Horst in Translation ([email protected]) "Die Marquise von O..." or "The Marquise of O" is a co-production between West Germany and France from 1976, so this one has its 40th anniversary this year. The cast is almost exclusively German, but the writer and director is Éric Rohmer which explains the French involvement. Rohmer was in his 50s at that point and already an Oscar nominee. His 100-minute movie here was based on a Heinrich von Kleist story and is certainly among the writer's most known adaptations in film. I will not mention all the actors in here in detail as you can see them in the cast list, but it can be said that lead actress Edith Clever who plays the title character for a German Film Award for her performance here and so did her male co-lead Bruno Ganz for whom it was the big breakthrough as an actor and he worked with Herzog, Wenders and many other prestigious filmmakers in the years to come. This movie here received lots of awards attention, probably also because German period pieces are really nothing you get to see that frequently.Most of this praise and awards recognition (also like the BAFTA win) had to do with the technical side of the film and also the visual side and I would agree that costumes, sets and cinematography are those areas where the film works the best. Or I could also say "only areas where it works" as I personally was not impressed at all by the viewing. Clever was not really memorable as the main character and being a big Ganz fan, I was disappointed by how he went over-the-top with his performance on some occasion. The costumes gave him enough showiness already and I hoped for more quiet subtlety. Also I felt that Rohmer's story here just wasn't enough for 100 minutes and that he stretched the few crucial plot points )pregnancy, relationship between the two protagonists) until they became really uninteresting to watch from the perspective of the audience. I am very much baffled by this film's success. I cannot deny it. I have not seen (enough) other stuff by Rohmer, which is why I am still undecided if the maker is the problem here or just the subject. But I do know for sure that I cannot recommend the watch here. Thumbs down from me and admittedly I will say that period pieces have never been my favorite genre of film, but still there are more than just a few that I consider superior to this one. Watch something else instead.

Andres Salama This Franco-German co production is the weakest of Rohmer's historical movies (a group of films that includes such accomplished works as The Lady and the Duke, Perceval, and Triple Agent), perhaps because its subject matter seems hopelessly dated. Based on a novel by Heinrich Von Kleist and set during the Napoleonic wars, it tells the tale of a young marquise rescued during an assault to his estate by a brooding count (a young Bruno Ganz). Unfortunately, from that brief encounter the marquise gets pregnant, a huge problem during that time and on account of her position in society. Aside from a dated central conflict, the film is also dull and static, without the redeeming dialogue and interaction between the actors that one sees in other Rohmer films. The director, by the way, plays an amusing cameo as a French general.

jcnsoflorida Erich Rohmer's adaptation of a novella by Heinrich von Kleist is visually remarkable. If you can imagine a painting by Jacques Louis David come to life, that is what this film looks like. Clearly a lot of attention was paid to colors and lighting. Aficionados of neoclassicism should not miss it. I believe this was Bruno Ganz's first film and the other players, particularly Edith Clever, are fine as well. The tone is one of social satire tempered by comedy. A number of Netflix viewers have complained that the film requires a lot of patience. I don't agree. It requires an interest in the period, perhaps. Recommended for the discerning.

Lee Eisenberg I originally read Heinrich von Kleist's "Die Marquise von O..." in a German class. Renting the movie, I naturally had to wonder whether or not they would stay faithful to the novel. They did. This story of an 18th century marquise (Edith Clever) who inexplicably becomes pregnant has surprises at every corner. In case you don't know the whole story, I won't spoil it for you, but you will be surprised at what happens. Strong performances by Clever and Bruno Ganz as The Count carry the movie, as does the perfect direction from Eric Rohmer.Oh, and in case you're wondering about that "O...", it's deliberately incomplete, as are some other names in the story.