bkoganbing The Midnight Story has Tony Curtis starring as a young motorcycle cop who was raised in an orphanage and the priest who ran it is knifed to death at the midnight hour. As this priest was the single most important figure in his life Curtis wants to get reassigned to homicide to help catch the killer. But he doesn't get reassigned so Curtis quits the San Francisco PD and goes to work on his own. Someone in that Fisherman's Wharf community did the deed and he'll find who it is.His suspicions fall on Gilbert Roland playing his usual happy go lucky self as one of the fisherman, but Roland is a man who is hiding something obviously.Curtis's efforts to ingratiate himself with Roland work only too well. He gets a job with him and even boards with his family. He grows to like him and even more important he falls for Marisa Pavan who is Roland's cousin who also boards with him.Coming right before Tony's breakthrough role in Sweet Smell Of Success, The Midnight Story is a small indication of what Curtis was capable of. He turns in a fine job as the troubled and conflicted cop who wants more than anything to believe Roland is not capable of killing a priest. The real star of the film though is Roland. This part is one of the best he ever did on film.Some other outstanding performances are Argentina Brunetti as Roland's sister, Ted DeCorsia and Jay C. Flippen as Curtis's police superiors and one that is brief but memorable is Peggy Maley as a potential witness who could finger someone else for the murder. Her scene with Curtis, DeCorsia, Flippen, and Russ Conway as the cops questioning here is quite memorable.In his memoir Tony Curtis said he liked this film very much. So will you if you see it.

Spikeopath The Midnight Story (AKA: Appointment With A Shadow) is directed by Joseph Pevney and written by Edwin Blum and John Robinson. It stars Tony Curtis, Marisa Pavan, Gilbert Roland and Jay C. Flippen. Music is by Joseph Gershenson and CinemaScope cinematography is by Russell Metty.When a San Francisco priest is murdered, friend of the priest, Joe Martini (Curtis), a traffic cop, gets a hunch and ingratiates himself into the family of the man he thinks is responsible.Somehow it has become one of those 1950s black and white crime movies entered into film noir publications. It doesn't belong in that particular filmic chest, but it does ask to be sought out by fans of such 1950s fare. In actuality it's a whodunit? Thrusting a handsome and restrained Curtis into a murder mystery while his emotions get whacked from all sides. Filmed (joyously so) and set in Frisco, the makers never once play their hand to reveal what the finale will bring.The everyday life of a working and loving Italian-American family is vividly brought to life, luring us in to their world as intrigued but concerned observers - the North Beach District a sweaty backdrop just waiting to spill its secrets. Pevney keeps things brisk, never letting things sag, even as the inevitable romantic thread dangles (it's 1950s Tony Curtis after all), there's always an air of suspicion and mystery pulsing away in the narrative.Curtis fronts up for dressage, but delivers promise on an interesting role, but it's Roland's movie all the way. A damn fine turn that only comes to being in the final quarter. In support there is the sturdy presence of Flippen and Ted de Corsia, both of whom leave a telling mark. Each and all building to a finale, which may not contain the wallop one had hoped, but strikes a positive note and rounds it out as a film to seek out. 7/10

Denisenoe I'm only going to comment on Peggy Maley. This actress appears only twice in the film but her "Veda Pinelli" really stands out. She is enthralling as she possesses an odd sort of tough, working-class glamor. Peggy Maley looks luscious and delightfully feminine in her silky housecoat and later in an average dress set off by clattering bracelets. She even assumes a kind of movie star glamour when she dons sunglasses to cover the black eye she gets from her husband (never seen in the film) for "stepping out." I watched this movie a second time only to see Peggy Maley as the enticing and vulnerable Veda Pinelli.Peggy Maley may be best known for delivering the feeder line, "Whaddya rebelling against, Johnny?" to Marlon Brando in "The Wild One" but "The Midnight Story" may be her best and most vibrant work.Here's to you, Peggy Maley!

secragt Just saw this in a double bill with Six Bridges To Cross (another Tony Curtis noir from the same era, also directed by Joseph Pevney) as part of the American Cinematheque Film Noir Festival. What a buried treasure! Pevney was wonderful at rich characterization and the portrayal of the Italian family in this story is nothing less than one of the most heartwarming and charming in cinematic history! Argentina is priceless as the matriarch, outdoing Olympia Dukakis' similar role in Moonstruck. Well-defined roles, clever psychological dynamics and a downright pithy script lift this far above the average crime melodrama, which you might otherwise suspect this would be based on its seemingly standard "cop goes against system to avenge death of his friend" plotline. However, there is a lot more going on in this picture and the performances are uniformly excellent. More importantly, while there is mucho complexity inviting lots of analytical "academic flapdoodle," this is at the heart a highly entertaining piece which lays out a challenging conflict and finds a way to nimbly avoid the cliches and build to an ultimately satisfying solution. If you are a fan of noir or the versatile Tony Curtis, don't miss the chance to see Curtis shine in the straight man cop role for once... If you just like a good crime drama, you'll also want to check this neglected diamond in the rough!