Thomas Drufke I've been a fan of Jon Schnepp for a long time. I've watched him on AMC/Collider Movie talk for years now. In the world of comic-book "sweaties", he is the cream of the crop. The man's knowledge spans decades and just about every comic-book character you can possibly imagine. But he also has background knowledge in filmmaking and animation, so I trust him his ability in more than one area. The fact that he made a documentary about the failure of one of the most mysterious superhero projects of all time, "Superman Lives", was immensely intriguing.I'm not entirely sure why it took me so long to sit down and check it out, however. I preordered the blu-ray the day it became available, but I just kept forgetting to watch it. Well, I'm glad I finally did. "The Death of "Superman Lives": What Happened?" is one of the most fascinating films I have ever seen. Schnepp devoted years to figure out what kind of a film this was going to be and why in the world it didn't happen. The final product definitely gives you a visual and thematic idea of this film, but perhaps more time could have been taken to tackle why it didn't happen.The amount of information that Schnepp was able to gather whilst delivering it at a brilliant pace is uncanny. Chris Rock as Jimmy Olsen? Courteney Cox, Julia Roberts, Jennifer Aniston, or Sandra Bullock as Lois Lane? Not to mention the legitimate casting of Nicolas Cage as Superman? This is information that the casual comic-book fan probably didn't know, and Schnepp covers it all. But it isn't just the obscure casting, it's the enormous spider, the version of Lex and Brainiac combining, or the idea of Superman not flying are all things that were considered by producers for the failed film. Pretty much everything about the comic was flipped or altered for this film.I think this documentary is important to keep in mind, especially considering how lucky we are in this age of superhero films. A film this strange and this much of a departure from the comic, would never be made today. At the same time, this documentary made me immeasurably interested in how big of a bomb this movie could have been. I want to see this film. I know it will never happen, but I would totally be down to see this insane project. Ultimately, practical reasons, including a spiraling budget, ruined the film's chances. But this could have been an all-time guilty-pleasure. 3 weeks from production!Overall, I learned a ton of random knowledge with Schnepp's documentary. I also learned that just because someone is in position of power (Jon Peters), doesn't mean they know what's right. I'm sorry but some of the decisions that Peters and some of the other higher-ups were going to make, were horrendous. But in the end, it serves as a fascinating tale of "what could have been". Sure, there are so many questionable aspects to this film that taint the idea at first thought, but man this could have been something special. Special props to Jon Schnepp for making a kicka** documentary.+Schnepp and Kevin Smith kill it+Insightfully insane ideas+Not your ordinary DOC9.0/10

Sean Lamberger The infamous bomb to end all bombs, a doomed effort to relaunch the Superman franchise in the immediate aftermath of the catastrophic Batman and Robin, never made it to principal photography. Ever since it was unceremoniously dumped back in 1998, the film's been a secretive slab of buried pop trivia and this documentary, through interviews with virtually every guilty party, attempts to uncover what might have been. Facepalm-worthy mistakes abound, from overzealous producers with absurd requests to tripped-out directors with no affinity for the character to one of the single worst casting decisions in recent memory. There's no two ways about it: this was going to be a launchpad disaster, even worse than the slim shreds of leaked information may have led us to believe. The story of its abortion is fascinating, too, in the same way a slow-motion replay of a fatal F-1 crash might be. The documentary belabors many points, though, needlessly bloating its runtime, and the director/moderator is incessantly forced into most shots, which I found grating. As a slideshow of concept art and talking heads recollecting (often, stunningly, with fondness) the mistakes they were never given the chance to make, it provides a short-lived interest. The full duration is something of a chore to push through, however, and it really could've done with some critical editing before release.

nixon carmichael The Death of Superman Lives is a story about the bizarre and at times grotesque would be super hero movie, Superman Lives, which was commissioned by Warner Brothers in the 1990s.The movie never got out of preproduction but documentary filmmaker Jon Schnepp has set to find what in the hell actually happened, uncover anecdotes, footage and notes from the people involved. At the end of the day I didn't learn a great deal of new information but it was nice to hear multiple viewpoints and see some of the concept art from the film.Director Jon Schnepp has a clear vision of what he's after and has the intelligence to see it through, but where the film suffers is execution. Though I'm aware that this is an independent doc made with what had to be a modest budget, the film itself is at times woefully crafted. The audio is often out of sync, the video quality is lacking and sequence editing seems strewn together, haphazardly. Mr. Schnepps prowess for conducting interviews also leaves room for desire at times.All things being equal, this is not the worst thing I've ever seen, and it was interesting at times at least and approached with integrity and intellect. I'm not sure it was worth $30, but hey, that's just me, I'm sure that there are going to be some people out there who love this movie.

JoaquimGonsalves A must watch for aspiring film-makers and anyone who loves movies enough to care about the collaborative work that goes on behind it. I'd like to think it's the same as having your family or spouse say, 'I want an abortion.' Can't even begin to imagine the pain.The artwork, the concepts, the ideas, with Tim Burton at the helm, it probably would have made a masterpiece that would be talked about for years. Like one of them said. "It wasn't made and we still are talking about it." Almost 20 years later!Personally I don't think it would have brought the studio the numbers at the time, considering Warner Bros'. bad run of luck and the very fact that the audience back then may not have been ready for it. The cinephiles of today though, with their healthy diet of superhero movies, would have thrown money for a story like this. (This documentary was funded largely by a Kickstarter campaign, so there you go)But when you see what they rather made with the previously allocated budget? (Man, you will be shocked.) You'd perhaps say, they should have gone with "Superman Lives" instead.A big shout of appreciation to Jon Schnepp for getting this made. An even bigger hug to the entire team for being brave enough to relive the memories.