The Brand New Testament

2015 "God Exists. He Lives in Brussels with his teenage daughter."
The Brand New Testament
7.1| 1h54m| en| More Info
Released: 02 September 2015 Released
Producted By: RTBF
Country: Luxembourg
Budget: 0
Revenue: 0
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Synopsis

God lives in Brussels. On Earth though, God is a coward, with pathetical morals and being odious with his family. His daughter, Ea, is bored at home and can't stand being locked up in a small apartment in ordinary Brussels, until the day she decides to revolt against her dad...

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kay_rock I saw this on Amazon Prime on a slow afternoon and as a fan of religious satire I thought I'd give it a go, or at least check out the first few minutes...Two hours later I was grinning with delight.Anyone who's ever had a moment's anger at god, whether a fictional construct or a closely held belief, should absolutely love this. Many a time in my life this has been my exact vision of god. His continuous frustration and childish tantrums were brilliant and hilarious.The gender issues can't be ignored, with a little female Christ figure and the world-re-envisioning female deity making everything better with their feminine sensibilities. But this is definitely not a man- bashing movie at all, simply a god-mocking one. And not really mocking the high holy, for those who hold such things dear, but more like mocking the human vision of a petulant and insensitive god. The tongue-in-cheek bits of wisdom filling in the stories of the apostles are perfect. Just perfect. It's sophomoric in the best sense of the word, naivete and wisdom tied up in a sardonic little package.These days of multitasking sometimes make subtitles an inconvenience, but I was so wrapped up I completely forgot I was reading subtitles. I was just fully engaged.
zacknabo Nowadays a film like this one by Belgian veteran Dormael is quite the rare bird. "Le tout nouveu testament" is at once sweet and brutal, maudlin and without clichéd sentiment, magical, yet grounded, funny and heartfelt without being nauseating; simple with moments of profundity but without being forced. It has Beatle-esque messages: love is all you need, live life on your terms and don't be a victim of what you may perceive as fate.Ea (who is played masterfully by Pili Groyne) lives in Brussels and is the daughter of God or Dieu (Benoit Poelvoorde), a salacious, abusive and bitter creator of mankind, who browbeats his peaceful loving wife and crucified his only son for going off the beaten path (which meant ditching the cynicism and self-hatred of his father). Ea at ten years old grows tired of her father, takes the advice of her older brother who in the film is a living statuette of himself on the mount, and hijacks her father's computer, a computer which controls the whole of mankind. Soon everyone in Brussels gets a text message stating the exact amount of time each person has left to live. What ensues is anarchy of sorts—people begin to live on their own terms. Ea then escapes to Brussels through her families' clothes washer that doubles as an Alice in Wonderland rabbit hole to the city, where she has set out to find six apostles to add to her brother's twelve to round out the number to eighteen—the number of players it takes to play a proper baseball game…Ea's saintly mother's favorite sport. Thus, the adventure begins with an angry God on her heels.The storytelling is beautiful and though it is complex and quick to add characters with their own story lines the plot is never allowed to get out of hand. The scenarios, the dialogue, it is all taut and witty and for the subject matter full of originality. The set designs by Sylvie Olive and Pascalle Willame are truly brilliant and have been aptly awarded. The lush cinematography at the hands of Christophe Beaucarne (who has worked on other visually striking films "Chicken with Plums," "The Blue Room," and Dormael's own "Mr. Nobody") finds a striking harmony with the overarching majestic sensibility that rushes from the film, start to finish. The CGI (which I am admittedly picky about how it is used) works in perfect accordance with the brilliant color schemes and precise compositions that allow infinite space for flourishing impressionist absurdity. The acting is wonderful and charming…not to mention Catherine Deneuve falling in passionate love with a gorilla. But, that being said, Groyne doesn't only hold her own on screen with a living legend like Deneuve—she is the screen."The Brand New Testament" does irk me. I watch and I think aloud, "This is what Hollywood should aspire to: Intellectual, entertaining, funny, absurd and magical well-crafted filmmaking." We shouldn't have to buy a man from Mexico to give us "Birdman." Why should we be afraid of the whimsical? Everything that is done well always has its place in moderation. The writing and construction in "The Brand New Testament" is taut and witty, without the tongue in cheek. It is writing that puts the sentimental, the brutal, the happy, the sad, the magical and the mundane in its proper place at the proper time and takes blasphemy and the people who will accuse the film of blasphemy and gently but with a s**t eating grin eschew them through Ea's rabbit hole. If you want to watch a fun,well crafted, thought provoking film that evokes similar unapologetic fancies, emotions and styles of Jean-Pierre Jeunet's frenetic,ultra-cute "Amelie" or even Tim Burton's film of visual wonder and thematic sentiment "Big Fish" then setback and enjoy. With or without God, cinema can still be magic.
celiaak If you have a taste for strange, different kind of humor, then The Brand New Testament (Le tout nouveau testament) is for you. God lives in Brussels with his wife and 10 years old daughter, in an apartment without windows or doors. He is a bad husband and father, and spend his time having fun with his human and nature creations, creating laws and disasters. One day his daughter has access to his computer...It is a comedy where you have dense characters, and no one laughs, only you. You will find connection between all little elements and actions of the movie, and that is geniously amazing!Just go and see it!
truthminitries This film has a few beautiful, artistic shots, mostly due to special effects. It sounded to me like it had potential, but the blatant propaganda that runs throughout the film is actually overwhelming enough to have made me skip through scenes.God is depicted as a violent, stupid, powerless raging maniac. Alcoholic and child abuser. He spends all his time creating "shitty situations" for the humans he had created.His daughter is the metaphoric Satan/Lucifer who rebells and gets kicked out of heaven. She hates her father and despite being prepubescent, uses words like "shit" and "fuck" extensively. I mean isn't it a beautiful story already?She then goes on to find 6 disciples. An adulterous woman who has no problem sleeping with a married man, a sex maniac, a person who kills for fun and pleasure, a perverted grandma who leaves her husband to have sex with a gorilla, and a little prepubescent boy who really wishes he could have been a girl.There is tons of anti-Christian, anti-spiritual, pro-gay, pro trans-gender and beyond propaganda. In the end the "goddess" mother, who is not at all a part of the Christian trinity, by the way, takes control and makes the sky psychedelic, removes gravity and allows people to walk underwater. This "magical" world is supposed to be better than our already beautiful world... Then all the perverts and psychopaths live happily ever after. Prepubescent kids kiss on camera, and basically the satanic propaganda message is presented in it's full glory. The objective seems to be to get viewers brainwashed and programmed for the coming new world order.