wes-connors A nasty Arab prince is in Africa, looking to retrieve "The Golden Idol" of Watusi. In flashback, we see Bomba (Johnny Sheffield) took the small statue from dastardly Paul Guilfoyle (as Ali Ben Mamoud), who stole it statue from the Watusi people. The "Bomba" film series was nearing its end with this substandard episode. The edited-in segments involving lions look especially cheap, but the entire production is amateurish. There are only a few highlights, if you're inclined to watch; they are shot at the swimming hole and involve some underwater photography. The pretty guest female figure, blonde Anne Kimbell (as Karen Marsh), goes for a swim with Bomba. She wears a modest, one-piece black bathing suit. Bomba wears his immodest loincloth and excels in a solo swim near the end, when he shows where "The Golden Idol" is hidden.*** The Golden Idol (1954-01-10) Ford Beebe ~ Johnny Sheffield, Paul Guilfoyle, Anne Kimbell, Leonard Mudie

moonspinner55 Tenth entry in the "Bomba" canon is a drowsily-paced adventure with Johnny Sheffield's resourceful, likable jungle boy the only point of interest--the villains all being cut-outs right off the series' assembly-line. A hunter is hired by the nefarious Prince Ali to retrieve the Golden Idol of Watusi, which he claims is his, stolen by Bomba. Turns out the Arab chieftain forcibly took it from a native, who was left for dead; Bomba promises to get it back. A nice swimming scene between a giddy Bomba and the resident pretty girl (Anne Kimball) is the highlight here, the plot and action being extremely tired. For completists, Bomba is bound and gagged (again), overturns a boat for an underwater fight and--in an amusing Ed Wood-like moment--allows a python to drown one of the bad guys. Regulars Leonard Mudi (as Mr. Barnes) and Smoki Whitfield (as faithful guide Eli) turn in their usual solid supporting performances, but this low-budget quickie would be nothing with Sheffield. *1/2 from ****

gerdeen-1 This was not the last Bomba movie (two more were made shortly thereafter), but it may be the weakest. The whole series, never terribly well made, was just running out of "spiz" by this time, and it shows.Playing the villain is Paul Guilfoyle, a longtime Hollywood bad guy (who should not be confused with the current actor of the same name). His character is an evil Arab potentate making trouble in the jungle. Guilfoyle had played a similar role in "Bomba and the Hidden City," but he doesn't reprise that role here. Not exactly. He simply plays a similar character to allow for use of footage from the earlier film.Those recycled scenes, coupled with familiar stock footage of wild animals, give this movie a particular air of cheapness. Many of the scenes are shot at night, with people dashing around amid the foliage. It's often hard to tell what, if anything, is going on.And Bomba's jungle seems very small. He keeps coming back to the same places -- the same pond, the same clearing, the same rock formation. Does he really know his way around the primeval forest?The story is much like those in other Bomba films: Bad guys mistreat the natives, shoot animals and menace a pretty American girl whose work has brought her to the jungle. In this case, the girl is an archaeologist looking for the "Golden Idol of Watusi."Johnny Sheffield was well past his teens by this point, and his increasing maturity may have doomed the series anyway. At one point in "Golden Idol," someone refers to Bomba as a "jungle man" instead of a "jungle boy." But he still looks young and fit enough to be credible.It's easy to make fun of Bomba movies, but not really fair. I have to admit that I enjoyed them myself as a boy. Their racial attitudes are outdated, but some far better films of the era were much more insensitive in that regard. All in all, these little jungle adventures are well-meaning, simplistic, good-versus-evil tales. Still, if you want to get acquainted with the character, an early Bomba movie would be a better place to start.

boblipton Johnny Sheffield was getting pretty old to play Bomba the Jungle BOY in this episode, the tenth of the long-running Monogram series. It is, like all the others, a well-intentioned, decently produced work of knock-off Tarzan fiction, a bit more overt in its early ecological message than the Tarzan series was.Some good talent lurks here, with Paul Guilefoyle returning and a nice pan shot of the native village across the river to keep people who care about such things happy. The story -- about some baddies seeking revenge on Bomba for being an annoyance while his friends and he are doing some archeology digging -- is just as slight as any of the others. Still, all the signs of competence are there and if you like the series, you will like this one. I find it harmless.