MartinHafer This is one of the lost films of Laurel and Hardy--or at least partially lost. Today only about half of the film remains--all of the boxing sequence (which is pretty good) and bits and pieces of the giant pie fight. The rest, sadly, appears gone forever, though fans of the team hold out hope--after all, newly discovered bits and pieces have been found of many great supposedly missing or truncated films (such as the great recent find of a longer version of METROPOLIS). Because this film isn't totally intact, it's not fair that anyone should have to give it a numerical score, but IMDb forces this for all reviews. My score of 6 is because I really didn't think much of the pie fight and there just isn't enough of the original film left to get a better score.By the way, according to IMDb, Lou Costello is an extra at ring side. I looked but couldn't really tell he was there. Perhaps he was the guy who caught Hardy at the end of the fight. The problem is that Costello would have been a lot thinner and younger--as he had himself been an amateur boxer about this same time period.As far as pie fights go, this is probably the best and was the inspiration for the one in THE GREAT RACE many years later. Despite people thinking this is a slapstick cliché, there were actually very few pie fights ever shown on film and the few that did occur were rarely as big or crazy as this one--usually just a pie or two (like you'd see in a couple of The Three Stooges' films).Also, and this is an odd one, during the fight scene, you see a pretty lady walking by "The Pink Pup". This is the same place you see featured in THAT'S MY WIFE and THEIR PURPLE MOMENT--two other silent Laurel and Hardy shorts.If you do want to see this ten minute film, it's included in the huge UK DVD Laurel and Hardy collection.

theowinthrop The title of this comedy is based on the situation at the beginning: Stan's boxing match (Ollie is his manager) against Noah Young (the heavy they shared with fellow Hal Roach alumnus Harold Lloyd). In 1927 the American sports loving public was fully aware of what was "the battle of the century". It was a reference to the second boxing match between Gene Tunney and Jack Dempsey (the one that again ended with Tunney's victory, but has lasted in sports controversy because of the notorious "long count" that may have denied Dempsey his victory). The idea of comparing any boxing match that Stan Laurel is in with the likes of one between Tunney and Dempsey is laughable in itself, but it sets the stage here.John McCabe gave a brief description of the boxing match in his biography MR.LAUREL AND MR. HARDY. But seeing it on the recently restored Video, one can appreciate it all the more. Young is ready for real boxing business, but Stan is all weird business (some at the expense of manager Ollie). After about ten minutes Young sees a chance, and lands one punch, and Stan falls down.What adds to the comic beginning is that one sees in the nearby bleachers a dozen or so boxing fans. One of them is young - and thinner than he subsequently looked. It's Lou Costello. I don't know if Costello was working alone in Hollywood at the time, or if he knew someone at Roach's studio, but he gives an interesting little performance in a way he never showed in his own comedies with Bud Abbott. He reacts incredulously at the antics of Stan (and Ollie) in the ring - in fact he acts fairly realistically. It is a curious moment in film history, as it unites Stan and Ollie with half of the film comedy team that slightly eclipsed them in the 1940s, and it presents that half in a quieter manner than as the "baaad boy!".The rest of the film dealt with insurance and pies. Ollie has a real boxing loser, and he has to recoup his financial loss. So he meets Eugene Palette, an insurance salesman, who sells him an accident policy on Stan's life. Now all Ollie has to do is organize some accident. Unfortunate, he's Oliver Hardy, so we know he will keep bungling it (especially when he tries to get Stan to trip on a banana peel). This is the straw that breaks the wrong camel's back. Charlie Hall is delivering pies, and he trips on the peel. He happens to see Ollie trying to hide the tell tale banana peel, so he knows who is responsible. Soon he puts a pie in Hardy's face. But Stan doesn't like that, and he takes a pie and puts it into Hall's face. Soon what McCabe calls "reciprocal destruction" spreads over the street, involving all types of people (including Palette, who tries to use the fight as an opportunity to sell more insurance policies!). The culmination is when Anita Garvin slips on a pie, sitting on it. She does not realize it is a pie, and her embarrassment is priceless.It was their second film - and it was one of their best ones.

proffate Unfortunately, the film is incomplete. Much of the first reel, with Stan Laurel as a prizefighter, has been lost.What remains is one of film's most inventive pie fights. As the story goes, the writers, director and cast were discussing how to end the short when somebody suggested throwing a few pies.Laurel jumped on this idea. "If we're going to throw pies, let's throw *lots* of pies!" So it began....The gags are highly creative. A dentist's patient gets hit while he's helpless with his mouth open. An attractive flapper takes a pie on her vulnerable behind while climbing into a car. When she turns to protest, she gets another in the face. The traditional dowager catches a pie as she peers through her lorgnette at the melee. The final gag has stately Anita Garvin doing a pratfall onto a dropped pie. Uncertain what she's fallen into, she darts around the corner, pausing only to shake one leg along the way.The best place to find the pie fight is on Robert Youngson's "The Golden Age of Comedy."

WCFIELDS I viewed a restored version of "The Battle of The Century", put out on video by Nostalgia Archives. Prior to this I had only seen a sequence of a few minutes from the Robert Youngson compilation, "When Comedy Was King". This is a truly funny film, for it shows Laurel and Hardy at their best. The pie in the face was kind of old hat even for 1928. But Hal Roach using Laurel and Hardy created the funniest pie fight of all time. All the different scenarios that were used to deliver the pies as well as a generous helping of laughs has an almost ballet rhythm to it. There was of course to help the madness along, both Charley Hall and Anita Garvin a couple of Hal Roach Regulars. As I said, this film was considered "lost" however the first reel was found and the film is complete except for a couple of minutes of film that are still missing from the start of the second reel. However this was compensated for by a combination of still photos that are intercut with the continuity script. I was very pleased with the film and I am sure any person interested in the silent comedy shorts would also enjoy this fine film that has been carefully reconstructed.