seymourblack-1 Despite an all-star cast and having a well-respected director, a multi-Oscar-winning cinematographer and the legendary Miklos Rosza on board, this crime drama didn't win much favour with either the public or the critics at the time of its initial release. This was probably because its inconsistent pacing makes it lose impetus at certain points. In other respects, however, it's very entertaining with an intriguing plot, a collection of shady characters and a spectacular finale.Based on a story by Frederick Nebel, it focuses on the moral dilemma that an honourable guy faces when the temptations of a beautiful woman and a financial bribe make him question his own integrity which he'd always previously taken for granted.Rigby (Robert Taylor) is a U.S. Federal Agent who's sent to the island of Carlota off the coast of Central America to investigate a racket involving the theft of military surplus equipment and the subsequent smuggling of aircraft motors to South America. The perpetrators are known to be making millions of dollars in profits and initially, the only known suspects are ex-World War 11 pilot, Tug Hintten (John Hodiak) and his wife Elizabeth (Ava Gardner). On arrival at Los Trancos (a popular fishing town), Rigby makes his way to a café called "Pedro's" where he wastes no time in getting to know Elizabeth who works there as a singer. The couple's friendship quickly develops into a romance and surprisingly, the often inebriated Tug doesn't seem too concerned.Rigby becomes curious about a dishevelled-looking man with bad feet who seems to be everywhere he goes and later comes to suspect that J.J. Bealer (Charles Laughton), has some connection with a mine owner called Carwood (Vincent Price) who Rigby had first met on the plane when he was flying down to Carlota. Hoping to find some clues about Carwood's possible involvement in the smuggling racket, Rigby goes on a fishing trip with him and is lucky to escape with his life after falling into the sea after Carwood causes the boat to jerk forward suddenly. Rigby only survives due to the bravery of the boatman Emilio Gomez (Tito Renaldo) who's tragically killed in the act of rescuing him.Following this incident, Rigby visits Emilio's father who tells him that Carwood is the mastermind of the racket and this causes Rigby to consider what his next move should be. His duty is to report his findings to his superiors but because Bealer's offered him a substantial bribe and he's unsure whether Elizabeth is guilty of any crimes, his immediate inclination is to take the money and use it to escape the island with the woman he loves. The surprising events that follow then suddenly change everything.The movie's tropical setting brilliantly reflects the heat of the passion that drives Rigby into being prepared to abandon his integrity and generates a claustrophobic atmosphere which is beautifully complemented by Joseph Ruttenberg's expressionistic cinematography. Ruttenberg's work also plays a major part in the success of the well-filmed shoot-out at a firework display which provides the film with its exciting climax. A top class cast also provides a number of memorable performances with Robert Taylor and Ava Gardner making their steamy romance look very convincing and Charles Laughton and Vincent Price both excellent as the two main villains of the piece. The script also sparkles in places with lines like "I never knew a crooked road could look so straight" (Rigby) and "They get the chair twice as hot for bumping off a Fed" (Bealer).

Spikeopath The Bribe is directed by Robert Z. Leonard and written by Marguerite Roberts. It stars Robert Taylor, Ava Gardner, Charles Laughton, Vincent Price and John Hodiak. Music is by Miklós Rózsa and cinematography by Joseph Ruttenberg.Federal agent Rigby (Taylor) is assigned to the island of Carlotta to investigate the illegal trafficking of war-surplus aircraft parts. He quickly finds out that it's not just the weather that is hot...Frustrating! Out of MGM, The Bribe bites off more than it can chew. On one hand you have a cast guaranteed to either make you swoon or hiss at, on the other it's a cheaply staged production coasting on the star power and high end technical credits.Everything about the piece screams out that the execs put all the money into the casting, the hiring of a master musical composer and a cinematographer of some standing. On the page, the realisation of such, it's laborious, needlessly convoluted and really rather dull. It's no surprise to find during research that Taylor himself felt it was one of the worst films he ever made! It all looks so fake, from the crude back screen projections and spliced scenes from elsewhere, to the backlot set that looks about as close to a warm tropical island as an igloo does.On the plus side is Ruttenberg's photography, superb in contrasts and shadowy whiles (the slats are amazing), while Taylor's dry narration really engages, it's these aspects that explains why the film has found its way into some film noir bibles. Gardner and Taylor sizzle with sexuality, their on screen affair being played out for real off screen - much to the consternation of one Barbara Stanwyck. Laughton sweats and limps a lot whilst making a weasel look honourable, Price does the twirling moustache villainy he was so great at, while Hodiak shows good pathos as a drunk clearly in over his head with all aspects of his life.Fans of the stars get good value, but this has to go down as a wasted opportunity. It failed at the box office and ultimately - in spite of some splendid film noir tints - it's not hard to see why. 5.5/10

Martin Teller A federal agent tries to bust a stolen airplane motor ring in Central America, but ends up falling for the wife of one of the prime suspects. I've enjoyed Robert Taylor in other pictures (notably HIGH WALL) but here he's merely satisfactory, likable but too stiff. Ava Gardner fares slightly better, a little dull but with an appealing sultriness. As usual, it's the bad guys with the plum roles: Vincent Price and especially Charles Laughton with yet another memorable turn. Laughton is fast becoming one of my favorite actors, consistently the best thing about whatever he appears in. The main problem here is pacing. The first three-quarters are very slow, giving the appearance of doling out information and building the Taylor/Gardner relationship but not actually do much of either. One brief action scene breaks up the tedium, other than that it's rather uneventful until the final 25-30 minutes. Things do heat up nicely then, however, culminating in an amazing fireworks-illuminated climax. Laughton and the ending elevate this one enough to make it worthwhile.

papajim1 Film Noir? (kinda).. Slow paced. Plot a bit unbelievable, but lots of plots are. Taylor talks too much. I really liked Charles Laughton's portrayal, felt disgust and sympathy for his character at the same time, I think it was a gem of a performance. Ava is beautiful, as usual. Price is sinister, as usual. Hodiak is competent, as usual. Final fireworks are very impressive. If you have and hour and a half to spare, watch it and you'll only be wasting about 30 minutes.