Robert W. Anderson I'm surprised this wasn't a made for TV film! It has the look of a TV production, it was most likely video taped. The writing and direction is not up to movie standards. While they do have some veteran actors; they performances were tainted by poor writing. The writer decided that rather then rely on well written story with just a few of the points he wanted to make; he decided to throw every racism cliché into this one. And while the story is just plain silly; the poor direction leads to some pretty poor performances. I'm sure many of the actors in this film don't list this as one they are proud of. We all know that there are abuses by law enforcement; but this writer/director is beating us over the head with this script. If your looking for a well written, well acted story that make you feel like you got your monies worth; avoid this film like the plague. Written at about a 4th grade level.

Robert J. Maxwell The movie itself isn't very good. It moves slowly and is badly photographed. The lighting makes too much use of neon blue, a popular fad around the time this appeared. The acting is okay, though, except for Ice Cube, who cannot seem to act. The score is routine. The script has two good things going for it.One is that the cops, though authoritarian in manner and attitude, are humanized without being sentimentalized. I'll give an example of what I mean by this. One scene, between Walsh and Ironsides, reveals to us and to Ironsides, that Walsh's cancer which had been though to be in remission has now metastasized and he's dying. Nothing much is made of the scene. Nobody breaks into tears. And Ironsides doesn't offer any false hope or, indeed try to comfort his friend in any way. He simply sits there and listens while Walsh, again without going into it, quietly talks about how he'd like to leave his family with a little something. The script and the director handle Walsh's death scene in the same understated way. Walsh's comrades try to revive him and finally give up. None of the assembled cops says anything. Cops wouldn't. But they are clearly moved by the passing of their friend. That's what I mean by "humanizing" them without "sentimentalizing" them.The second interesting thing about the film is that it dips a toe into some curious and seldom-dealt-with sociological waters. It brings up the question of primary allegiances. That is, to whom do we owe our main loyalty? Which group are we willing to make the most sacrifices for? Some groups are far more demanding of us than others. I may not care much about being a mailman, for instance, but I care an awful lot about being, say, an African-American mailman. Most ethnic groups are surrounded by clear social borders -- you're either one of us or you are not one of us. The same is true for some other groups -- doctors, airline pilots, U. S. Marines, and stunt men, to mention a few examples that I'm familiar with. Cops demand that kind of loyalty too. And here we have two "minority" members who find themselves working for the Sheriff's Office. Boatman is black and is a cop. Lori Petty is a woman (and a Jew, I think) and is a cop too. Which allegiance takes priority -- the allegiance to the minority group or to one's comrades on the police force? What happens when loyalties come into conflict?The film brings the question up but soon dumps it. Both rookies try to show their loyalty to their partners by hiding mistakes and so forth, but then they quickly return to the politically correct corners. Boatman realizes that he is black before he is blue. And why not? There's not a bad African-American to be seen. Petty undergoes a similar transformation.It's kind of a cheap way out. We can all feel satisfied now that our true identities have been found and all the corrupt and dissembling cops have been cleaned out. Sure.I wouldn't recommend this, really. The missed opportunities are wincingly obvious. It's rather overlong, too, and the story resembles "Serpico." Even the title is second-hand. "The Glass Shield." It sounds like a variation on the pop culture phrase, "the glass ceiling," suggesting that the female cop, Lori Petty, will run into prejudices. (She does, but that has nothing to do with the plot.) The title also references other paradoxical titles like "Steel Magnolias," "Iron Butterfly," "Led Zeppelin," "Limp Biskit", "The Glass Key." If it took more than five seconds to arrive at the title, the writers didn't deserve their paycheck.

Esteban168 This movie has got to be one of the worst, most leftist, racially biased movie ever made about cops and non-black people. It feeds into the racial tensions and further perpetuates the myth that all cops and people in office are evil and corrupt. I was watching this movie thinking it should be taking place in Mexico or Russia. However I can't imagine the corruption being that bad even in those countries. This movie had absolutely no technical advisors, no realism, no factuality and was poorly written. On one scene, I saw one of the main character wearing his police uniform with white sneakers. I've never seen that before. The list goes on and on but I wont waste anymore our my time or yours. This is something I would totally expect though from rapper Ice Cube. I'm surprised Snoop Dog didn't make an appearance in this movie. Don't waste your time on this trash.

jag001961 Show was very interesting regarding newcomer cops, especially blacks and females. I really hope this no longer goes on in precincts but unfortunately, it probably happens more often than we'd like to think. Michael Boatman played a very dramatic believable officer - definitely worth watching!