The Crush

1993 "He thought it was just a crush. He was dead wrong."
The Crush
5.8| 1h29m| R| en| More Info
Released: 02 April 1993 Released
Producted By: Warner Bros. Pictures
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A precocious and obsessive teenager develops a crush on a naive writer with harrowing consequences.

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nathanburke-88780 The film that probably got Alicia Silverstone noticed by Hollywood The Crush is a new take on the young teenage being obsessed with an older man. Cary Elwes is alright though he doesn't have much to do but Silverstone is pretty good- It is strange to see her absent lately as she clearly has that star factor going for her. Go see it for her.
ehlenahunter After all these years, who doesn't know the premise of this movie? It's about a mentally unstable 14-year-old who becomes obsessed with a grown man renting a room on her parents property. She even goes so far as to try to ruin his career, life, and freedom when he doesn't return her advances.I saw this movie many years ago and I liked it. In fact, all these years later I can see where this movie set a precedence for other teenage "obsession" movies within this genre. But, oh yes, there is a BUT. After viewing it all these years later, I can safely say that Nick (Cary Elwes) did indeed lead Adrian on. As a grown man, he did some inappropriate things that put him in this position with Adrian. That's not to say that she still wouldn't have become mentally unhinged, but his relationship with her was far from amicable from the beginning. The constant leering at her in her bikini, following her on the balcony and flirting with her, taking her on moonlit drives at night, kissing her under the lighthouse, and sneaking into her parents house without making his presence known and peeping at her through her closet door. Granted, I know he was looking for some items he thought she stole, but still. None of that makes Nick come out of this clean, in my opinion.Did he deserve what he got? I think so! All besides the rape allegations. I saw that coming a mile away, and he should have too, which is why he should have known that all personal contact with a female minor should have been kept to a minimum.All in all, I did like this movie, and I did like Alicia Silverstone in it. It's just too bad she didn't get a chance to take her career further. What ever happened to her anyway?
Harvey Moore I watched The Crush (1993) because it was recommended to me on the page for Poison Ivy (1992). Being a fan of obsession based psychological thrillers, if only as guilty pleasures, I had to watch this. It didn't disappoint. The writing, story and characters at the most cliché I've ever seen them. The obsession story was handled well and it made way more sense that Poison Ivy. The basis of the obsession can be explained but there isn't any character development to shine any light on why Adrian (Alicia Silverstone) is like she is. Cary Elwes puts on another bad American accent sounding almost identical to how he did in Saw (2004). In some way you could link those two films together as a joke. The film itself is pretty bad but it's entertaining and well worth the 1hr 20mins it takes up.Final Verdict 8 out of 10 Not a bad film but so clichéd it's hilarious.
hcoursen I agree that Silverstone is superb as a combination of 'Lolita' and 'Bad Seed.' Her ability to play the innocent is brought off very well because she conveys a sense of really caring for Nick, within one field of her ambivalence. I do have some problems with the film. Perhaps foremost is Nick's inability to just get the hell out of there. He should have done that much sooner. Or -- was the film suggesting that his fascination with the Silverstone character is keeping him around? That the girl could rewrite Nick's story and improve it strained credulity. The film dropped Nick's professional issues almost completely about a third of the way through. We got no sense of the huge interview he pulled off. That the girl could convince doctors of the event she claimed even having planted evidence struck me as completely impossible. The ending involved a transition to surrealism that the film had not prepared for. It was as if the film were figuring out its stylistic and generic premises as it went along. Why can't filmmakers produce coherent finished products anymore? Is it in response to the post-modernist attack on 'thematic unity' or just plain sloppiness. This could have been a great film.