Leofwine_draca THE BLOODSTAINED SHADOW is an engaging if lesser giallo from director Antonio Bido. The problem with the film is its story, which is all too familiar from movies that came previously, in particular Argento's DEEP RED which is a big influence here. The Venice setting is a decent one but the film can't help but resemble Nic Roeg's DON'T LOOK NOW at times and of course it can't hope to hold a candle to that particular masterpiece.Otherwise this is a watchable enough piece with a story that resembles a jigsaw puzzle, with the viewer required to put the whole thing together. Some unexplained murders are assailing the main cast members, who are two brothers, a priest and a professor. Historical crimes, romance, mental illness, and a typical gloved murderer are all elements of the story. The cast is generally good, giving solid turns to sometimes clichéd characters, but the real star is Bido, who brings style rather than gore to his movie. The best parts are the atmospheric stalking sequences that precede every murder.

Scott LeBrun In this heavily plotted Giallo from director / co-writer Antonio Bido, two brothers have a reunion that unfortunately goes sour when graphic murders begin to take place. Stefano D'Archangelo (Lino Capolicchio), the professor, works the clues while taking the time to romance Sandra (Stefania Casini), a new acquaintance, while his priest brother Don Paolo (Craig Hill) is worried that he will be among the victims when he witnesses an assault and soon starts receiving threatening notes. Not all fans of Italys' Giallo genre may be too enamoured with this one as it simply isn't as trashy as some of them. The murders do get fairly intense (one victim has their head shoved into a roaring fire) but the amount of bloodshed is minimal (title of the film notwithstanding). There is also a sex scene and nudity from Casini, but these are done in a tasteful manner, perhaps too tasteful for some of the viewers. While Bidos' direction is good, he never lets style take over, preferring to concentrate first and foremost on telling the story. He lets his film unfold at a very deliberate pace; he devotes a fair amount of time to Stefanos' courting of the lovely Sandra, who works as a painter. As a result, one might grow impatient waiting for the next major set piece. Still, when these set pieces come, they prove worth the wait, such as a sequence of Sandra being stalked as she heads home. The twists are decent and keep the audience guessing; there are of course red herrings and the identity of the disturbed killer might come as a shock to some. One of the strongest assets here is the way Bido utilizes the Venice setting; the sights and sounds are a pleasure to take in. The music score by Stelvio Cipriani runs hot and cold - sometimes it's quite atmospheric, at others it's just too offbeat to really work, especially when it's used for suspense sequences. The cast is solid, with Capolicchio and Hill making for a likable sibling duo; Capolicchio is also a refreshingly different sort of hero as he has a real average Joe quality. This isn't among the absolute best of its kind but it's still pretty good; aficionados should be reasonably satisfied. The ending is awfully abrupt, though. Seven out of 10.

Red-Barracuda The Blood Stained Shadow is the second – and last - giallo that Antonio Bido directed. His other one was Watch Me When I Kill (a.k.a. The Cat's Victims). While Bido may never be considered one of the masters of the genre, I actually think his two efforts are rather good and at the very least he should be considered one of the best purveyors of the genre in the late 70's. There are some aspects that do stand out in Bido's gialli, making them distinctive. Firstly, there is a somewhat slightly more serious tone and secondly, and most significantly, both films dispense with young sexy women as murder victims. In fact, in both movies it's middle aged characters that end up as the killer's targets. It might not sound like much to some but it is highly unusual, and both of Bido's gialli follow the same pattern. So hats off to the director for being a little bit different. Other than an obligatory sex scene, The Blood Stained Shadow has really no sleaze factor at all.The story begins with a mysterious slow-motion murder of a young girl. Several years later a maths teacher returns to his home town, where upon a series of murders ensues. Events seem to revolve around a séance group of local bad eggs.This is another one of those occasional gialli that is set in Venice. The off-season spookiness of the canal streets was also used to good effect in films such as Don't Look Now and Who Saw Her Die? This city does give off a unique ambiance, which is once again utilised well. The film also includes several other odd details in its plot that will be familiar to fans of gialli, such as the weird painting, the retarded boy in the cellar and the present being governed by a terrible event from the past. All of this is put together to construct a film which, while possibly a bit overlong, has a mystery that does actually work in that it isn't too obvious where it's going and there are some decent red herrings sprinkled throughout.Lino Capolicchio leads the picture. Many of you will be familiar with him from his turn in Pupi Avati's stand-out giallo The House with Laughing Windows. He's an interesting leading man. He's doesn't have the machismo of a Franco Nero, or the shiftiness of a Tomas Milian nor is he as suave as Jean Sorel. He plays characters a little more nerdy, which isn't so common in giallo leading men. He's good and is definitely a good choice for this more serious minded example of the genre. His leading lady is Stefania Cassini, most famous for her turn in Suspiria. I find her really very attractive and a good enough actress. Unfortunately, like here, she is normally dubbed into English by voice actresses. This is a mistake, as anyone who has seen the cult movie Blood for Dracula can confirm she has a beautiful, extremely heavy Italian accent that sounds simply divine. Ah well! The other significant contribution is the music. Stelvio Cipriani is the named composer but seemingly the legendary prog-rock outfit Goblin were key collaborators. It does sound a little Goblinesque at times - though not as good as their usual output to be fair. Still, it's a good soundtrack overall.The Blood Stained Shadow is definitely recommended to giallo enthusiasts.

TAKAROUKAS Typical giallo, highly influenced by Argento's Deep Red, (especially the ending and some scenes with baby dolls hanging by their necks) with a music score by Goblins which is obviously inferior to Suspiria's and Deep Red's. However you can find some interesting murder scenes ( I really liked the murder of an old lady in a wheel chair)and I must admit that Argento's Tenebrae copied some key elements from it. If you are a new fan of gialli films seek for Argento first, but if you are a dedicated fan you should also watch this film. 6/10