Horst in Translation ([email protected]) "The Masquerader" is a 1914 short film by Charlie Chaplin and of course he also plays the main character. This one is already over 100 years old, so it should not be a surprise to anybody that it is silent and in black-and-white. And besides Chaplin, it also co-stars the very prolific, but pretty unknown Chester Conklin, a very bearded version of Chaplin not only because of the name, and of course Roscoe Arbuckle, who is still somewhat famous today, even if a bit of it is rather bad press than great achievements. I personally like him and his presence, so I am a bit disappointed he did not have a better script to work with because then this could have turned out an actually enjoyable watch. But this way, it is no such thing and I give it a thumbs down. By the way, the version I just saw ran for 12 minutes and not 9 what IMDb says, but it maybe just had fewer frames per second.

Igenlode Wordsmith This is the first Keystone Chaplin film that I've actually found funny, and it's not just down to the Chaplin-as-woman gag. (Although, as others have pointed out, the slender Chaplin actually makes a remarkably pretty girl, and does a convincing job of acting feminine too.) The film is interesting in its own right as a backstage look into what I assume was film-making practice of the day -- the director (a notable performance by Charles Murray) acting out his leading lady's role to indicate what he wants, the male cast sharing a dressing-room as basic as that of your average stage chorus troupe -- and was apparently shot on Keystone's own studio lots. It contains a fair amount of standard brick-throwing, arse-kicking antics but also a significant quantity of more subtly-paced and genuinely amusing material, starting with Chaplin and Arbuckle's double act in the dressing-room and ending with a truly dreadful (in the best sense) pun. 'Senorita Chapelino' sneaking a surreptitious exhalation from a puff on 'her' beau's cigarette is worth a mention too.

CitizenCaine Chaplin wrote and directed his second film, and he appears as himself with Fatty Arbuckle at Keystone studios in the opening scene before changing into costume as the tramp. He then makes time with the ladies while filming is going on, much to the dismay of the director. The director kicks Charlie to the curb only to find him getting revenge by returning to the studio dressed as a woman and initially fooling the director. Chaplin's second film where he appears as a woman is interesting because he is fairly convincing as a woman. Whether it's due to the age of the film, his height, or the expected neck to ankle dress of the period is uncertain. It doesn't matter because it maintains one's interest, although the film is uneven like most of his early efforts. Several silent stars are on hand including Mabel Normand and Charley Chase in small parts. ** of 4 stars.

Snow Leopard This is an interesting little short comedy that, while rather uneven, is generally amusing. It's mostly remembered for Chaplin disguising himself as a woman, in an attempt to get into a movie studio. The idea of a man masquerading as a woman, or vice versa, was relatively common in the old silent comedies - this is one of the more believable efforts, as Charlie's disguise is credible enough to make that part of the movie work all right. But that's not necessarily the best or even the most interesting part of the film.The setting in a movie studio is interesting in itself, offering a chance for some good-natured self-parody, and they got reasonable mileage out of the idea. Perhaps the best-crafted scene occurs very early on, when Chaplin and 'Fatty' Arbuckle have a battle of wits in the dressing room. It's no coincidence that it is the one scene in the picture in which Chaplin performs with another highly talented comedian, as the smooth timing and careful movement make it stand out from the more disjointed, frantic pace of most of the rest of the movie. But even as a whole, the movie works all right, despite its lack of refinement. It's hardly one of Chaplin's top efforts, but still entertaining and worth seeing.