grizzledgeezer I suspect the bad reviews were written by people who know little about film making -- or human psychology. They wouldn't recognize a well-structured, well-written script if it sat in their faces.Let's get the bad stuff out of the way first. What ought to have been one of the all-time-great Westerns is significantly weakened by Spencer Gordon Bennet's slack direction that misses the story's quirky, off-kilter qualities. That it survives is due largely to the solid -- sometimes witty -- script, and decent-or-better performances.The story has its share of twists, including a surprising-but-logical ending I won't reveal.Another surprise is Duryea's reaction to Knight's murder -- he lays his head on Knight's chest and cries. (In an odd coincidence, the dying Richard Arlen was kissed by Buddy Rogers in "Wings".)Dan Duryea's son plays an important role. That his voice is almost identical to his father's might have been the reason Peter Duryea was cast. And we also get to see a cameo from "Broncho Billy" Anderson, the first motion-picture cowboy star. *It's dangerous to warmly praise a virtually unknown B film, as viewers often expect things the film doesn't deliver. But I don't think you're going to be disappointed. And you can see it for free on YouTube.* Broncho Billy's sister, Leona, is remembered for her on-pitch-but-croaky voice. "Music to Suffer By" is available on CD. Get it.

classicsoncall I've seen hundreds of Westerns, and this might be one of the dumbest, well maybe that's not the right word, but certainly one of the most ill conceived Western stories I've ever come across. The premise of a green tenderfoot Easterner arriving out West and becoming a gunfighter isn't the problem, it's just that the story here didn't seem to be written with any conviction. Dan Duryea's character Willie Duggan is clueless when he first arrives at the Silver Lady Saloon, and proves it by ordering up a hot pitcher of coffee and another one of hot milk! By this time in his career, Dan Duryea had plenty of movie and TV credits, so I can't believe he played his character this badly without being directed in such a manner. As viewers, we're never really given any reason for Willie's motivation to become a bounty hunter, other than the easy money he and partner Captain Luther (Fuzzy Knight) picked up for bringing in Big Jim Seldon (Red Morgan) almost by accident. So when Willie declares he's going to go full time and bring in wanted outlaws alive, I was just as incredulous as the sheriff. In any other picture there would have been screen time spent on showing Willie practicing with a gun and mastering his quick draw technique over a period of time, but here he became a gunman in no time at all.If anything, the draw for me was catching a host of veteran movie cowboys riding into their career sunset with the likes of Johnny Mack Brown, Buster Crabbe, Bob Steele and Fuzzy Knight on hand. Crabbe seemed to have the lion's share of the screen time among them as outlaw Mike Clayman, and I had to do a double take when his gang arrived to rescue him from Willie and the Captain; his henchman Jeb (John Reach) actually pushed a horse out of the way with his hands! That's about when I gave up on the picture.But I stuck around to the conclusion because that's the vow I made myself to review these movies. With bad writing, terrible dialog, and a main character who goes from milquetoast to vicious killer, I can only surmise that the film makers meant to make the picture this bad on purpose.

Spikeopath The Bounty Killer is directed by Spencer Gordon Bennet and written by Ruth Alexander and Leo Gordon. It stars Dan Duryea, Rod Cameron, Audrey Dalton, Richard Arlen, Buster Crabbe, Fuzzy Knight and Johnny Mack Brown. Music is by Ronald Stein and cinematography by Frederick E. West.Willie Duggans (Duryea) arrives in the Wild West and quickly becomes exposed to its violence. Finding that big money can be made by bringing in bad guys, he takes up arms and plans to make enough money to set him up for a future with Carole Ridgeway (Dalton), a beautiful saloon singer. But the job isn't easy, physically, emotionally and mentally.It's a film that asks some forgiveness from Western fans, you are asked to accept Duryea being too old for the role, some iffy production issues, coincidences and some giant leaps of faith. Yet if you can do that and just roll with its high energy willingness to keep the Western traditional in the mid 60s? Then this is better than a time waster.Ultimately it's a message movie about the cycle of violence and how said violence can corrupt the most amiable of minds. The screenplay deftly brings in to the equation the roles of normal outsiders who don't mind violence as long as it is for their own ends, something which brings the best sequence in the film to the fore and lets Duryea once again show his class. Backing the superb Duryea is a roll call of Western movie veterans, all of which - with the leading man - make for a reassuring presence at our Oater dinner table. Neatly photographed out of the Corriganville and Glenmoor ranches in California, this may be a "B Western" trying to keep the traditional Western afloat in the mid 60s, but it's honourable in intent and entertains the Western faithful royally. 7/10

GUENOT PHILIPPE That's the third time I Watch this little gem since thirty years now. What a shame. The story reminds me ONE FOOT IN HELL, starring Alan Ladd as an ordinary farmer who becomes a ruthless cold blooded killer because the people of a little town let his wife die. In this movie I am talking about, directed by the serial vet director Spencer Gordon Bennett, whose it is the last movie - am not Deadly sure - Dan Duryea is terrific as the tenderfoot against violence who becomes a cold blooded killer, a Bounty hunter. Terrific. OK, this feature is cheap at the most, and only old timers play in it. The Relationship between Duryea and the Rod Cameron's character is very interesting too. Cameron looks like the man who protects Duryea at the beginning of the movie, Duryea who is fascinated by Cameron, and in the end, all changes !!!Terrific. I LOVE THIS. That changes. But this kind of screenplays, not exactly the same, appeared more often in westerns than in crime flicks. Characters studies. Offbeat schemes. See for instance Budd Boetticher's movies, starring Randy Scott for most of them. That's what I purchase as a moviebuff, and also as a novel writer and reader. It was also a delightful feeling to find in this film such old timers as Fuzzy Nght, Buster Crabbe, Johnny Mac Brown, and many more grade B movie stars from the thirties and forties. The final scene between Duryea's character and the Young man - his actual son in real life - is unforgettable too.