The Monster

2016 "Stay in the light"
The Monster
5.4| 1h31m| R| en| More Info
Released: 11 November 2016 Released
Producted By: Atlas Independent
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Synopsis

A mother and her 10-year old daughter are trapped in a forest. There is something in this forest. Something unlike anything they have heard before. Something that lurks in the darkness and it’s coming after them.

... View More
Stream Online

The movie is currently not available onine

Director

Producted By

Atlas Independent

Trailers & Images

Reviews

carvela35 Extremadamente larga. Con escenas innecesarias y muy aburridas. Pretenciosamente intelectual
billy_dan_courtney If you think people walking around slowly in the rain with the camera cutting back and forth between the same two characters for an eternity is scar6 then you'll love this one. Wasted flashbacks trying to dthe fellow the characters you don't care about in the first place. Tedious is the best word I can think of. I found myself exhaling and sighing in frustration just wanting something to happen.
unkinected This is a monster movie in the same way that Pan's Labyrinth is a monster movie; there's a horrible beast in it, but it is only secondary to the plot.The trailer and description of this movie do it no justice. This is a movie about the relationship between an alcoholic abusive mother and her daughter, and it is at times difficult to watch because of the raw intensity in the scenes. I found the emotions and actions to be very realistic, and the love/hate relationship from both sides - but especially the daughter - is written perfectly; fans of child psychology will eat this up.OK, so the monster is there. It is done very well, and the tension derived from the horror aspects are well handled too. With only a few jump scares, the movie relies more on the darkness and mood to cause you unease. There is some action around the monster that is too light in treatment, but remember, this is not a movie about the monster. And in that sense, the cursory treatment makes more sense.The symbolism is obvious in retrospect, but it is a bit more literal than fantastical, unlike Guillermo del Toro's Pan's Labyrinth. You can very much take this movie at face value; as if the action is really happening. But there's an entirely other level to it if you want to take the leap. We all have demons, and these two characters have their fair share that manifest themselves in a few ways on screen.I really enjoyed this movie and was moved to tears. It is bittersweet; at the same time horrifying, raw, and very dark in soul, but yet leaves you with a sense that one can still go on, despite enormous trials and tragedies. For those who've had difficult relationships with a family member, or have faced incredible loss, it is especially touching. It's a rare movie that can stir a full range of emotions. It's not perfect, but the talented cast and crew put together something that will stick with me for a long time. Kudos to them all.
pesic-1 You really just want to punch these characters in the face more and more as the film progresses. With every new instance of whining, cursing and pointless bickering, you feel the anger and frustration swell inside you. I wanted the monster to eat them and get it over with. I have never seen characters that annoyed me so much and made me hate them. And it took less than 30 minutes for that to happen. It's amazing. Add to that the poorly written dialogue and plot, and you get one difficult movie to endure. Forget the terror coming from the threat the monster poses. The real terror is waiting for the characters' mouths to open, as one anticipates the crap that is about to come out. The characters are so poorly written that they are not even consistent in their annoying behaviour. Oh no. The scared girl who five minutes earlier wouldn't even leave the car suddenly enters the woods for no reason. Then she sees something scary, but still doesn't run back to the car, and instead calls to her mother who (as everyone in the audience knows by now) has no intention of paying attention to her. See, if we know she is not going to answer, but the girl (who, as the first act of the film has established, knows how deranged her mother is better than anyone in the world) acts as though she doesn't, that makes the audience angry and frustrated. Unfortunately, almost every round of dialogue between characters and every action they undertake is at best questionable, if not outright nonsensical. I was screaming by the time the monster made its appearance, but not from terror; I was screaming at the characters, hoping they would die.