emphasis is on plot and intelligent development. Several scenes introduced primarily to increase interest and suspense are brought off very effectively. Bradley's treatment of children is intriguing.Photography and music are certainly above average for this era, genre, and budget.Unfortunately, this movie does not appear to be available on DVD or video, although if you keep an eye out, you may catch it on TMC.