Antonio I've never written a review here but seeing this movie being compared to Big Chill, one of the finest movies about relationships ever, I couldn't help myself. I love these kind of movies but this is just bad filmmaking. Soulless, bad written characters and horrible story. Cannot believe that director is best friends with otherwise great Lynskey, cause she's given her one of the the worst roles of her life.

SeemsSensible This movie is so similar to 1983's The Big Chill—eight longtime friends gather for a weekend at a big, rich-person's Southern mansion (except whereas in The Big Chill, the eight were friends from college, here we mostly don't know how they're connected)—that I feel like it must be an homage by Clea Duvall. I like her as an actress, so I'd hate to believe that it's just a blatant ripoff. The eight cast members are even structured the same way: The Big Chill had seven friends in their early 30s convening, with the eighth being someone a decade younger; same here. Duvall has assembled a winning cast, although Melanie Lynskey's character is super annoying. The plot is pretty thin and far-fetched: You have to wonder why Jessie (Duvall's character) wouldn't have had this "you need to get out of your bad marriage" conversation directly and privately with her sister (the Cobie Smulders character). Lynskey's character is the driving force behind this intervention, and except for one small moment, you'd never even know Jessie and Ruby were sisters.It's wrapped up a little too tidily, too, with the imperiled married couple, who seem to actually despise each other, suddenly deciding to give it a go. Not a bad movie, not really a very good movie, either...I suppose faint praise, but...you could do worse?

Larry Silverstein The talented actress Clea DuVall makes her major motion picture directorial and writing debut here, and also is one of the featured players in the ensemble cast of eight as well. The group gathers at a luxurious summer home, outside of Savannah, mainly to have an intervention and urge two of their friends to bail out of a very strained marriage.There's a lot of talent in this cast and they're effective in their particular roles. However, I found the screenplay to be terribly clichéd and non-believable on the whole, and the characters to be carping and annoying for the most part, reaching epiphanies during the movie that seemed to come out of "left field". Are we really supposed to feel for a character who's trying to make the argument that Hitler may have had good intentions in what he did, and thus maybe wasn't such a bad guy? How they left this scene in the film is beyond my comprehension.To note, there's lots of explicit language laced throughout the movie, as well as some highly suggestive sexual scenes,All in all, a talented cast is rather wasted here as the script and the whole thing just didn't ring true, in my opinion, plus the usual 180's at the end were not worth the long slog to get there.

thesar-2 Imagine a world where Tyler Perry makes a movie with real actors, believable dialogue, actual adult behaviors, depth and characters you actually care about. Before you say anything, it's not a racial issue. It's a talent session with real adults of 2016.I only bring up Perry because this movie, white actors or not, felt similar in setting and conflicts and yet, 100x more real than the stage- turned-movie sh|t he's spewed out. Watch out! Adults swear. Oh, my goodness! People have sex outside of marriage. And don't look now! Alcohol can be consumed. People can discuss problems in a gorgeous, remote home, but still be real. Here, I felt the interactions were genuine. I know sometimes there were one-liners and some made me laugh, but they don't happen all the time in real-life like a lot of snappy indie films about "real-life" lead you to believe.Let's back up a bit. The Intervention is about a long-standing group of friends and relatives that vacation in an incredible home on certain weekends of the month. This holiday, however, is hosted and manipulated by one of the group to host an intervention for a married couple of the clan whose marriage appears to be on the rocks. Everyone (here and in your life) has flaws. So who can really tell others how to live? And there, folks, we have our movie.It's not perfect, but it was refreshing to feel real again. Not Hollywood glamourizing couples or having Oscar-bait tear-jerking scenes. It was quick, tight, nothing huge and something to enjoy for under 90 minutes.We all need an intervention. If you feel you don't, let me read you something I wrote about you before you entered the room…***Final thoughts: WOW! Never even got to my favorite part of this movie. What a great reunion of both Clea DuVall and Natasha Lyonne…both I loved in But, I'm a Cheerleader. Spoiler, sorry, in both movies I saw them in, they were a lesbian couple. It would be nice to think these were their same characters, but they weren't. Still, once I saw them both on screen, I squealed in delight. Additionally, in the closing credits, it was nice to see this was DuVall's passion project as I learned only then she was the Writer and Director in addition to one of the group of friends. So, it must've been her who made sure Natasha returned as her on screen love interest. Awww. Makes me smile……and want to rewatch But, I'm a Cheerleader for the twelfth or twentieth time! (I lost count. Love it!)