thethingis This film steps out of nowhere and throws its weight around to such an extent you'd think the budget was several $''000,000's greater. Confident direction and cinematography that is fantastically arresting combined a smart edit and well planned sound design, score and soundtrack - the sort of thing new directors often overlook. The performances show actors who really turned up every day ready to work and be worked - nobody coasts through this. Steve Mackintosh captures the boastful and irritatingly mouthy Jasper's descent into friendless paranoia really well with an expression that reads as if he can't for the life of him remember who he might have upset recently. Bernard Hill mows down all before him, riding roughshod over any suspicions or hunches his cop partner, played by Holly Aird may have and giving explosively short shrift to a forensic scientist played by Eddie Izzard.

petdix-1 cinematography starts out excellent, actors talented but do not bother with this film. I love Eddie Izzard and Steven MacIntosh; all the other actors were excellent but this was a hateful script, which tortures viewers. We readily identify with MackIntosh's & Natasha Little's characters, so evil done to them is spikes driven into our eyeballs. Not since "Clockwork Orange" have I hated a film so intensely and I admit that Clockwork had redeeming values, art-wise & social commentary-wise. "The Criminal" was a lame excuse for someone who is de-sensitized to violence (whether by video games or limbic system dysfunction) to slam viewers' heads down onto a table. I put it on fast fwd after 20 minutes into the film and made stops to catch up with dialogue, skipping violence. Thus, for me, the film was thankfully 45 minutes long. Despised the ending. Let it be known that my favorite writer is Dostoyevsky. So I'm not a suburban granny making whiny comments. I can handle intensity/violence if the plot is worthwhile & characters get to develop (I have to hand it to MackIntosh, his work in this was, as usual, top notch). My favorite movies are "Dr. Zhivago" and "Gangs of NY" (and I recently appreciated "In Bruges") These films do not spare the viewers' sensibilities, with Cossaks slaughtering innocents and Bill Cutting's vengeful personality. Please DO see Anything else that these talented actors have done & best wishes to the script writer. Director, you've got talent but get out of this genre, it's old hat.

mark webb This film lacked the basics; tension, atmosphere and a half decent script. It didnt work. It didnt know what it was. It ended up being Farce. Keystone cops, 'U' certificate violence, dodgy flashbacks, Bethnal Green Town-hall;(When do you ever get an oak panelled cop shop?) I can only think that the American actress playing the street-wise urchin, (taking the film to an even more embarassing depth), was only there because a relation of hers put money into the project! Whats sad is its got such a good cast. Oh what could have been done with them and the budget! It makes 'Honest' look like a masterpiece. They'd probabley make a good double-bill!!

The Movie Goblin Okay, it may not have the budget of Enemy of the State, but Julian Simpson's first film was undeniably enjoyable nonetheless. The Criminal, withstanding a few minor glitches, is one of the most likeable British films I've seen in ages. I must admit that I am slightly biased as I love conspiracy films but this had all the right ingredients: the innocent everyman hero on the run, spies, femme fatales, plot twists etc. It occasionally felt as if some scenes could've been cut to quicken the pace, but as it is it's still very entertaining.Bernard Hill, the Captain from Titanic, was brilliant as the foul-mouthed bad-tempered policeman, and Steven Mackintosh was believable as the everyman hero, without resulting to cliche's. The rest of the cast was made up with faces from TV, but this didn't matter as they were all great.