rawlsbobby One of the all time best movies!! Tommy Lee Jones is fantastic and I love the story! I just wish that I could get the soundtrack!

Steve As I recall from trade mags, back when this flick first came out, TNT approached TLJ to be the lead, but at the time, he was pondering his future in the film industry and was considering directing. He wanted more than Turner and his execs were offering as the lead actor, but agreed to sign on to the project for less if he could be given free reign to direct, which was a bargain for the price. What ensued was The Good Ole Boys as we know it.The product is a Western equally worthy of mentioning in the same short list as Unforgiven, Silverado, 3:10 to Yuma and recent others. It is a classic Western that is as priceless as anything given to us from both Johns Wayne and Ford. In the opening scenes, we watch a cowboy as he and his horse graze the high country; a scene that could occur at any time within our frontier history. He eventually heads home and then we are drawn into a turn of the century frontier settlement juxtapositioned with the old west; sweeping sky lines and open ranges slowly encroached by the advent of Westward Expansion and technology.The story shows us how a cowboy out on the vast range, isolated by big sweeping scenes, with only his horse to keep him company, enters into the new century. After he sojourns back to the land of his roots, a beautiful and memorable story unfolds with the likes of Frances McDormand, Sissy Spacek, Sam Sheppard, Wilford Bremly and the (as far as I know) debut of Matt Damon waltz into the story to reveal hopes, dreams, missed opportunities and current dilemmas. Soon our cowboy is thrust into the new world with new problems. His leisurely life amongst cattle, horses and campfires is soon a distant memory. The choices he acts upon effect all those around him, and then while his input and decision unfold, he then must decide if he will stick around in this New World to witness the results or return to the wide-open country.This story falls within the framework of time-honored classics; where we get to see the impact of certain choices made and the ramifications as they unfold. We witness familial love and hard decisions. What makes this most memorable are the aspects of very good story, memorable performances, and great visuals/sound score. Currently TLJ enjoys worthy accolades for his roles in The Valley of Elah and No Country For Old Men, which should lead to inevitable Oscar nominations. His vision and performance in The Good Ole Boys, certainly worth-while for fans, should round out his current body of work.8 of 10

kealyd I was already predisposed to like this - big fan of Tommy Lee Jones, and I do enjoy my modern westerns. However, I find that the quality on VHS is quite a big obstacle to my enjoyment these days, and makes the film seem a lot cheaper than it actually is. Plus, the sound was terrible, which made it even more difficult for me to decipher Jones' nasal drawl (a number of times I actually had to rewind and listen closely again to even get the gist), and which he seemed to be laying on pretty darn thick, to boot.Won't beat around the bush with a synopsis: lovable, nomadic rogue returns to the old homestead after years away, finds things have changed, has problems integrating and eventually learns to come to terms with it all. You know the drill. Jones himself is very endearing - not a man generally known for exuding warmth and upbeat optimism, but he convinces, as usual. Not the first time he's donned a stetson, he looks born to the saddle, roping steers, breaking in unruly horses and other suitably manly activities. There's a love interest in the shape of Sissy Spacek - could take her or leave her, really, but that's a personal feeling. Frances McDormand in particular was very good as the no-nonsense matriarch, and a young Matt Damon does a very serviceable turn as her son.Lots of hackneyed 'comedy' moments: dog relieves itself on someone's leg; fat man falls over; outhouse gets knocked over with someone in it; man sits on cactus and has to have the spikes extracted from his backside - hilarious stuff. All pretty weak, but comes with the territory I suppose. Quite a few bits seemed contrived just to bring Jones and Spacek together (I'm looking at you, changing room scene) and they do invite some eye-rolling. A little surprised at the bittersweet ending, but it fits and the closing image is appropriately meaningful, if predictable, with Jones riding off into the sunset alone.The kind of film you find channel-hopping on a lazy Sunday afternoon. You know what's going to happen, but it's well cast, inoffensive, and mildly enjoyable in itself.

jackjack-2 Perhaps I liked this movie because it reminded me very much of my father and mother. My father was an itinerent cowboy and a championship rodeo rider in the early part of the 20th Century just like the role Tommy Lee Jones played as Hewey Callaway. And he had a side kick much like Sam Shepard's character Tarnell. My father met a lady like Sissy Spacek when he was 31 and married her. Tarnell also got married but he was killed in a rodeo two years later and my father gave up rodeo riding.Life was very much like in the movie in those days. You found people that would go out of their way to help others and the bankers in the movie were typical of bankers in those days, mean as hell.The acting in the movie was excellent. Everyone in the movie played roles that were very typical in those days and they did a good job of it. The only gripe I have with the movie is that the ending was unreal. I won't give it away but I have known many cowboys but I never knew one that didn't want to settle down.One of the funniest scenes in the movie was when the outhouse was knocked down with the grandmother in it. That was a common prank in those days, to knock over an outhouse. The grandmother was a pistol. I knew old women just like her.The author either had some experience or he really did a great job of research because the story (except for the ending) accurately depicted conditions in those days.