The Gate

1987 "Pray it's not too late."
The Gate
6| 1h26m| PG-13| en| More Info
Released: 15 May 1987 Released
Producted By: The Vista Organization
Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

Three young children accidentally release a horde of nasty, pint-sized demons from a hole in a suburban backyard. What follows is a classic battle between good and evil as the three kids struggle to overcome a nightmarish hell that is literally taking over the Earth.

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Reviews

Johan Louwet I'm not sure if I would have liked it when I was a kid or teenager, fact is now being in my thirties I liked it a lot. Kids going on some kind of adventure has always been an interest of mine but there really aren't that much who do it in a way that can hold my interest for very long. "The Goonies" for example started out interesting but very soon became silly and pointless. This one captivated me from the start with a nice premise, very likable child actors who also work very well together. Of course there is the obligatory annoying teenage friends of the big sister who don't like the younger kids but that is only a minor distraction. Actually big sister is very likable and caring towards her little brother and his friend. Without giving too much away the story is basic with a well worked out "demon" legend behind it in the style of "Don't be Afraid of the Dark". The kids bundle forces and are eventually able to overcome the evil working well together and caring for each other. That the monsters didn't look really scary didn't bother me that much as the creativity of the events blew me away a few times.
utgard14 Glen and Terry (Stephen Dorff, Louis Tripp) inadvertently open a gate to hell in Glen's backyard, releasing ancient demons. The boys and Glen's sister Al (Christa Denton) must find a way to send the demons back and seal the gate. Very fun kids horror movie from the '80s. The cast is likable. The special effects are very cool. The script is good. The '80s had some great movies with kids as the heroes fighting against the forces of evil. Despite some inevitable cheese, these movies were way smarter and more "real" than similar movies of today. The kids seemed authentic and not overly precocious or popping off pop culture references right and left. The Gate's a fun movie that anyone should enjoy, except maybe gorehounds.
Michael_Elliott Gate, The (1987) ** (out of 4) Lightening strikes a tree, which leaves a large hole in the ground, which just happens to be a gateway to some demons. Three kids (Stephen Dorff, Christa Denton, Louis Tripp) eventually have to battle these demons when their parents leave them home alone for the weekend. This has a large cult following and even though I grew up watching horror films throughout the 80s, this is one I never got around to checking out. While watching the movie I really could see why some might love this thing as it's pretty much another clone of THE GOONIES and I'm sure many watched this as a kid, connected with the kids in the film and just liked the idea of fighting off these small creatures from Hell. With that said, the movie just didn't work for me. There were a number of reasons why but the biggest is that nothing really happens until the fifty-minute mark and then we get a couple action scenes and then it appears the film is over only to then kick it into another gear for yet another 25-minutes worth of action. Another problem I had with the film were the actual demons. They're small, unscary and way too cute to be very menacing. Not for a second did the film ever build up any type of suspense and not once did I feel that any of the characters were in danger. Some might say there's nothing wrong with that but we are watching a horror movie and a horror flick without any danger is pretty pointless. Yet another problem is that the screenplay takes the subject matter way too serious and yet it never makes a bit of sense. We're given a "story" as to what's going on but it'll just leave you scratching your head. Fans of gore aren't going to find much here, although we do get one terrific sequence where the boys goes to jump in his father's arms only to eventually have his head melt off! What I enjoyed most about the film were the performances by Dorff, Denton and Tripp. All three fit their roles quite nicely and they're all charming enough from start to finish. They're certainly not Oscar-worthy but they're good enough for this type of material.
Woodyanders Nice kid Glen (a fine Stephen Dorff in his film debut) and his amiable heavy metal music nerd best friend Terry (a solid and likable performance by Louis Tripp) inadvertently release a powerful supernatural force from another dimension through a mysterious hole in Gleen's backyard. If the boys don't figure out a way to close said gate right away, these lethal demonic beings will bring about hell on earth. Director Tibor Takacs and writer Michael Nankin eschew the usual graphic gore and cheap nasty scares found in a majority of 80's slasher fare that was trendy at the time in order to put a welcome and refreshing emphasis on eerie mood and nerve-jangling suspense. The gradual build-up in the opening half leads to a delightfully surreal and nightmarish second half which culminates in a lively and exciting climax. Moreover, the main characters are well developed and genuinely appealing: Dorff and Tripp make for engaging leads while Christa Denton brings an endearingly spunky charm to her role as Glen's sweet older sister Al. Jennifer Irwin and Deborah Grove are amusing as the vapid Lee sisters. Nankin's screenplay boasts several cool offbeat touches: Terry learns about the gate by listening to a hard rock album from an obscure band, the telephone melts, a shambling zombie workman bursts out of the walls, and Glen winds up with an eyeball in the palm of his hand. Kudos are also in order for the dazzling array of excellent and impressive special effects: The giant stop-motion animation beast seen towards the end is truly gnarly while the diminutive demonic minions are quite creepy and funky. Takacs and Nankin bring a positively infectious go-for-it enthusiasm to the material that's impossible to either dislike or resist. Tomas Vanes' slick cinematography and the spirited shuddery score by Michael Hoenig and J. Peter Robinson are both up to par as well. Best of all, there's even an upbeat central message about how the power of pure love can effectively conquer evil. An incredibly fun and worthwhile 80's creature feature winner.