ogden_fahey Saw this tonight and felt obliged to look up this film online, its apolitical kitchen sink drama for the naughties - or noughties, or whatever - but its more than kitchen sink, its Shakespearian with its symbolism. Poor Britain, it has descended into lad-ism and porn, gone mad between temptation and boredom, the sickness of newsfeed represented by shocking violence, irresponsibility and real games. I'm seriously impressed with the writer who got all this into the script, I "got it" Its not for the faint hearted, a lot of things aren't, but if you're a player, or want to be - well you might be surprised what actually goes on. I hope to see more from this director.

ellkew I am surprised so many people really hate this film. I thought it was quite brave in the way it approached its subject matter and for me it took me down a different grittier path to the sterile world of the ordinary polished British film. I never really knew where this was going which again I enjoyed (you can plot the direction of a Richard Curtis film after fifteen minutes) and it left me thinking about why other films don't do this. It was by no means ground breaking and the characters were unpleasant but then so was Travis Bickle. It had some strong scenes but on the whole it didn't quite hold together. Marc Warren was the best thing in it and I would probably watch most films with him in. Could have been better but still gave me some nice surprises which I can't say about many British films.

SuPeRCrAzYoi Disgustingly dull movie about some selfish, self centred individuals. If it had concentrated on the themes of abuse, bullying, alienation of the lower classes and subculture, it might have had something to say. It didn't. Its lost in the vapour of its own pretentiousness. Unnecessary graphic orgy scenes. Yes they are meant to be metaphoric, but you know, it could been done with a little more enthusiasm, which the whole film lacks. Utterly contrived. All the actors should be shamed for the exploitation that this movie got from them. All this from a female director. What a waste of time. Who was this aimed at? what was its goal? Totally misguided. Badly filmed. No creativity in editing. Nothing.

LLB212 This hypersexual hyperviolent film winds up addressing serious issues perhaps in spite of it self and its writer-director Penny Woolcock who was present at the screening I saw along with female lead Sienna Guillory at the Toronto Film Festival. Paul, a would be writer, starts a primarily sexual relationship with Juliette including carefree intimacy in public which gives Paul the sense that he is living life on the edge. Also in his life is Billy, the apotheosis of the edge and a good stand in for The Prince of Darkness. Ultimately Paul must address the difference between observing life and living life and having a fantasy vs. living a fantasy. Do things have a point or are things the point in themselves? This film is strong enough to not provide answers.For those who have asked the question, Ms. Woolcock replies that the bare-knuckle children show that Billy is always moving on to a higher level of outrageousness.