Michael Ledo Military veteran Ben Cross (Nathan Waring) and his girlfriend Nina (Laura Andersen) decide to hitchhike/ backpack across rural Australia, visiting small rural bars that play death metal music. There are posters of missing people in the area. "Stay off the back roads" is written on a restroom mirror.In spite of the warnings our couple decide to break up and hitchhike as Nina claims "Hitchhiking is a girl's game," so Ben takes her on her challenge. Eventually this turns into a human hunting game with a guy named Vincent (Vincent Stone) who has a French accent and camouflage make-up.This is not the best in genre. Ben is a minor league Rambo, which makes him more believable. Most of the action takes place off screen. When a person is head butted with a rifle, we never see the blow to the head. Even simple face slapping to done facing away from the camera.A film likes this appeals to people who want to see the violence, not just the results. If you decide you are not going to show the violence, then we need an "A" plan with better stars and plot.Parental Guide: F-bomb. No sex or nudity. Off screen rape?

elliottecarter So much necessary criticism to level, so little space.At the top of the list of things wrong with this film is that it was made in the first place: In the absence of a sensible, coherent script, there is no excuse for this film ever getting off the ground or attracting finance.Second, it was actually released: In the absence of any pride in one's work or respect for one's audience, those involved should NEVER again work in this industry.In equal third place are the oh so numerous problems within the film, which, to detail, would require touching on every single scene. Every single scene! We ain't wasting that much time here.But, to give some sort of impression of the level of 'bad' we're talking about, this is a film where a stalker/hunter gives his victim/prey a mobile phone so they can "stay in touch" (as you do), with which the idiot victim never once uses to call the police -- or anyone for that matter.And if keeping in touch via phone is not enough, the hunter tracks his victim -- not with a GPS, or radio-wave, or any sort of credible technology -- but with a… wait for it… a volt-meter.A volt-meter. A volt-meter? Yes, a volt-meter.There is NOTHING redeemable in this film. EVERYTHING is poor: script, direction, acting, dialogue, characters, story, logic and believability.There is no possible future for these film-makers -- and I use that term loosely -- nor should there be. And, being an Aussie myself, this woeful attempt at film-making does Australia a gross disservice.

adrossan This is a very odd movie.Technically it is near perfect - beautifully lit, well shot, sound is great, very well edited, and yet.....While the filming is so good you can practically smell the Australian bush, the scenery spectacular, the script is, well, rubbish.The lines are delivered in a monologue style, dull and expressionless, weakly spoken and at a strange, high pitch.Knowing one of the actors personally, I can attest to the fact his voice is nowhere near as weak and high-pitched as it sounded on screen.The film comes across as a project for a film school, one that should attract high marks for technical ability and direction, but not for mainstream or commercial release.With a good script and strong acting, this film would have been a gem.

larryhaman Really refreshing to watch an Australian low budget action/thriller with a believable twist! Took my girlfriend to this flick as we had heard about it on the radio, really got a shock at this little beauty. The bad guy really gets you going, he plays bad very very well. The guy playing the soldier is good as he really is like a soldier, I would know as I was in the service for awhile. You could hear a pin drop at times, the tension was on the screen and in the cinema helped along with a really solid soundtrack. If you get a chance this film is worth viewing, real eye-opener for how to do a really low-budget film and get away with it.