Christoph Schulze I really don't understand the bad ratings. Maybe a lot of the guys who voted like this see themselves in a similar situation? I think they just can't understand the parents. I watched the film with my parents and I am about ... well lets just say, there fits a lot. ^^ And watching this film was so intense. The characters are perfect. The successful father, who gets jealous; the mother pretending to everybody what a perfect family they are; the son - a single child - who enjoys giving away the ordinary responsibility. When the film begins they are still threatening him like there little boy. They are convincing or ignoring that he isn't any longer the little 14 year old boy. And a wonderful escalation begins.My favourite scene (doesn't spoiler): I just say one word - navy uniform.Amazing film.

Guy TANGUY is a highly amusing comedy based on a very modern problem: grown up kids who don't want to leave home. The titular character is 28, finishing off his PhD, and quite happily bringing his girlfriends home. Frustrated, his borgeouis parents decide that if he won't leave them to their comfortable existence then they'll have to force him to go -- covertly, of course. So they embark on various bonkers schemes to get rid of their child. Inevitably many of the schemes rebound and the poor parents begin to melt down in the face of their child's awful behaviour. The jokes are varied: some are brilliant, others a little flabby and some too cruel for my taste (like the affair). Nonetheless it's a unique comedy that many parents (and some kids) will identify with.

R. Ignacio Litardo I watched this movie with so much hope! Dussollier, Azéma, beautiful Aurore Clément (from "Demain on déménage (2004)"), J. P. Rouve and many others, like always charming Delphine Serina (Avocats + associés) and a topic I am fond of paved the way for a killer Saturday night movie. I suppose that if you dislike the "philosophical grounds" of a movie, it's hard, almost impossible for it to work for you. I felt the parents were almost farcical from the start, when they "enjoyed themselves" when his adult only son wasn't with them at home, they basically did go out (something they could easily do with him still at home). In short, I found the kid too polite, peaceful and loving to be really hated. OK, he had some sort of "Peter Pan syndrome", and it's true he seemed to be all too comfortable at his parent's, but ... I just thought their (parent's) house was too posh and big, their reactions too violent (hiring thugs to kick your son out, wanting him dead when hearing there was a plane crash, teared apart his shirts etc., and erratic (Edith was suddenly loving and repentant until she found out her son wasn't actually dead, so was she when his son started suffering panic attacks, but not later). Tanguy is too perfect, if nerdy and unfaithful to his beautiful girlfriend. And probably too successful with (very beautiful on average) women he beds as effortlessly as we could say: "sneeze". Maybe that's French intellectual's prerogative, who knows :). His "rich and dumb" American clients are a big cliché that works. Everyone will have his/ her favourite scene. Mine are Paul's fits of anger: Tu te casses!! (=Get away!) and when Tanguy argues on the phone with her mum until he grabs the phone and yells: "Stop the crap" in worse and thus very convincing, terms. I think the film was illogical, and the 2nd part was actually awful. Watch without any expectation and you might be amused.

abendbrot This film is hilarious--I saw it just today in Germany (in French with German subtitles). The first part goes into broad comedy, with the parents scheming to find ways to get their son to leave the nest. This film is just as much about the parents--even more--than the son.i noticed that someone else commented about the Asian aspects of the film. At first, it really doesn't make sense, except to show Tanguy's fascination with the country, and almost as a goal (for the parents)--have him go to Peking as soon as possible. By the end, it's wonderful because there is a subtle comparison (that the audience must make) about the family situation. That is--the Chinese filial responsibility, love, and respect--and yes, there were three generations living under one roof. And in the Guetz household--all three generations have, at one point or another, lived under the same roof. That's just one way of looking at it. If you see it and go in with that idea of comparing cultural aspects of families, then maybe that would make better sense.