jpodonoghue This is way above similar crime-dramas made in the 80's. Kurt Russell gives his usual stellar leading man performance, this time as a Newspaper crime reporter. All the actors give a good account of themselves and it's great to see Andy Garcia and Joe Pantoliano in their earlier roles. The movie was made in the real locations of the Miami Herald, the Miami Police Station and the Florida Everglades. An all-round decent mid-80's crime drama well worth watching.

Scott LeBrun Based on the John Katzenbach story "In the Heat of the Summer", this Florida-lensed crime thriller does hold ones' attention with its straightforward telling of an interesting tale. Kurt Russell is aces as Malcolm Anderson, a star reporter for the Miami Journal who is contacted by a murderous psychopath (Richard Jordan) who has killed once and who promises that there will be other murders. The killer, who craves the spotlight, decides to use Anderson as his mouthpiece, creating a very uneasy "collaboration" between killer and reporter. Things start to really turn South when Anderson starts getting the bulk of the attention, leaving the killer feeling resentful. This is a solid set-up for a movie that ultimately does indeed lose a fair deal of its impact by turning conventional for its final act, but until then it's solidly entertaining, with the performances of Russell and Jordan serving as effective anchors. The give and take between their two characters is compelling stuff, and it's a good thing that Anderson isn't treated as some typically infallible movie hero. The supporting cast is mostly strong; Mariel Hemingway as Anderson's schoolteacher girlfriend Christine is appealing as she always is, but her character has little to do besides look and act concerned and eventually be put into peril. Richard Masur (reunited, along with producers Lawrence Turman and David Foster, with Russell after "The Thing") is Anderson's editor, Andy Garcia (in one of his earliest movie roles) and Richard Bradford are the weary detectives on the case, Joe Pantoliano is a photographer, and the almighty movie tough guy William Smith appears briefly as a character supplying critical information. The Miami setting adds a lot of ambiance, especially as the storms start coming up towards the end of the story. Lalo Schifrin's music is also highly effective. Even in light of the clichéd climactic confrontation, there is some enjoyable resonance to "The Mean Season" as it deals with the big issue of journalistic culpability, and the role that the media play in our receipt of the news. An overall grim feel to the presentation, and an atmospheric opening, are also assets in this generally good, if not great, and reasonably convincing movie. Seven out of 10.

Rodrigo Amaro "The Mean Season" consists of showing how a psychotic tries to promote himself with his crimes by getting the attention of a journalist (Kurt Russell) who also sees a way of not only promote his writing talents and be famous but also his detective skills while trying to get this guy before he kills more victims.This is like "Zodiac" before "Zodiac" (the film) but a little after the facts of the real Zodiac killer, so there isn't much good this film can do now but back in the 1980's people, I guess, were easily impressed with this thing. It never gets scary and informative like Fincher's film, and it never gets bloody like any other flick on the same issue. Talk talk talk, that's all these characters know what to do and their talks aren't so well written to make you involved with this. And the film goes for too long in its 90 minutes or so, don't know how they did it. And there's a supermassive wave of plot holes, dumb moments, no excitement in the rare action sequences presented and more talk.The villain played by the late Richard Jordan makes this movie worth seeing, he's incredibly good. But a film rarely is sustained with only performance. The supporting cast is good but they're not at their best but it's very nice to see Richard Bradford playing one of the good guys for once. Mr. Kurt Russell has plenty of good stuff made in that decade such as "The Thing" (coincidentally he and Richard Masur act along here as well), "Big Trouble in Little China", "Overboard", "Tango & Cash" and "Escape from New York". "The Mean Season" is not one of them but it's not his fault that the script was weak. It's very visible that there's zero chemistry between he and Mariel Hemingway, even though the guy tries hard and achieves some success, the girl is just bad, bad, bad. Without question, one of the most clichéd and boring films I've ever seen. A generic picture specially made for less demanding viewers who get easily satisfied with junk. 4/10

merklekranz There is nothing worse than a dull serial killer thriller, but somehow "The Mean Season" manages not only to be dull but redundant as well. Phone call after phone call to Kurt Russell, with little or no forward movement of the storyline. There are absolutely zero creative moments in this movie, and the cast seems uninspired to say the least. Special mention must be made of Mariel Hemingway's performance, which can only be described as dreadful. The ending is especially weak, with some totally unacceptable police work, not to mention the killer's unbelievable good fortune. Even for Kurt Russell fans, this will be a disappointment. - MERK