videorama-759-859391 If it's plentiful action, you're after, and you like some nice sights of Sydney, set your sights on this flick. It a full on non stop, wonderfully orchestrated action extravaganza, you must witness, some violence here and there, but again I reiterate, action packed. The film is so cool, as in the way it's real one note plot, is manipulated and stretched by all the action sequences. taking up most of the film. I've never got more exhausted, looking at Ayers Rock for one thing. Here's what the simple plot consists of. Heavyweight Asian cop comes to Sydney to assist with the operation of a drug muel, busted at the Rock. Forced to testify, against drug czar, Jack Wilton (Lazenby, ruthlessly fantastic) due to some heavy persuasion on Inspector Fung Sung Ling's part (Jimmy Wung Yu) he's shot. Now the rest of the film, the one note plot, has Wang yu, trying to get to Wilton, where he encounters a few obstacles, which finally becomes a mission of revenge, plus an explosion encore. This film is just an action showcase, but it's a brilliant action showcase, on a high scale, but that's it. That doesn't constitute for a good film. It just constitutes, for bubblegum action escapism, and it works tremendously. But just watching it, you may become fit, because it's an exhausting action fare. Too, watching Jimmy Wung Yu, is quite fun, but he's not the best of leading men or ones that can act.

Alan Miller Who could forget the sound track by Ace, and the action of this movie, never mind the fact that George Lazenby, the dejected Bond, who really could have been one of the best was also in the film.In the era of remastering and re-issuing of so much crap, why not get this classic off the shelf, blow off the dust and put it onto DVD! I'll buy it.Even though I had trough finding it in the USA as it was under a different name! This is a great action film, with all the stunts, kung fu, you could possibly want in a movie. Released in 1975 it captures all the best of the Bruce Lee films but with good sound and picture quality. A not to missed film.If you can find a copy on tape, let me know.

Bruce Corneil Unlike most contemporary Australian movies, 'The Man From Hong Kong' at least offered some entertainment value. Coming from a background in commercial television, director Brian Trenchard - Smith was new to feature films. However, his years in the mass media had given him a keen sense of what the 'average punter' was looking for in the way of screen fun. Subtlety is not one of this picture's strong points. Clearly, it wasn't meant to be.The script was never going to win any awards for its deeply philosophical leanings and perhaps some of the fight scenes go on a bit too long for anyone other than the keenest fans of the genre. But the pace never lets up. And what it lacks in sophistication it more than compensates for with sheer energy and a refreshingly uninhibited charm. The use of the hang glider scenes to top and tail the movie was inspired and the final car chase was, unquestionably, one of the toughest and best-staged of the period.The theme song 'Skyhigh' was, quite simply, a classic of '70s pop which, in this writer's humble opinion, sounds as good today as it did three decades ago. Now hauntingly evocative of the era, this beautifully produced and performed hit was almost sublime in terms of its striking originality. It certainly beats the hell out of the mindless, head- banging rubbish that masquerades as pop music these days. Special credit must also go to cinematographer Russell Boyd whose highly creative twisting, turning and hoisting of his camera(s) throughout the shoot truly 'made' the whole production. Fellow Australian cinematographer Robert Krasker of 'Third Man ' fame would have tipped his sun visor to Mr Boyd.Sydney Harbour has always provided a stunning backdrop for location filming.As a movie mad teenager at the time, I can vividly remember the media hype that surrounded this picture. After years of being comatose, it was exciting to watch our feature film industry not only coming back to life but actually enjoying some commercial success.In the final analysis, Brian Trenchard - Smith deserves a whacking great pat on the back of his purple corduroy suit (you know the one with the wide lapels and the flared pants ).Armed with only a modest budget, some personable actors and loads of raw enthusiasm, he crafted one hell of a fine little action flick.In fact, in the small but endlessly fascinating world of retro cult movies which it now occupies, 'The Man From Hong Kong ' has become a legend in its own time tunnel. And deservedly so.

Infofreak It's quite a trip watching 'The Man From Hong Kong' almost thirty years after it was made. Writer/Director Brian Trenchard-Smith went on to make the Aussie trash classic 'Turkey Shoot' and the early Nicole Kidman vehicle 'The BMX Bandits' so you know it's gonna be class all the way. 1970s buffs will get a kick out of seeing the One Armed Boxer himself (Jimmy Wang Yu) battling it out with "the Aussie Bond" George Lazenby. Their scenes together are very cheesy but a lot of fun. I almost kept expecting Jim Kelly to appear on screen at any moment ('Black Samurai' anyone?) The rest of the cast includes legendary Aussie camp icon Frank Thring, martial arts veteran Sammo Hung Kam-Bo, and half the cast of the biker classic 'Stone' (Hugh Keays-Byrne, Roger Ward, Rebecca Gilling, Ros Spiers, Bill Hunter). Yeah, that's right - BIKER CLASSIC. Keays-Byrne is a great favourite of mine. He's probably best known as Toecutter in 'Mad Max' (in which Ward played Fifi Macaffee), but was also in 'Mad Dog Morgan' and 'Salute Of The Jugger', two movies that have pride of place in my DVD collection. This man deserves a web page NOW! 'The Man From Hong Kong' is stupid but hugely entertaining martial arts schlock, and highly recommended. And boy, isn't that theme song catchy! I haven't been able to get it out of my head since 1975!