bigverybadtom The true story of Graeme Obree, living in poverty in Scotland, whose receipt of a bicycle as a gift during his childhood brings him joy-and eventual fame. But the road is not easy, even when he reaches the top.Losing his bicycle business, he uses effort and guile to create a homemade racing bicycle and get himself noticed by potential corporate sponsors so he can get into big-time bicycle racing. He succeeds, but one catch: the bicycle industry doesn't like the fact that Obree had been using a homemade bike, so they try to trip him up with all sorts of rule changes and finally succeed in pushing him back down. Along with his existing mental problems, Obree is back in the slums.But he makes a comeback and wins again, and the movie ends, though Obree's career (and unfortunately his mental problems) would continue long after. As for the movie itself, the pacing is right, the characters are credible, as is the story, and it gives the message that once you reach the top, the challenges still go on. Recommended.

Marlburian I've been a keen follower of cycling for 50 years and of course these included the Obree era, so I have some recollection of the actual events.This film seemed a reasonably accurate portrayal, allowing for the need to be discreet about some of the supporting characters, not least the "WCF" officials. I'll need to read Obree's own book to find out about the people in his camp.At the time of his racing successes, nothing was known of his problems with depression, though Obree became refreshingly frank about these later on.A viewer with no knowledge of the sport might be forgiven for assuming that the film started with Obree as a very ordinary rider who came from obscurity to beating the world. In fact he was a very accomplished racer on the British scene and, as he briefly mentions, had gone head-to-head with Chris Boardman before the film started.I did wonder about the scenes showing Obree riding along with a rucksack on his back - something very few experienced cyclists do. And I've a feeling that the "Superman" bars gave an even more extended riding position than that shown towards the end of the film - perhaps it was too extended for an actor to handle.Overall, an enjoyable film.

paul2001sw-1 The story of Graeme Obree, an essentially amateur cyclist who competed with the best, is quite remarkable, but that's not to say it makes for a great film. The narrative arc of this movie is dreadfully predictable, and attempts to make play from Obree's struggles with depression are limited by the cartoonish way in which the officials with whom he was often in conflict are depicted. Perhaps the real problem is that Obree is the sort of hero who fits the Scottish self-image too well, the plucky underdog (celebrated in the unimaginative title of this movie) is just too comfortable a figure (in terms of how he fits with how the Scots would like to see themselves); there's no 'Trainspotting'-style iconoclasm here. Maybe it would have been better to make a documentary; the details of how Obree fashioned a competitive bike with his own hands (and to his own, revolutionary design) are fascinating - but not the stuff the fiction, and told as a drama, the result is a little dull.

John Frame I'm just home from enjoying one of the most exciting cinema experiences of my 51 years. As a recreational cyclist, and having trained hard and at least attempted racing, I knew that I would enjoy a film which focused on the life of a real athlete - rather than a fictional styling (Breaking Away) or one race (Hell On Wheels).With 50% Scot blood in my veins I felt at home with the voices and scenery, but I found myself quickly intensely involved with the characters and swept away by the quality of the cinematography and the stunning surround sound. I've pre-ordered the DVD - but this is the very definition of big screen cinema entertainment.In the late night screening I was lucky to have a whole row to myself - so no one witnessed my emotional gasps, or the times during the races when I was literally shaking with excitement.I loved the way that Graeme's struggle with manic depression is given respectful depth - especially since his illness was an integral part of what drove him obsessively to achieve. Too few films deal effectively with the stress and reality of being bipolar. We need to see that he is loved, respected and supported as living with a mental illness, but also that he can accept polite active intervention.This is a remarkable story - extremely well told. Full praise to all of the cast - especially Jonny Lee Miller, who looks and lives the part and to Brian Cox, one of Britain's greatest dramatic actors (see "The Lost Language Of Cranes").We're told by other reviewers that the film is a more than adequate precis of Graeme's story, so I'm very much looking forward to reading his book.