Leofwine_draca If you recall, Lee's vicious Oriental supervillain was blown to smithereens at the end of the first entry in this series, THE FACE OF FU MANCHU. However, he's back in the best of health in this, the first sequel, with no explanation of how he escaped! THE BRIDES OF FU MANCHU has almost exactly the same structure as the first film: the characters are introduced; minor characters are killed off; there are lots of fights; Fu Manchu develops a new weapon. People are even strangled with Tibetan Prayer Scarves again! This is definitely one of those popcorn films. While satisfying on a purely visual level, after watching it you realise that there isn't any real substance underneath. THE BRIDES OF FU MANCHU does such a good job of being entertaining though, that you can't really criticise it. All of the ingredients are there, including numerous fights, car chases, enemy bases, kidnappings and radio messages, so there's something for everyone, whether you're an adventure fan or a simple thrill seeker. The spy, crime and adventure genres intermingle so seamlessly that you don't even realise it most of the time.There are lots of things worth watching the film for, almost too many for me to point out (but of course I'll have a go). You've got some classic '60s machinery with flashing lights which doesn't do anything; you've got women in low cut revealing dresses; you've got a cast of extras including soldiers from the foreign legion; there's the tea-drinking British hero who dresses up as a prototype Indiana Jones; some satisfying explosions and lots and lots of fight scenes.These fights are just as good as the ones in the first film, with men fighting for hours but not getting a single scratch or ruffled hair! I love these cheesy kind of fights and there's a lot to enjoy in these bits. Also, how can you not love a film where the heroes cooperate with the BBC to fight the yellow peril? At the end of the film there are even some genuinely exciting moments. There's a varied cast all going through their paces in this film. Christopher Lee is the rather wooden Fu Manchu, given little to do except be a face behind the evil this time around, but he's still fun and looks great in the role. Tsai Chin is wonderfully sinister and evil as his daughter. Douglas Wilmer plays Nayland Smith this time around, he's no Nigel Green but he's adequate enough in a square-jawed hero type of way. Burt Kwouk has a small role as an unlucky assistant, while familiar face Rupert Davies (DRACULA HAS RISEN FROM THE GRAVE), also appears playing a Frenchman, complete with comedy French accent! A pleasing alternative to the James Bond series, the Fu Manchu films are always entertaining, even if they are bad. This one is strictly average, but it's enjoyable and I had a lot of fun with it, as you can probably guess from reading the above. Lee's final words are "the world shall hear from me again", and guess what, he was right, appearing in the follow year's THE VENGEANCE OF FU MANCHU.

sergio choren Sequel to "The Face of Fu Manchu", "Brides..." is even better if you look movies just to be entertained. It's the kind of silly, funny, absurd, kinky time capsule movie that never loses his charm. Of curse, plot holes and mistakes are a plenty (it's in the 20's but girls looks very 60's) but Lee's terrific performance and a good cast full of familiar faces (even Pink Panther's Cato is here!) helps to sustain interest. Nayland Smith and Dr. Petrie are a later version of Sherlock Holmes and Dr. Watson, but Fu Manchu is the main character here, cruel, sadistic and totally evil, probably the best villain ever, sadly forgotten today due to his racial connotations. The franchise will continue on three more films, but "Face..." and "Brides..." (both directed by Don Sharp) are the real thing. By the way, the 5 films are available now in a box set released in Spain by Manga Films (region 2), but beware: the last 2 movies (by Jesus Franco) are in Spanish without subtitles.

Space_Lord I love these old movies that were made when the words 'politically' and 'correct' were never used in the same sentence together. It is a bygone age of cinema where it was as simple as 'he's the good guy, that's the bad guy, sit back and be entertained'. Once again Christopher Lee absolutely owns the film whenever he's on the screen, such is the attention the man commands. Fu is a diabolical genius, he would probably be branded a terrorist in today's times. He has abducted the beautiful daughters of some of the world's prominent political figures and is using them to manipulate world politics. It's up to the equally nutty British cop Nayland Smith to cross swords with Fu (once again) and stop the yellow peril!! Not as good as 'The Face of Fu Manchu' but enjoyable nonetheless.

bella-6 The second film in producer Harry Alan Towers' Fu Manchu series is the only one to be filmed entirely in England, and went before the cameras only one month after "The Face of Fu Manchu" premiered in the USA. This compact little thriller is harmed by some last-minute cost saving measures, made in response to the disappointing boxoffice returns of the first film. It was not filmed in cinemascope and was processed in eastmancolor, the cheaper cousin of technicolor. The resulting film is dark and actually ugly-looking at times; its predominant color is washed-out red.Choosing to emphasize the sexual aspects of his story, Towers arranged an international beauty contest to find the world's most beautiful women to play the title roles. The contest, held after the film was already finished, was a publicity ploy to generate interest in the film as it sat on the shelf for almost one year before release. The "brides" were actually actresses and models, cast through standard agencies and for their willingness to appear in nude scenes for the racier European version.A lesser film than "Face", "Brides" is still an acceptable diversion, especially considering the nosedive the series would take after this. It would be director Don Sharp's last film in the series, and his considerable contribution would become evident after his departure.