purahey A slight sadist-evil indifference towards either the Catholic church or the american indigenous people may be found on the ones who don´t like this film at all. I can´t understand how this was a commercial failure: is that evidence that indigenous people are being ignored or discriminated (after hundreds of years of being treated as such) even in movies today?

skexis64 It's rare to see a movie treat reverence with, well, reverence.This film treats viewers to one man's journey from being engaged with a crew of slavers to finally giving up his mercenary lifestyle and reaching out to members of a tribe of natives in order that he can fortify both his own life, and theirs. Mutual understanding is the goal of De Niro's character, Mendoza, but the tribe have been mistreated in the past, and they are distrustful of the initial hand of friendship he extends. This is partly because Mendoza has former ties to the slavers, and partly because he now represents an authoritative religion in the Jesuits.Though the Jesuits' (and the protagonist's) credo is beneficent, he must consistently work to earn their trust in the hopes that both groups of people will finally be able to engage with one another symbiotically. He brings them a view of the world that is rigid in some ways, but with enough humility from his travails and enough compassion to compromise when necessary.All is not well, however, because though Mendoza and his mentor, Father Gabriel eventually earn the trust of the Guarani, elements within the governments backing the two peoples are pushing for a sectarian approach to the land, and its people.Mendoza and his mentor eventually decide that what motivates them is a love for the people, rather than a rigid adherence to the institutions that caused the situation to spiral out of control. Their efforts and the fate of the people caught under the governmental territory dispute come to light only as the movie progresses.The performances of all actors and especially the soundtrack to this movie help make it a stunning period piece in the history of rapid religious and imperial expansion, and provide a somber look at how one man can, with diligence, empathy, and sincerity, build bridges that unify, and that send a message of hope for the future.

Kirpianuscus one of film who must see. for no a precise motif. but for its fascinating science to explore states and landscapes and remarkable actors and the potential of story. for its magnificent authenticity. because it is a manifesto. not about the sacrifice, generosity, the way of Saul from Tars, about the madness to be support for the others, about faith in its simple essence but about the manner to be of our society. so many splendid scenes ! a Robert De Niro who reminds the great art of an actor who could change everything on screen for his science to use the nuances of role as precise tools. James Irons as the perfect partner of De Niro.and the story. a story about souls and about fundamental purpose to guide, protect and be one of themes. a film about an old period. who risks to become others.

Luigi Di Pilla The Mission has been recommended to me through a friend of mine. This film is based on true events about the Spanish and Portuguese colonialism in South America in the 18th century. It shows in easy way the brutal combat against the Indians. There are a few themes that gave me to think even later. For example the position of the church and the hungry idiots that wanted enlarge their power in these poor countries against every price. An historical event that in reality continues nowadays on our planet. I take with me one of the sentence heard in this movie: "The world is so". "No, it is the way we did the world!".....Robert De Niro delivered no doubt one of his best performances. Don't expect mega action show. In fact the fight scenes are executed poorly. The cinematography is also not at the top. Don't forget, it has been turned in the midst eighties.The music of Ennio Morricone was well adapted. 7/10. If you like to discover more of that time don't miss "1492: Conquest of Paradise" with Gérard Depardieu.