kidboots "The Hoodlum" saw Mary desperately trying to diversify her screen persona - for the last couple of years fans had kept her as Rebecca, the poor little rich girl and a little princess. She was also getting the enviable reputation of only having the best directors and technicians on her films, but as far as she was concerned it was no secret - if you want the best (Marshall Neilan, Frances Marion) you pay the best. The reviewers noticed, especially on her film "The Hoodlum" where they commended both her and Paramount for never being better. They also couldn't see Mary, who had now been on top for almost six years, as abdicating her throne soon.Amy's (Pickford) grandfather, Mr. Guthrie, is a hard headed business man and the apple doesn't fall far from the tree as Amy rules the house with tantrums and terrorizing the servants and the poor cat. When contrary Amy decides at the last minute that she doesn't wish to accompany her granddaddy on his European holiday he banishes her to her father's care when father takes up residence in the heart of the Bowery. The film's by line is a bit misleading "a spoiled young girl forced to fight for survival in the slums and alleys"!! giving the impression that much of the film is about her effort of trying to fit in with her new found acquaintances. There are some funny scenes regarding her initial feelings at being forced to give up her Park Avenue luxuries for survival in the slums (there is a scene where Amy imagines she is living in a pig sty - it was handled better in "Poor Little Rich Girl") but almost the next scene shows her as the leader of the gang, shooting craps with loaded dice, dancing a shimmy for the entertainment of the street and the funny but inevitable police chase. A funny scene shows Amy bewailing the fact that she is coming last in the class whereas at the start a wheedling tutor told her the only person smarter than herself was her grand daddy!!There is also a slum scene of dramatic reality - when Amy is taken by a little girl to visit her sick mother you see a drunkard's room with a swag of dirty rags for a bed and a sick woman with crawling bugs on her pillow. Into this monstrous poverty comes a "stranger on the third floor" - it is Amy's grand-daddy who in his disguise as old Mr. Cooper is horrified by Amy's "hoodlum ways". Amy has also caught the eye of William Turner (Kenneth Harlan) who is working on an undercover dossier on the crooked business practices of Mr. Guthrie who was responsible for sending him to prison on a falsified charge.It all climaxes back at Park Avenue when Amy and William are caught raiding the safe for the incriminating ledgers, Mr. Guthrie is back, a completely changed man vowing to continue his good works among the city poor. No other reviewer has mentioned what little Dishy is doing in the millionaire's house - there must have been a sequence in which Guthrie adopted the little boy and bought him home to his palatial house but it is missing now. Dishy was played by Buddy Messinger who had been part of a child acting troupe (Virginia Lee Corbin, Francis Carpenter etc) who had starred in a series of "kid pix" directed by the Franklin brothers. They were hugely popular and Mary must have seen what a rapport Sidney Franklin had with children because his direction of Mary and the slum kids is the best part of the movie!!

MartinHafer I have never seen a post-WWI or post-WWII film begin like this one. Pickford begins with a cute little promo to STILL buy war bonds in order to pay for the war even though it has ended. I am surprised that in the restored version of this film that they included this and it's a nice touch.This is apparently the second film produced by Mary Pickford and its title is a bit odd--sounding less sweet than the usual Pickford film! And, in many ways, Mary plays someone who, uncharacteristically, is NOT sweet but a real spoiled rich brat--though in keeping with her usual roles she does play a young girl (despite being awfully old for such a part at 27). She lives with her grandfather, who is a cut-throat industrialist. He spoils her rotten and seems quite content to have raised a little monster.One day, Mary's father returns from abroad. Apparently he's some sort of sociologist and likes studying and writing about the poor. He offers his daughter a chance to come live with him in the slums of New York and she accepts, as she longs for her father's attention. However, the jerky grandfather feels betrayed and disowns her! Nice guy, huh?! Once in the slums, Mary is STILL a snob and has no interest in the people around her. But, eventually, in an almost magically fast transformation, Mary not only reaches out to the poor around her but becomes one of them--a real ragamuffin. Eventually, when the grandfather learns about her, he is at furious. What happens next you'll just have to see for yourself in this well-acted and fun film. But, like many of Mary's films, it is low on the believability scale, so please just sit back and enjoy without questioning how ridiculous some of the film becomes. It's still a fine old fashioned melodrama. Not among her best, but still a very good effort--plus the plot is a bit unusual for a nice change of pace.By the way, how DID they make the cat do all those acrobatics? I sure hope the cat wasn't harmed to make it do that!!

overseer-3 It's too bad the title of this film would be a turn-off to many people, because the story is delightful, the acting fantastic, and the print that I saw of the film excellent. This has become one of my favorite of all Mary Pickford films. After watching Amy Burkeses transition from high-brow Fifth Avenue to the ghettos of New York I had to read the book it was based on. The film is quite different than the novel, but both are enjoyable in their own ways. Mary's script makes the romance a little sweeter, and the storyline in her film is less political. I would love to see this one on DVD with a new musical score.

Neal99 Mary Pickford's appeal as `America's Sweetheart' is very clear in this film. While many of her fellow actors use an excessively theatrical style, she is totally natural. She inhabits her character completely and, contrary to the stereotype of her films, that character is anything but sweet for most of the movie. In fact, much of the delight of watching her is in enjoying her bad behavior!Another impressive facet of the film is the authentic-looking slum where Amy Burke (Pickford's character) spends most of her time. Although created at a Hollywood studio, the slum almost smells like old New York.The film does employ some ethnic stereotypes common at the time – but the poor characters are generally treated with affection, while the rich are seen as uncaring and in need of enlightenment. Also, it seems notable that Amy associates with ALL the kids of the slum neighborhood, not just those of her own ethnic group.