The Pornographer

1999
The Pornographer
5.2| 1h29m| R| en| More Info
Released: 03 October 1999 Released
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Country: United States of America
Budget: 0
Revenue: 0
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Synopsis

A socially inept man's amateur porn film wins him a contract with a small-time pornography distribution company, where he faces a series of moral crises and is forced to face his own porn addiction.

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bob the moo Having had a repressed upbringing where sex was taboo and never discussed, Paul's first contact with porn both disgusted and aroused him. In his mid-twenties he is insecure around women, has a large porn collection and regularly uses prostitutes and attends strip bars. Having had zero luck with recent attempts to get a date, Paul falls deeper into porn and gets critical of its low production values on the whole. Buying a camera, Paul starts to make his own porn movies with prostitutes and a male friend and decides to take his videos to a production company – however offers of a contract seem to depend heavily on Paul bringing a fresh, unfilmed girl with him to the studio.This film was put on late night Friday on channel 5 in the UK – a slot that is usually filled with cheap softcore movies with vague plots and were it not for the reasonably interesting plot summary I would have just ignored it as with so much trash. In terms of softcore action there is a fair amount of nudity but it would be unlikely to satisfy those looking for cheap thrills because, although it looks low budget, it has nothing in common with the pure titillation stuff. This left it open to be a lot more interesting and morally complex and it does do that reasonably well even if it isn't totally convincing in the way that the plot still tries to be a narrative in its own right. It is the story development that is a problem but it still lingers in the murky and rather shameful world of porn long enough to have value as an interesting film on the subject even if it fails to go deep enough into the material or the characters to really stick in the memory.The direction is pretty cheap and not that interesting; his writing is good but his budget never allows him to make it look like more than it cost. The cast is limited as well although some of them are good. DeGood is interesting and his narration helps his performance rather than replacing it – also, it isn't his fault that the material develops his character too quickly and in unlikely ways. Wasson is basic but effective while Cain is sweet and clumsy (an effect that is either deliberate or caused by her not being that good, not sure which but it works either way). The rest are very much video actors and felt clunky; this didn't damage the film that much though because it already had a low budget feel.Overall the film had enough murkiness and comment to be of interest and it is this aspect that you will enjoy. The narrative is little more than a frame but at times the film makes the mistake of making that the focal point and loses sight of the themes within it. Add to this a low budget feel in terms of acting, directing and sets and it is hard to take it totally seriously. Worth seeing once though for what it does well.
generic230 After seeing this I was impressed by so many things, but it felt so After School Special, and here's why: The writing is really good, and the writer Doug Atchison did a wonderful job of getting some amazing performances out of his actors, but the whole damn thing is lit like a sitcom. There is absolutely no MOOD, or AMBIENCE or TONE. Like in Boogie Nights. The shots are all really flat, and lit like a sunporch. The camera wasbasically locked down and aimed at the scene. That is a real shame, because this movie could have been even better. Doug, you;re an amazing writer, but PLEASE, let someone else direct it next time. You need someone who has a visual style. Like Alan Ball had Sam Mendes on American Beauty. The writing was stellar, but the director put it together visually. I hope you make more films, you did an excellent job.
El Dangeroso This movie is hysterically bad. Complete with stereotypical characters, bad acting and a total lack of plot, this movie will keep you laughing for hours. My favorite part is when Paul (the "artistic" protagonist porno director) gets into a fight with a girl and then runs to his closet full of porno movies and tears it apart. Imagine the world's biggest hissy fit in a closet, and you've pretty much got the idea. Also enjoyable is the Spano character (the porno boss). Spano is happy and helpful one minute, cartoonishly vengeful the next. If this movie were good, it would star Mark Wahlberg and be called "Boogie Nights." Watch "The Pornographer" for laughs, watch "Boogie Nights" if you want to see how it should have been done.
lliebe1 I have just seen this movie not 5 minutes ago and was absolutley blown away by this peice of art. Yes I used piece of art, cause this is ultimately what it is. I am in the film and theatre buissness and have not been touched, moved, and overjoyed over a film since I first saw Memento and before that was the first time I saw clerks. This work was an amazingly shot and acted piece it left me in tears. The fact that it was an indie flick makes it that much more clear to me that the best work in the business is coming out of independent film. The film showed the touching story of corruption in a man that seems like he can't be. You feel for every character in this film including the pornography producer. If you want a film that is just a joy to watch and makes you feel something get this one instantly