The Punk Singer

2013
The Punk Singer
7.4| 1h20m| en| More Info
Released: 29 November 2013 Released
Producted By: Film4 Productions
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website: http://www.thepunksinger.com/
Synopsis

A look at the life of activist, musician, and cultural icon Kathleen Hanna, who formed the punk band Bikini Kill and pioneered the "riot grrrl" movement of the 1990s.

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capone666 The Punk SingerThe key to empowering women is to tell'em men are into empowered woman.Or, you could do as this documentary denotes and front a punk band.From her humble beginnings as a spoken-word poet, Kathleen Hanna has confronted audiences with feminist issues.However, it wasn't until she learned that she could reach a wider audience through music that Hanna's unique voice was finally heard.Through her bands Bikini Kill, Le Tigre, The Julie Ruin, and her outspoken contributions to 'zines, Hanna pioneered the Riot Grrl movement.Entrenched in the '90s music scene, she also influenced Kurt Cobain and Sonic Youth. But in 2005 her successful singing career ended under a cloud of secrecy. Insightful and engaging, The Punk Singer is a rousing portrait of an activist and artist few know, but many should respect.Furthermore, feminism and punk rock have a lot in common: piercings, hair dye and no mainstream acceptance.Green Lightvidiotreviews.blogspot.ca
steveg-264-66591 Kathleen Hanna, the talented lead of a 90's punk band makes waves appealing to a niche audience of punk rock fans that admire or agree with a feminist stance. No, stop...it wasn't the music (aside from her)turning people off - it was because the group is admittedly horrible and unapologetic about it. I'm not invested in this film, nor have I ever heard of them. I just find it odd that Kathleen scrawls "Incest" on her chest before live shows and then bemoans the consequence when people think she suffered from it. (go figure).This was during the 90's? What serious systemic anti-feminist movements were occurring? She goes on to state her boyfriend made jokes around inequality. So she dates him on the sly for years.I would never sexualize this woman. I don't need to, to make her and the band to become irrelevant.
willimar I saw this movie after reading the siff website and went to check it out. In my opinion it is a well-made biographical documentary that outlines the Northwest music scene. It taught my friend why it "smells like teen spirit" and it taught me what a feminist band is. I was interested in seeing the feminist movement that grew out of Olympia, Washington. The movie is youthful and tragic. It is easy to sympathize with the characters.Though I was not familiar with anything regarding Kathleen Hanna's life before seeing the movie, there is for sure a charisma that radiates from Kathleen that is well depicted in the film. But I am not one to judge whether it is a factually accurate documentary. It shows her entire life from early to late years and I was especially intrigued to see her reflect upon her youth.
aawhitham "I'm your worst nightmare come to life! I'm a girl who you can't shut up!" On an old home video in a tiny living room, a woman screams about pain, feminism, and the aggression of men in Olympia, Washington, in 1991. It's the voice of Kathleen Hanna, who will front groundbreaking punk band Bikini Kill and feminist party band Le Tigre, help launch the Riot Grrrl movement, inspire a mainstream grunge rock scene dominated by men, and courageously and emphatically serve as the mouthpiece for every girl who thought she could only whisper things in her bedroom.Over 20 years later, Hanna is finally given her day in rock history in director Sini Anderson's award-winning documentary THE PUNK SINGER. The origin stories this born leader, third wave feminist icon, and ultimate low-fi artist are brought to life through archival footage, intimate interviews, and commentaries by Kim Gordon, Carrie Brownstein, Ann Powers, Adam Horovitz, and former bandmates. Hanna's in-your-face activism—through lyrics, zines, and manifestos—moved women to the front, literally and figuratively. Two decades later, Hanna is still ripping down barriers of music and gender and art, still proudly saying "Stay out of my way!"