lost-in-limbo An undeservedly forgotten little feature by Empire Pictures. Where has this one been hiding? Instead of relying heavily on special effects, 'The Caller' sticks to an audaciously thought-provoking screenplay and confidently notable performances by its only two, but spellbinding cast members Malcolm McDowell and Madolyn Smith-Osborne.A young lady living in the woods waiting for her guest to arrive for dinner is being unknowingly watched. There's suddenly a knock at the door, but it's a mysterious man who wants to use her phone as his had a car accident. But what follows on from that leads to the two questioning each other's motives and the true meaning of their encounter.It would be an understatement if I called it strangely unconventional, as nothing seems quite what it is and due to that nature it's plain gripping. Watching the battle of wills and wits between McDowell and Smith is brought across with pure intensity, bold authenticity and a touch of sinisterness. As one thinks they have the upper hand, soon it comes crashing down, but the mind games still flow. The true intentions is mystifying on what's going on with these fabrications, up until the unhinged climax (where I can see why it could be a turn off or disappointment of some sort) that really does throw you of course and lands you back at square one. There's no-way any one can find this calculative fodder predictable. Michael Sloane's enduring story is cerebrally crafted as while it's talky, the twisty nature is well observed in its details of the plot and character's progression. The verbal confrontations rally up the unbearable tension and emotional drive. How it plays out is like something out of a stage show and Arthur Allan Seidelman's tautly measured direction lends to that magnifying atmosphere. You truly get the sense that there's on one else about, other then these two (nameless) characters. McDowell's quietly edgy turn is hypnotic and Smith's neurotically vulnerable persona is creditably delivered. Watching these two steadfast performances and their chemistry together was fantastic. The remote woodland setting adds to the isolated and uneasy style of the feature. Richard Band's score is minimal, but titillatingly subtle and eerie.An oddly disorientating and elaborate, if simulating addition to Empire Pictures.

hippiedj A woman alone in a cabin in the woods. A mysterious man knocks on her door. The game begins...This is the perfect film for fans of mystery and intrigue. Like a two-person play, the characters toy with each other, making the viewer sense these two know more than they are letting on. So, we have to try to listen more carefully to what they say and play along. Malcolm McDowell and Madolyn Smith handle their situation effectively and play against each other with ease. Sure, the outcome may seem far-fetched to many viewers, but that's the beauty of this film--you never in a million years would have guessed that THAT was what was going on! Any other solution would have made this a standard "TV mystery", but this one gives you a swift kick and makes sure you are very surprised. It's too bad little gems like these don't get better coverage, even in the magazines that deal with obscure films. Don't try to analyze it too much, but it sure is fun having a brain-teaser for a film as well as be entertained. For such an obscure film, this one is amazingly smart and deserves a more attention. I'm quite confident word of mouth would secure its success this time around over 20 years later.Update August 2011: A DVD-R is now available as part of MGM's Limited Edition Collection. In 2010 Intrada released Richard Band's soundtrack score on CD, but in a limited edition of 1,000 copies.

stills-6 Strange, gripping drama for the first 90% of the movie. McDowell plays his character with a weird calm intensity that keeps your eyes glued to him. Madolyn Smith-Osborne, a terrific actress here and someone who I never heard of, plays a woman who looks like she's about to come unhinged at any moment.Part of the problem with this very dialogue-intense movie is that it builds up to such a dramatic climax that it's impossible to keep it going through any explanation of what's really going on. And the explanation really cheapens things.What's really great about this movie is the interplay between the two (and only two) characters. In some parts it's brilliant. I wish I had stopped watching some time before Smith-Osborne got all her points, however.

Zane-14 The opening scene sets the tone for the rest of the movie - A woman (Smith-Osborne) is shopping in a deserted shopping centre and then drives her car down an equally deserted main road to her house. No explanation is given for the absence of people, nor for that matter the mysterious man (McDowell) who visits her and begins explaining his presence at the house. The woman points out inconsistencies in his story and as she does so he awards her with a point (it is mentioned that she needs ten points but we are not told the reason). We come to realise that the woman is being held hostage at the house by the man and tension builds as the woman nears ten points and the climax. The woman finally reaches ten points and well... The ending is a bit of a let down (and perhaps a touch frustrating for some) but the film is well worth watching, if only for the performances by McDowell and Smith-Osborne.