Edgar Allan Pooh . . . that no one will tell us? In his commentary audio track in Looney Tunes Golden Collection Volume Two, Disc One for THE HECKLING HARE (and let's be VERY clear here: Bugs Bunny comes nowhere near heckling enough to get "flipped the bird" at a Trump Rally, let alone get punched in the face by some Rabbit-Hating White Geezer), LT fixture Greg Ford says that Western Civilization was shaken to its Very Foundations when some guy named Leon wouldn't let another gent called "Tex" end this animated short by having Bugs say, "Hang onto your hats, folks; here we go again" because that phrase was the infamous punchline of a dirty joke making the rounds in 1941. Nowadays it's hard to see the humor in this smattering of words. First of all, only geezers, military people, and dudes called "Tex" even wear hats. Therefore, most people view hats as the opposite of an aphrodisiac. Maybe Mr. Ford knows WHY this line is supposed to be funny. If so, his explanation must be one of Looney Tunes' Forbidden Eleven Comments, to be locked away from the General Public along with the scarlet-lettered Eleven Bad Cartoons.

TheLittleSongbird The story is not exactly unfamiliar territory, and is occasionally predictable, but I thoroughly enjoyed The Heckling Hare and found it had a number of interest points. The animation is nice enough to look at, the backgrounds are audacious to watch especially, and the music is a lovely, rousing touch. One major point of interest are some very clever and hilarious sight gags, especially the lengthy fall down the cliff, and the dialogue is funny. Another point of interest is Tex Avery voicing the dog, I felt he did a very good job and his character was entertaining. But for me Bugs steals the show, arrogant and cunning, with excellent vocal work from Mel Blanc. Overall, hilarious and has a lot of interest, but not absolutely exceptional. 8/10 Bethany Cox

ackstasis Bugs Bunny sure was a mischievous rascal, particularly in his early years. A smug, conceited and pitiless little fiend, Bugs often appeared to take a near-sadistic pleasure in tormenting his enemies. Of course, that he is the "prey" works considerably in his favour, and audiences will always continue to cheer him on, as nobody likes to see a cute little wabbit become a hunter's next meal. But the most interesting aspect of these cartoons is how the writers cunningly invert the usual scenario, with Bugs, in effect, becoming the hunter of the story, though we instinctively continue to celebrate his successes. Willoughby the hunting dog may be an exceedingly dim-witted canine, perhaps even bordering on mental retardation, but the audience considers him fair game for Bugs' farcical style of bullying. Just why is Bugs the hero in this cartoon, and, indeed, in most of his cartoons? A worthwhile counterpoint to this trend is in Tex Avery's 1941 short 'Hare Beats Rabbit,' starring Bugs and Cecil B. Turtle, in which the bigheaded rabbit is decisively beaten in a foot-race by the quietly-deceitful reptile.These tantalising questions aside, Tex Avery's 'The Heckling Hare (1941)' provides some solid entertainment, which is the real reason why we're watching it. After Willoughby (voiced by Avery) catches Bugs' scent at the entrance of a rabbit-hole, he goes into digging-overdrive, and is so focused on the task at hand that he fails to notice the rabbit (Mel Blanc, as always) idling above him with a carrot between his teeth. Numerous outrageous chase sequences ensue, one ending in the depths of a river and another in a thousands-of-metres plummet from a ridiculously-high cliff. There is some very convincing personality animation in the sequence where Willoughby believes himself to have crushed Bugs to death with his own hands, and he touchingly collapses into tears as he lays a bouquet of flowers at the entrance to the rabbit-hole. Bugs, displaying that uniquely-compassionless streak of his, thinks nothing of this emotion and merely exploits it for some further humiliation.'The Heckling Hare' moves at a brisk pace for seven minutes, and continues at this pace until the closing seconds, when it forgets to add an ending. In actual fact, the cartoon's conclusion was severely truncated by producer Leon Schlesinger, who allegedly felt that the final punchline ("Hold on to your hats, folks. Here we go again!" as the pair fall off another cliff) would somehow be perceived by audiences as having undesirable connotations. This lack of resolution blemishes the film to an extent; I liked the idea of the unusually-protracted freefall, but I was waiting for another good idea to bookend the gag, and it never came (perhaps the instantaneous brakes were a spoof of traditional cartoon physics, abused so frequently for comedic effect). In any case, Avery was aghast at the changes made to his cartoon, and he stormed out of the studio. He eventually wound up with the fortunate folks at MGM, with whom he worked until 1953.

movieman_kev The last Tex Avery Bugs Bunny short is not only his best, but one of the best Bugs Bunny cartoons if not ever, then certainly the early years of the rabbit. We follow Bugs Bunny as he cons Willoughby the mentally retarded dog over and over again.Every single gag in this short is hilarious and makes this film a timeless classic. This animated short can be seen on Disc 1 of the Looney Tunes Golden Collection Volume 2. It also features an optional commentary by Greg Ford.which is interesting in itself. Furthermore it has a little featurette "Behind the Tunes - A Conversation with Tex Avery" that I'll get more into in the listing for that on this site.My Grade: A+