Edgar Allan Pooh . . . of the 3 hour, 46 minute, 59 second 12-chapter "Mascot Serial" version of THE HURRICANE EXPRESS would technically be qualified to rate or comment about this flick. (That's 13,559 seconds, for the mathematically challenged, like my sister.) For ease of reference, your twelve chapters (with their time splits) are: 1)The Wrecker (28:43), 2)Flying Pirates (16:35), 3)The Masked Menace (17:15), 4)Buried Alive (19:26), 5)Danger Lights (16:48), 6)The Airport Mystery (19:47), 7)Sealed Lips (18:19), 8)Outside the Law (19:00), 9)The Invisible Army (18:29), 10)The Wrecker's Secret (16:26), 11)Wings of Death (17:26), and Unmasked (17:45). As he doddered toward Oblivion, John Wayne campaigned desperately to eclipse the 259 feature film credits of his late henchman, Ward Bond. In order to inflate his work record from the 166 features on his filmography for this site (and all other credible listings) by another 94, Wayne counted each of the serials he appeared in (such as HURRICANE) as TWELVE feature film roles, rather than one (even though 11 of the chapters in each serial ran for LESS than 20 minutes!). Wayne also awarded himself a theatrically-released feature film credit for each of his TV situation comedy cameo guest bows, as well as counting coup every time he made the annual Oscar Awards broadcast as either a losing nominee or a seat filler.

JohnHowardReid Pulp fiction at its best. True, the continuity is somewhat jerky, shots don't always match smoothly, the sound recording is a bit primitive, the acting amateurish, the plot ridiculous, and dialogue straight out of the Boy's Own Paper. But what do all these things matter when the movie is directed with such vigor and pace? The story tears along with action, action all the way. Car chases, train wrecks, plane crashes, fist fights, shoot-outs, stunts galore — including one of the most thrilling I've ever seen when the villain jumps from the roof of a speeding train to a rope ladder dangling from an overhead plane. Blonde Jean Harlowish Shirley Grey (we assume that's how she spells her name, though the credits have it Gray) makes an attractive heroine and figures in quite a lot of the action, whilst Wayne (oddly he is inclined to over-act here, when usually he veers to the other extreme) makes a personable hero. Good to see Tully Marshall heading the support cast, and Edmund Breese (a natural Walter Brennan type who needs little make-up to make him look scruffy) in a major role. Little Ernie Adams has the unlikely part of the Wrecker's chief thug (though he manages it well enough), while Charles King and Glenn Strange back him up. For train buffs of course The Hurricane Express is an absolute must. For serial lovers, it's great fun. One wonders how a Poverty Row outfit like Mascot was able to persuade a railroad to lend them such a vast amount of rolling stock and stage such spectacular crashes and near-misses. Doubtless J.P. McGowan's connections proved useful here!Definitely one of the most exciting and fascinating of the early sound era, independent cliff-hangers.

John W Chance I own and have watched the Alpha Video feature version of the serial. The problem with feature versions of serials is that they leave out so much; a lot of them jump too fast leaving out details behind certain dialog or sequences, which makes them hard to follow; or else the back and forth nature of the action seems pointless and tedious. There are many, many examples of this such as "Planet Outlaws" the feature version of "Buck Rogers" (1939) "The Phantom Empire," (1935) "Dick Tracy Vs. Crime Inc." (1941) among many.The exceptions are "Rocketship" (1936) the excellent shortened first "Flash Gordon" serial and "The Lost Jungle" (1934), which is actually a real improvement over and practically a different film from the serial it came from.This one, however, is in the category of something you watch while you're doing something else. Although John Wayne has a few good lines, and seems to do a lot of the action stunts himself, the feature version really points up the weak nature of the story. The bad guys (including the underutilized Charles King) seem to want to spend all their time trying to recover some gold stolen from a train, the Hurricane Express.Watching this you think, don't these evil villains have anything better (or since they are villains, worse) to do? Well, while watching it, you realize that you do, but you may not have anything else planned. So let me give you some tips for things you could be doing while playing this video: Organize all the clothes in your closet. Go thru the week's mail and throw away the junk. Delete unnecessary e-mails. Pay your bills. Organize your video collection-- I do mine chronologically, but maybe you do yours alphabetically. File important papers. Lie on your bed and read something while you listen to the movie. Good luck! I'm sure you'll be able to think of something worthwhile to do while watching this version of "The Hurricane Express."

counterrevolutionary The heroine turns out to have jumped out of the car before it went over the cliff? OK, that's pretty standard. But why can we still see her (actually, a dummy representing her) in the car as it careens down the hillside? Even more fun are those chapters where they simply substitute new footage showing something completely different than we saw in the previous chapter. My favorite is the one at the end of Chapter 8/beginning of Chapter 9. They simply filmed two completely different events, showed one at the end of 8 and the other at the beginning of 9.Also, I want one of those magic masks which not only perfectly simulate someone else's face, but also his voice, height, and build. I'll take the Young John Wayne model.It's always fun to watch stuff like this (even though it may be the worst thing the Duke ever did) and try to imagine what contemporary audiences would have been thinking. Did any of them realize that this big stiff young guy would one day become not just the biggest star in Hollywood, but a cultural icon? I doubt it.