TheLittleSongbird The Invisible Menace has two things going for it. The dark and foggy production design is striking and very effective. And Boris Karloff gives a great sympathetic performance. Unfortunately, they are the only things about The Invisible Menace(anybody want to explain the significance of this title, because it was irrelevant as far I'm concerned. Of the cast, only Karloff is close to good. Talented character actors like Regis Toomey are wasted, while Marie Wilson is incredibly irritating-of any performance in any of the movies that Karloff starred in, you'd be hard pressed to find one as annoying as Wilson's- and Eddie Craven's mugging is just embarrassing. The fact that the comedy is dated and unfunny doesn't help, and it also seemed misplaced. The same goes with the whole thing about the voodoo, seen in a short flashback, which seemed to have been thrown in at last minute without any relevance to what was already there. The Invisible Menace does try to be a number of elements, I've mentioned already that the comedy didn't work, but we also see the film trying to be a mystery, a melodrama and a thriller. Including comedy too, all four of those elements fail. The mystery element is too obvious and coincidental, the melodrama is overwrought and brings the film to a screeching halt at times and there's nothing thrilling here, merely tedium. The script could have been much tighter, and could have given the actors much more to work from, that is including Karloff. At 55 minutes, you'd think The Invisible Menace would be too short and that it would feel rushed. Actually, the story has trouble sustaining the length, you know there's a problem when the IMDb summary alone sums up the entire plot of the film. To conclude, the production design and Karloff are good, but the rest is a disaster. 2/10 Bethany Cox

Michael_Elliott Invisible Menace, The (1938) ** (out of 4) Slightly entertaining whodoneit about a body being found at a military institution and the investigation that follows. I've seen countless films like this over the years and this one here really isn't any better or worse than the majority out there. The main reason to see this film is due to Boris Karloff but be warned that he's not in the film too much even with the top billing. The supporting cast are decent but the good thing is that the film runs a short 54-minutes. Had the screenplay been a tad bit better the film might have worked better.

dbborroughs Boris Karloff stars in a strange stage based mystery set on a military base that has to do with the death of a weapons researcher. The film is set in motion when a bunch of soldiers on leave pile into a boat and head back to the island base. One of the men is smuggling his new wife over in the hope of a nice quiet wedding night. In the process of finding a quiet place to consummate the marriage they stumble upon a dead body. The base is locked down and a sleuth is flown in.Weird mix of wedding night comedy (which really doesn't work) and fast paced mystery this is a rather schizophrenic film that would have been so much better had the comedy been left behind. The mystery is a dark and troubling tale with a great deal of violence and suspicion. The mystery is played for all its worth and it makes me wonder what the play the film is based on is like.The cast is mostly excellent, only Marie Pratt, as the only woman in the cast, is less than good. The real treat here is Boris Karloff as one of the suspects. He gets a real work out as an actor going through a great deal of emotion. It was always clear that he could do more than horror parts to anyone who really watched his performances, and this is a film that proves the point.Very short, it runs around 55 minutes, this movie moves like the wind and it never gets boring or too comedic. Absolutely worth a look if you run across it.The mystery is 8 out of 10 The comedy is 3 out of 10 (thankfully its very brief) 6 out of 10 over all

Sleepy-17 Murder mystery with a silly title. Better-than-average direction from John Farrow. Marie Wilson is quite funny as a horny newlywed, although the jokes are sticky and worth a few groans. But Karloff as usual is multi-dimensional, spooky and human, a warmer version of the guilty icon that Lon Chaney Sr. perfected.