Theo Robertson Oh another gangster flick from Britain . Anyone watching a British film from the last twenty tears must be under the impression everyone in England must be a gangster or a football hooligan in much the same way as anyone watching a 1970s movie set in New York must either be a victim of crime or the victim of a vigilante . Hopefully the English tourist board can sell England to foreign tourists but it's going to be very difficult selling a sub genre that has been done so many and too many times before . To be fair to THE GUVNORS it is a fairly engaging film for the most part A bunch of violent thugs led by Adam takes over a London estate through a reign of merciless violence . Stepping over the mark when they kill an erstwhile member of an old firm from 1980s former gang leader Mitch pulls his old crew together to take on Adam's ruthless thugs . It's a rather basic premise of old school "nice" gangsters taking on new school "bad" gangsters . Director/writer Gabe Turner has resisted the temptation of casting the usual suspects of Danny Dyer , Ray Winstone and Noel Clarke and the film works better because of this . You have to buy in to the concept that when the titular "guvnors" were young they were merely young rascals who stuck to their own . Certainly sticking to their own isn't what Adam's crew do as their portrayed as violent amoral thugs . The film asks us to take sides and you don't need any persuading as to which side to take . It also makes several good points as to how the aging process changes people I did say THE GUVNORS is an engaging film for the most part and it was chugging along very nicely . Unfortunately this sustained narrative pace doesn't seem good enough for Turner the screenwriter and adds a plot turn just over two thirds of the way through which supposedly adds another layer to the story which the film could have done without and interferes with the rest of the movie which lurches in to melodrama and cliché after this which is a pity because at least the film does try and bring something new to the table

tr91 The Guvnors is yet another British film based on street gangs. It is a tale of two different generations, the older guys who have all moved on from their past and the younger guys. Trouble starts when the old boy who is associated with 'The Guvnors', is murdered. The film is set in London and the atmosphere on the streets is very grim. The film develops at a steady pace and we see different sides to both of the main characters which adds a bit of realism, rather than just watching 90 minutes of mindless violence without fully knowing the characters and their motives. There is an unexpected twist towards the end of the film. I felt it was a good twist so when the film approached the finale there was plenty of possibilities. I felt it was a great acting debut by Harley from Rizzle Kicks and I certainly hope to see him in a few more films soon. The film also boasted a very good soundtrack throughout. 8/10 - would recommend but only if you like the genre.

paul-43-272950 Great film. Thoroughly enjoyed this gritty portrayal of old vs new gangster life in London. The film was beautifully shot and took unexpected turns in the plot that gave the Guvnors a unique and stand out quality from other similar attempts in this genre. The acting of the main leads Slyvester and Allen were excellent and ensured that you were engaged throughout. It would seem that Director Gabe Turner has done a superb job in handling the various themes that are featured within the film and does not dictate to the viewer what they should or shouldn't think but rather poises questions that leave you wondering and wanting to explore further. It is rare to find a film that ticks the boxes of great film making, great entertainment and gives you something to think about long after.

Jonathan Baz Set in South London, The Guvnors sees the feral, fatherless, hoodied hoodlums of the modern era rail against the gangs of 30+ years ago, when there is suggestion that crime was more "decent".Recent movies (Harry Brown etc) have trod this well-worn path, but the The Guvnors' strength lies in a combination of a gritty yet credible story, brought to life by an ensemble of outstanding performances. Hip hop star Harley Alexander-Sule, half of the platinum-selling Rizzle Kicks is Adam, a disaffected young man who commands respect from his peers with an uncompromising mix of intimidation and blade. Showing no hesitation early on in horrifically cutting a girl's face who he suspects as an informer, he moves on to demand respect from old-timer Mickey, (a classy cameo from honey-voiced David Essex). The old-school old man, a former boxing coach, floors the young pretender with one magnificent punch but tragically fails to recognise the consequences of his nobility. Adam's gang waste no time and ignoring Queensberry rules their revenge, with the brutality that the half dozen young men can inflict upon a principled pensioner, is as cowardly as it is bloody. The vicious circle spirals as the (now middle aged) former boxing club members vow to avenge their mentor's murder and leading this line of fifty-something vigilantes, Doug Allen's Mitch, a former gangster who's still a chiselled alpha male, squares up to Adam...Gabe Turner writes and directs a fable that is a bleak snapshot of London's underclass with just a hint of social comment. The police are an impotent force who also miss the authority imposed by old-style "firms" and who resort to brutality whenever they can get away with it. Turner also suggests that violent behaviour is more nature than nurture - Mitch's young son, a product of a comfortable two-parent home is a foul mouthed bully at his grammar school, whilst Adam's young lad, being raised motherless in a council flat by a thug, is angelic. A neat touch from Turner has the feckless father touchingly chastise his son to "eat his greens".The soundtrack stuns, with Rizzle Kicks having written two of the numbers that give the film an edgy contemporary pulse, whilst a spot of Madness' funk offers a crumb of recognisable music for the greying dads in the audience. Turner is nothing if not a respectful filmmaker and where once The Long Good Friday spoke of a new order taking over the capital, so too does The Guvnors pay homage to that seminal London movie, with a few nicely placed nods for the film-buffs. Alexander-Sule's massive fan base will see that one way or another The Guvnors will clean up either at the box office or online (though probably at both). But notwithstanding its platinum plated star the movie demands respect on merit. It is a gripping and well crafted tale, that will shock, amuse and ultimately stun with a devastating climax.