MisterWhiplash First the obvious: Don Letts is no Julien Temple. For those who don't know or need a reminder, Temple was director on both the Sex Pistols' The Filth and the Fury and the recent Joe Strummer documentary The Future is Unwritten. As far as the latter goes it is for at least 2/3 of the time focused on Strummer's time leading up to and in the Clash, and oddly enough that short time period in the midst of a two hour movie may be somewhat more substantial as enthralling documentary cinema and storytelling than Westway to the World. This doesn't mean to say that Letts' work in putting together the interviews and a very general outline (i.e. general in about 80 minutes or less running time) is necessarily bad. It isn't. It's actually quite good. But when compared to the buck-stops-here docs on the quintessential British punk rockers, it ends up a little short.This isn't to say that if you're a fan you shouldn't check it out. In fact, it works even greater when seen in conjunction with the Future is Unwritten. Not least of which because Temple, making his film years after, lifted some specific lines from Strummer for his film in voice-over, but because we get to see with Letts' film an idea of what it was like to be in the highs and lows and what-the-hell-is-this-trip quality of the Clash. They were a band that started out with almost a "Stalinist" method of cutting off from previous friends, starting from ground zero, and made some of the most eclectic and hard rocking and lyrically important music of the 20th century. Like the Doors or Jimi Hendrix they were around for less than a decade, but their mark is significant for their natural musical ability, their tough but rewarding forms of musical collaboration, and their f***-all attitude about doing things very proper in conforming to what people would want.What one takes away with in Westway to the World is a solid glimpse at a band that knew what they wanted and broke apart for reasons that were petty and harsh but also akin to what many band goes through in terms of mistakes and rubbish between friends. At the same time we also get the sense from all members that they would do it the same if they had to do it over again. That takes some guts. One only wishes that Letts, who has here some notable musical performances (some never seen before) and a couple of choice nuggets as far as real confessions or interest goes, could have gone a step further with the style or not relied as heavily on the shabby title cards. But, as said, it's a must for fans of the "only band that mattered."

paul2001sw-1 This short film is celebrated by devotees of The Clash; to non-fans, it's still interesting, less in the story of the band but in the style of its telling. "We came, we fought, we made great music" - that seems to be the take home message, all four of the band's original members contribute (and the film indeed contains little other than a mixture of their interviews and concert footage); but there seems to be a very deliberate decision not to present a blow-by-blow description of every action, but rather, for the band members to present their history as a simple fact of nature - something that just happened. Given that the band rose and closed in just five years, maybe there's some truth in this curt account, although perhaps also the band (and film-maker Don Letts) realised that less can be more in terms of effect. In spite of past quarrels, the band all essentially sing the same song here; the other thing of note is quite how posh lead singer Joe Strummer can actually sound. But I'd have liked a little more social context - regardless of their musical talents, the post-punk Clash represented their times (the end of the seventies and the start of the eighties) maybe more than any other band - but this is only weakly conveyed in this (somewhat introverted) account.

nycalling A great film, if you read the last gang in town along with watching this you get a great overview of this excellent band. Watching it one sees how they tried thier best, even if it was misguided at times. The music is great, and seeing some of their live perfomances makes you realize what we lost when joe strummer died. Not as good as the filth and the fury, as there was so much more to cover in this film, whereas the filth and the fury could cover a much smaller more concise time. I like The clash more then the pistols though, so of course i love this film.

exreckid although it somewhat skirts around the truth of the matter, "westway to the world" is a must have for clash fans. it's not nearly as good as other punk rock docs like julien temple's brilliant "the filth and the fury", or jem cohen's "instrument", but worthwhile, nonetheless. my major point of contention is the fact that the movie just kind of wraps with the clash "breaking up" in 1982, when in fact mick jones was kicked out, and the clash went on to release their most horrible album, a "back to basics punk record", in 1985. the early years are well documented, and the stories of life on the road with the sex pistols are great. of course the music is top notch. the dvd also includes a short film called "clash on broadway", which includes a lot of footage also in the feature.