irenaflux Just saw the movie and was touched and traumatized. Beautifully made and very realistic. At first I got the idea of a visionary hard working father that wants to provide for his wife and children,soon to find out he is not...Those 5 kids just wonderful! All 5 of them! I loved the way they would all take turns caring for their little brother... The way they sang together with their mom in the middle of nowhere...and making the best out of the circumstances. Enjoyed the "rebel" on the older son and his failures...The mother was very talented just a bit too naive and submissive...maybe too in love with the looser... What did not sit well at all with me was how the father would let his family beg all along but would be ashamed of a little add job he got (temporary) where he could have earned at least a meal for his kids and not let them go to sleep hungry...The movie is dedicated to Roberto Carlos ( as in the singer)? and why would that be for?

dredyoung A great Brazilian movie called "The Middle of the World", which, in fact, it is in so many ways. It is a rich but unpretentious chronicle of an extraordinary journey of one rural Brazilian family. The father is illiterate and unable to find work. Romão (the father), Rose(the mother), and their five children, from a teen to a baby, begin to make a journey on bicycles and head for Rio de Janeiro, which is 2,000 miles away, to find work. They face all kinds of physical and emotional hardships along the way, seeing many kinds of villages, dirt roads and superhighways, and desolate to spell binding scenes of nature. They beg, do odd jobs, sing in outdoor cafés for money, scrounge around in old abandoned homes, swelter under the blazing sun, almost die of thirst, and sleep under the stars; yet all the while, they keep trying to survive and maintain their love for each other, which is often tested beyond limits. The husband and wife relationship has classic features that are displayed poignantly and expertly. They exhibit a kind of yin and yang pattern with Romão being a strong, soft spoken, intensely patient, idealistic optimist and Rose being the one who verbalizes their feelings of love, sympathy, joy, as well as despair, fear, and anguish. She is also outspoken when their frailties have been overtaxed and when there is a need to be practical. Her pragmatism and his religious convictions balance each other out. Nevertheless, they are able to switch roles as the one to comfort, encourage, or recommit to the challenge when either has had enough and is losing hope and faith in their vision. With no competition from age-group peers, the character of their parents seems to be emulated as role models by the children. As a sub-plot, the teenager, Antonio, is in the middle of growing into manhood. The Father, Romão, exercises patient parental control through mild rebukes and testing Antonio's mettle by letting him use his judgment and make mistakes, but he also subtly guides him with silent looks of acknowledgement that builds Antonio's confidence in himself. Rose, the mother, gives equal guidance by emphasizing caution and protectiveness but also gives him a sense of profound mother-love that becomes his foundation of security. When the father senses Antonio is ready to emancipate, the mother does not want to let go and the father, in his wisdom-love, states simply and firmly to Rose, "We do not own our children." When Antonio is left behind to follow an occupation, the strong and positive family dynamic continues to the end of their journey. Finally, when at their destination of Rio de Janeiro, and expressing the powerful spirit of this family, their triumph is symbolized in a mountain top experience as they stand together viewing Corcovado's Statue of the Christ and overlook the prize of their victory, the city of their dreams. As they crossed the 2,000 miles of their courageous journey, they witnessed the many ways in which the nation they once knew is rapidly changing. It was a raw, earthy, beautiful story. It gave such a realistic picture of Brazil as a whole. It is a beautiful country but also has such vast differences between the rich and poor. The movie also showed what a big and truly dominant role religion, and religious superstitions, plays in the lives of the poor, illiterate 'peasants'. At 'The Middle of the World', two different worlds, the new cosmopolitan and the old world, stand on the same piece of earth!

lexicon8 I loved this movie!It is so refreshing to watch a non-pretentious film that illustrates the realities of poverty and the search for happiness without making you want to jump out of the nearest window! Normally, Latin American directors tend to emphasize and exoticize poverty-stricken towns and characters by dwelling on the families' strife and hardship in order to extract superficial emotion from the spectator. Mr. Amorim, however, deftly maneuvers around these themes with a sincere and compassionate and humanistic eye. "O Caminho das Nuvens" is a funny and modern road-movie that takes you where you want to go...places you may have been before, but may not have seen in such a fresh and authentic way. Muito bom.

annepg Rarely does one have the opportunity to see such a unique, honest and beautiful movie, specially when it comes to dealing with such difficult issues such as poverty, a family's struggle to stick together and overcome all sorts of misadventures. This is a beautifully shot road movie on bicycles - based on a true story - that can be compared to The Bicycle Theif, and another Brazilian master piece by Nelson Pereira dos Santos: Vidas Secas (Barren Lives, is the English title) (based on a novel). Everyone should get to see this movie.